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#1 (permalink) |
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Tele-Meister
Join Date: Jun 2007
Location: sandstone,mn
Posts: 265
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tele volume/tone settings, preferences
alot of this depends what are settings are on our amps, but just curious where you guys (and gals) have your settings on your guitars. i'd say i'm better than 3/4 up on volume and about 1/2+ up on tone for clean sounds and the only difference for overdrives or distortions would be wide open on the volume and then using my foot volume. (just trying to suck your brains for tones tdpri...
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#4 (permalink) |
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Tele-Meister
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Generally I aim for 6 on the guitar to be where the amp's just changing tone (not breaking up just starting to get warmer) then I can tweak the tone by raising or lowering the volume. The rest is in the fingers (or plectrum).
Tone control? What tone control? :~) YMMV Ted
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#7 (permalink) |
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Poster Extraordinaire
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Let me play Devil's Advocate...
imagine that you have in your posession, an electric television, an old one that actually has knobs instead of one of those clicker things are you going to leave that television on the same channel and same volume all of the time? or are you going to play with the knobs so that the old electric television does what you want it to do when you want to do it? There, I thought that would cut through the propwash.
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"If you can't say something nice... don't say nothing at all." - Thumper the Rabbit "An awfully lot of time can be wasted waiting for the right time." - Gunsmoke's Doc Adams |
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#8 (permalink) | |
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Friend of Leo's
Join Date: Dec 2005
Location: Norway
Age: 61
Posts: 4,728
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Quote:
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#9 (permalink) |
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Tele-Meister
Join Date: Dec 2006
Location: Spain
Posts: 293
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The tone pot it's a frequency cut. The volume pot has a small capacitor and a resistance to avoid losing highs.
Therefore this is my view; if your amp has a dedicated eq section the equalization from the amp is going to be better than a simple pot. Besides, you can adjust volume without the tone being affected. Anyway, whenever you play live it's better a simple turn in your guitar pots than annoying your audience while you play with your amp settings. |
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#15 (permalink) |
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Tele-Holic
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Depends on the amp. Matchless and Naylor clean up nice if I'm pushing the amp and I roll back a number or two on the volume. With the Blues Jr. it just seems to lose it when I roll back so it's up all the time. Seems the same effect with either or both pups
For traditional jazz, tone 3/4 down, neck pup on only. One more thing. With my old DynaComp, I can set it so rolling back the Tele volume a bit lessens the comp effect. Cranking the guit's volume doesn't get louder, but the comp effect gets way more pronounced for longer sustain. |
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#18 (permalink) |
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Poster Extraordinaire
Join Date: Nov 2004
Location: Mint Hill, NC
Age: 62
Posts: 5,968
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i turn my amp up to the sweet spot (7 or so), then set my volume pedal to the band's volume floor so that for my full-out leads, guitar vol and tone are maxed. i'll roll the treble off for jazzy stuff, ballads etc., but for cranking out, it's usually at 10.
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Truth is stranger than fact ... www.myspace.com/woodymitchellmusic BAND PAGES: www.myspace.com/stragglerswing (Stragglers - Western Swing) www.myspace.com/loafersgloryband (Loafers Glory - '70s country-rock) |
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#19 (permalink) |
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Tele-Meister
Join Date: Jan 2008
Location: Summerville, SC
Age: 41
Posts: 431
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NEVER all the way up (unless plugged into a tuner). No matter how many times Jeff Beck reveals his secret of leaving his volume around 6 or 7, y'all just won't listen! Give it a try with some overdrive and you'll be hooked. Also, it enables you to turn up the amp which allows it to breath a bit more.
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#20 (permalink) |
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Friend of Leo's
Join Date: May 2007
Location: North NSW, Australia
Age: 36
Posts: 2,597
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This guitar has "phantom pot" syndrome. I keep reaching for them, but they ain't there. And ya know what? Pick softer = less volume and gain. Pick closer to the bridge = more treble. Pick closer to the neck = less treble.
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#21 (permalink) |
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Tele-Holic
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Depends. I spent 30 years as a volume pedal junkie. I am ALWAYS tweaking levels to fit the mix appropriately. For me, a volume pedal is something you just stand on and adjust sub-consciously as required.
Also - since guitar controls are purely subtractive (less volume, less treble) I set my amp to have too much of both. That gives me room to shape my sound easily. With pedal board (which includes an Ernie Ball volume pedal AFTER the compression/overdrive pedals): Set amp so that everything full out is a bit too loud and bright (65 DR with treble=8, bass=3) Guitar volume usually full up Tone 1/3 down for bridge, full up for neck Adjust overall level with volume pedal to fit the mix and adjust for solos Use guitar volume to reduce amount of compression/overdrive as desired This gives me the full range of dynamic behaviors AND volumes - important since compressors/overdrives take away control of your level from the guitar. Without the pedal board: Set amp so that when guitar is full up, it's a bit too loud and bright (especially that bridge) Guitar volume rides between full up and 1/3 down Guitar tone 1/3 to 1/2 down for bridge, close to full up for neck I frequently use the volume and tone controls as effects, too - volume swells and tone "wahs". So they get used ALL the time. I almost never run my Tele bridge PU with the tone full up, except for scratchy low volume rhythm parts a la Steve Cropper.
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---------- Tech Geek and Sensitive Artiste String bender ordinare! |
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#22 (permalink) |
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Tele-Afflicted
Join Date: Sep 2006
Location: Oregon
Age: 44
Posts: 1,370
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I turn my amp up 1/2 to 3/4 of the way and then ride my volume and tone all night long.
There are a WORLD of tones in a Tele when you use all of the controls.
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Just because I "Don't" get it doesn't mean I "Won't" get it! |
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