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Just ordered my first Marshall amp.

Discussion in 'Bad Dog Cafe' started by Ironwolf, Apr 4, 2018.

  1. Ironwolf

    Ironwolf Poster Extraordinaire Gold Supporter

    Age:
    62
    Mar 11, 2008
    Boise, Idaho
    When I ordered mine at GC the date I got was approximately May 20. I hope they come in sooner.
     
    Jakedog likes this.

  2. Mike Eskimo

    Mike Eskimo Doctor of Teleocity

    Nov 9, 2008
    Detroit
    Wow - they pushed them back exactly a month.
     

  3. Mike_LA

    Mike_LA Tele-Afflicted

    A common misconception.
    People ask, "Why would you ever need 100watts these days?"
    For massively clean and sparkly headroom.
    My 1964 Princeton Reverb sits in the vault because my marshalls do cleans just as well . . . .
     

  4. WetBandit

    WetBandit Tele-Afflicted

    Age:
    27
    Oct 11, 2016
    37804
    But Marshalls are a different flavor of clean...i mean what was the first Marshall? A modified Bassman circuit that offered more and tighter gain.

    So, not saying a 100w Marshall isn't good/ can't do cleans well, but they are more identifiable in my mind for od/gain tones because that's what they were designed for.

    if you want MEGA volume/clean headroom my brain says ... get a high powered twin, or an AC30

    "Different strokes" I guess.

    I mean you can use a Ferrari for low speed driving, but that's not what it was intended for.
     

  5. Mike_LA

    Mike_LA Tele-Afflicted

    Identifiable to your mind, have you ever played a Marshall 6100?
    The clean channel was designed to get amazing clean tones, and it does.

    Yah but then I don't own a Pinto just to go to the grocery store when my Ferrari will get me there just fine . . . .:lol:
     
    Last edited: Apr 17, 2018

  6. Ironwolf

    Ironwolf Poster Extraordinaire Gold Supporter

    Age:
    62
    Mar 11, 2008
    Boise, Idaho
    Marshall cleans are different from Fender cleans and Vox cleans (both of which I like and have examples of). The 50 watts allows the headroom for a lot of clean volume before the breakup and crunch begins. Play with the volume and tone control to force it into crunching if you wish or reduce the amp's volume enough to require a boost or light drive pedal to kick it over. Hmm, sounds pretty much like how my Blues Deluxe operates, just a different tone.
     

  7. Whatizitman

    Whatizitman Tele-Meister

    138
    Feb 18, 2018
    WV
    I just ordered the DSL20cr combo, in part 'cuz I didn't want to wait for an origin. But in reality, the origins may be more what I want. I don't need tons of gain. But I'm hoping I don't have to goose the clean channel much to get what I like. I'm used to working within limitations of amps, though. The idea of the do it all amp is foreign to me. Worst comes to worse, I can exchange it. Provided the origins actually ship within the MF 45 day period. :eek:
     

  8. Whatizitman

    Whatizitman Tele-Meister

    138
    Feb 18, 2018
    WV
    I hope I chose wisely getting the DSL over the origin. In part for the extra versatility. The origin is a one-trick pony. That's actually ok, for me. But for the money, if I can get in the range of sounds I truly like with some extras, it would be nice.

    I had a 70s JMP 1987x, with a 70s 4X12 w/greenbacks ~20 years ago. Like an idiot, I sold it for pennies, compared to what it's worth now. But what it was good for (big, loud, crunchy with a creamy filling) was not what I was able to do.

    Nothing. And I mean, NOTHING, I have played before or since can equal that setup in terms of tone and feel. I am in no way expecting the origin to be as good. Even if it's great, I don't think it's earthly possible to be either as good or the same as an actual plexi or JMP NMV.

    At least that's what I keep telling myself. :p
     

  9. WetBandit

    WetBandit Tele-Afflicted

    Age:
    27
    Oct 11, 2016
    37804
    No, I haven't played one, but from what I have heard they suffer from reliability issues.

    And some of them are 6L6 which is a totally non Marshall thing...imo

    One could argue that the supersonic was designed for High gain tones and does them really well...

    Still wouldn't be my first pick...or my second and not even my third.

    Idk I guess I'm typical in my thinking/generalizations on amps.

    Fenders/Vox = Clean

    Marshall/Mesa = Dirty

    Of course there are plenty of other manufacturers... but those four brands are the measuring sticks for all others imho.
     

  10. bftfender

    bftfender Tele-Meister

    470
    Dec 21, 2017
    York PA
    I have the new DSL40CR its a good amp and the Origin 50 head on order..but today hooked up my Bugera G20,,with el34 and played into the cabs i got for the Origin...now i know why i recorded and gigged this last go round...dang..with the broken in celestion greenies in a closed back crate 2x12 cab...best sound i heard since i started cycling tube amps this last 6 months...in the corner sits a satcked marshall dsl40cr a stacked mesa Express5:25, marshall Class 5 clone el34 pushin 7 watts, peavey delta Blues, Fender 68 CDR and Superchamp xd and this simple Bugera is kickin set up, got the cab for $50 loaded with the greenies..no one bothered to look in there and got the Bugera 2 years ago on Amazon when they ran em special for $220..i was like 20 watts el34 tubes for that price,,,i have been a/b ing all day and so far the G20 is nailing my tone for this go round..sorta gritty classic hard rock with blues and jazz and 3 songs pretty heavy
     

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