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Discussion in 'The Stomp Box' started by MilwMark, Apr 28, 2014.
Standard SD-1 or Waza?
Waza. I felt like the buffer was more invisible when I A/Bd them. Could have been my imagination.
I've gotta agree with the DOD 250. I'm using my [Grey spec clone] like a slightly dirty boost and nothing else I own sounds as good!
Currently DOD 250>Movall Firefly>RAT>DOD FX-52 classic fuzz.
Surely I have posted here before. TC Rusty Fuzz, TS clone Kokko, Soul Food
Surprise update - I have been trying to simplify even more. As part of that quest, I tried a T Rex Soulmate. Perfect! One cable in, one out, one power supply. Weighs under 5lbs.
Very high quality buffer and effects. Nice gain-staging - clean, OD, Distortion, OD+distortion and a boost that can be used with any of those combinations. It also has a nice delay and reverb. *Edit - oh, and it has a tuner. Which seems to work just fine to me. Mutes the signal. Makes the guitar sound in tune.
The effects are to my ear all tuned for stage. They sit and work really well in a mix.
First rehearsal yesterday. Best feedback came from our bassist (also a professional sound guy) - I heard no change from your fancy individual pedals board.
Maybe it's time to learn how to sell on Reverb. Old Rats and KTRs and DD2s, oh my!
The funny part - after all that obsessing over nuance - I don't even really know what the OD and distortion are! I just know they sound greet, combine well, and have the dynamics I need.
Glad you like it.
I love mine. It's the only pedal with dirt that I've used since I got it. Do wish it had a tremolo (like the old Carl Martin Quatro did). Sometimes I add a trem or a shimmer pedal between the Soulmate and the amp.
My recollection is that the OD is based on the Moller, which is a TS style, and the Dist is based on a Mudhoney, which I read somewhere is Rat-based. In the end it doesn't matter, they sound great!
Don't you need tremolo? Or are you using the DR's footswitch?
Not if you roll your volume knob up and down really fast. Sure, I can't do that while playing, so I consider it a "ducking" tremolo.
I do that to "be cool" at the end of a song.
Rat, TS9, Soul Food, SD1, DS1, Freq Boost and 2 amps with OD channels...I'm good as well. Took me some time to realize it, but sometimes, contentment is right under my nose.
I swap the TS9 and the Rat out depending on what I'm playing, and obviously, I can swap in any of the others whenever, but I'm much happier with fewer options.
I do use the DR's trem.
Or more recently, the '68 CPR. It has a great trem. And I'm realizing it's plenty loud for almost everything we do.
Thanks. I use amp trem so I'm covered. The chorus on the delay and the LFO Reverb are pretty useful to "fake" having a true modulation pedal also. I end up never using true modulation pedals because they are hard for me to manage and fit in the mix anyway.
congratulations! Are you still GAS free?
(edit - I broke my own rule, I didnt read the whole thread... too long... my apologies)
I'm so over it all, people were going bonkers for the Joyo USA for 20 bucks... and I looked and thought, nah. Its just another one. I cant be bothered.....
You're right, they all do the same thing more or less and the only difference I can tell from most of them, is the midrange voicing. And the only thing that really means, in practicality, is that X pedal will work better with Y guitar or Y plus Z amp, and theres a million combinations.
The rest of it, the 99% important part, is what you play.
Good question. I am now.
The distilled version of this thread is that "still" would be an overstatement. Over the tortured 3 years of this thread, I've gradually winnowed down, and my buying/trading slowed way down and only occurred with purpose.
But now it has stopped by default and by force. I have nowhere to "put" a different dirt pedal. My board is the Soulmate and whatever is not in it, I won't use. No pulling out two patch cables and a daisy-chain plug, and swapping something in.
I'm even seeing if I can ditch the volume pedal. I could in theory patch one into the Soulmate but would prefer not to. Over the last several shows I've been acutely aware that all stage presence disappears when working the volume pedal. It's hard to bounce, tap, crouch or do other shenanigans with one foot stuck to the volume pedal. Seemed ok to go without, after one rehearsal.