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Discussion in 'The Stomp Box' started by OwenHu99, Jan 11, 2018.
Menatone Red Snapper 3. Worked on jazz stuff for me.
Any low gain tweedish pedal or amp should do the trick. I think it's more about how he uses drive to enhance harmonics that's the secret. I'd say the amp is fairly cranked while the volume knob on the guitar is turned down quite s bit. Combine that with a very light touch, and of course tone knob rolled back, anf you should be able to get close to that.
I too was pretty taken with his tone on that recording, and pretty floored to see that it was just a tele and a champ! That said--maybe I am missing something, but I find it pretty amusing that TDPRI is advising you to go Dumble to get a Champ tone! (no offense to anyone I hope!) I've tried most, maybe all, of the tweed pedals out there and I would say--get yourself a Lovepedal Les Lius. So good. It has the magic. Especially at a low gain setting.
Julian uses this:
Caline pure sky
But seriously, why not just get a champ-clone? A clone built from a kit is usually not much more expensive than a new botique pedal.
I went all over with this and ended up getting a really nice slightly overdriven tone—and I mean slightly—with a few different pedals.
My sonic goal is jazz/blues in the 40s and fifties, so think from Charlie Chrisan and t bone walker to Barney kessel to Kenny Burrell on blue note. I play a guitar I made with a p90 in the neck position
The problem with most drive pedals is they cut out low end. Here are some my experiences, using a Hendrickson jazzamp
TC electronic mojomojo— cheap and effective, reasonable touch responsiveness with lots of low end available
Catalinbread formula 55. Very dark. Adds a TON of compression. Very sensitive to changes in the guitar volume knob
Moog mf drive. Totally cool pedal which as a wide range of great sounds, and can add slight saturation at any frequency level
Supro drive. Too much gain and a little noisey but the most amp-like pedal I’ve ever played.
Supro trem—paydirt! I was looking for a good trem pedal and this pedal comes with a preamp similar to the one I the Supro drive. You can set the gain level to add distortion. At the lowest setting, with the trem controls off, you get this really great mild saturation that adds space and harmonics, but feels like an amp. I did a review of it here that includes sooundclips
Sorry to spoil the party but I think with the blues jr. you already have the right tool – more dynamic edge of drive tones than any pedal. Just crank it up (volume if you can't play loud, master on a gig) dime the treble a bit and experiment with the fat switch. If that doesn't quit get you there, try an alnico speaker like a a Jensen P12. It makes the amp a bit quieter but takes it even more into tweed land.
D-style OD pedals seem very popular with neck humbucker users
For single coils, a tweed or Valco type pedal might work better
I use a Greer Ghetto Stomp to replicate the sound of my Ampeg Jet through amps that fill a bigger space
Ampeg Jet - Wonderful bell like tone.
Caline Pure Sky
I agree with this, btw, except I don’t think it spoils any parties.. I’m very happy with the tone I’m getting from solid state amps, but the blues jr is a really great amp—I just bought one. It’s more noisy, but it does a moderate volume jazz tone well
I have one of these and found it useless for my idea of a good jazz tone
Don't forget the heavy gauge strings. Just a guess, but I doubt there's Super Slinkys on that tele.
Sorry if someone has stated this already, but I didn’t see it. Looks like he is playing straight into a low wattage tweed. If you can’t get that from your current amp, I’d suggest a pedal that is designed to do that...I.e. a Red Llama, Les Luis, or maybe a Wampler Tweed ‘57.
Ok, I listened to the player. In my opinion his playing is great but his tone is not that hard to attain in terms of gear. There's some overthinking going on here...all you need is a Tele, a small amp, something that imparts a little gain, and the rest is up to the hands.
Nocturne Barnyard pedal. For that type of tone you really want to push the bass notes over the edge first. Real loose bass is what helps you get that mild OD compressed tone still with detail.
Sorry but I have to respectfully disagree with those who think the BJr. is good for this mix. I’d look at other small amps.