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| Telecaster Discussion Forum The world's largest Fender Telecaster Discussion Forum. Please keep discussion limited to Telecaster topics here. |
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#1 (permalink) |
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Tele-Meister
Join Date: Aug 2003
Location: Dallas, TX
Posts: 337
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Blonde, Butterscotch, Butterscotch Blonde ?
The original colors are confusing me. Please straighten me out.
Original 52 was butterscotch or blonde, over the last 50 years the finish has discolored to butterscotch blonde. Is this correct? and if so, which color is the "yellowish" color I'm use to seeing? I guess what I'm asking is, what color was this when it started out 52 years ago? Thanks. ![]() |
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#2 (permalink) |
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Tele-Meister
Join Date: Mar 2003
Location: Camden NSW Australia
Posts: 122
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I'll try to explain (but others will know better)...
... the original '50s broadcaster/"nocaster"/telecaster was issued in a "blonde" colour(Aussie spelling) which was a creamy colouring that allowed the grain of the body wood to be seen. These "blackguard' teles gradually yellowed and became darker with age (and sometimes with the smoke/grime/beer etc. that affected the finish) over many years. Gradually some buyers came to like the more yellowed colour of these originalteles and began to associate the "butterscotch" colouring with these old guitars. Fender even decided to market their 52ri in this "butterscotch" blonde colour, maybe to cash in on the perception that it was like that originally or maybe just because the "butterscotch" colour looks so good to so many of us.
I think that if you look at the current colour of a custom shop Nocaster you'll find that it is a little lighter and less "butterscotch" in colour. It's probably much closer to the original "blonde" of the 1950s. Anyway that's my understanding. Others will undoubtedly chime in if I'm wrong. Regards from Oz - bj |
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#4 (permalink) |
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Poster Extraordinaire
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Blonde to well, you decide.
Approx 5 -6 months ago, when newly painted blonde ;
![]() Colour right now ; ![]() Admittedly, the real colour in the top photo was slightly more yellow than the camera showed but there has been quite a change in such a short time.
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All those who believe in psycho-kinesis, raise my hand ! |
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#5 (permalink) |
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Doctor of Teleocity
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Original color
![]() ![]() 0le FUZZY |
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#6 (permalink) |
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Tele-Meister
Join Date: Aug 2003
Location: Dallas, TX
Posts: 337
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OK, now I'm just scared. I'm afraid of ending up with the wrong color. If it helps, I plan on using Reranch. The color I like is the bottom one. I also like the butterscotch of Keith Richards, it's more transparent. So Scotland, does normally change that fast, and is that nitro? I'm also hoping it doesn't change color over the years, yikes...
Thanks guys, I appreciate the help. |
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#7 (permalink) |
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Friend of Leo's
Join Date: Mar 2003
Location: Terre Haute, IN
Posts: 2,967
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Maybe these will help.
I assume your talking about ReRanch colors, since those are the name you use. Scotland can't get that in the UK, so his colors won't be the same.
ReRanch Butterscotch Blonde is a nitro paint that will obscure the grain if sprayed heavily. Butterscotch, however, is an aniline dye/nitro blend that will not obscure the grain. How dark the dye blend gets depends on how many passes you spray. Here are a couple of teles I did. One has Butterscotch Blonde paint; the other was sprayed with Butterscotch dye blend. Both have clear nitro topcoats. Different lighting with the pics, but maybe it'll give you an idea of what they look like. For comparison, here is a strat I've recently done with Fender Blonde from ReRanch. The blonde is much lighter than the Butterscotch Blonde. You could probably get a decent facsimile of what an early tele really looks like by using the Fender Blonde with a tinted topcoat. To answer your final question, if you put a clear topcoat of nitro or polyurethane on a guitar, it will yellow/darken with time. I've never seen one darken as fast as Scotland's, but I did have a baby blue Kramer that turned green after one year..... If you use an acrylic lacquer topcoat, it won't yellow as much.
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Of course, I don't see anywhere in my post that says it'll actually work... |
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#9 (permalink) |
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TDPRI Member
Join Date: Dec 2003
Posts: 32
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Speaking of butterscotch Teles... how come the 52 RI's that you see in the store aren't the same color as this?
![]() The ones on the Fender website and Frontline are always a crystal clear transparent finish, and the ones you see in the store are always more of a murkey semi-clear finish. Anyone know why this is?[/img] |
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#12 (permalink) | |
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Friend of Leo's
Join Date: Mar 2003
Location: Terre Haute, IN
Posts: 2,967
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Re: Kevin..
Quote:
The Butterscotch lacquer -- not butterscotch blonde, which is a different animal, altogether -- from ReRanch is a tinted clear nitro. It has a golden, yellowish tinge to it, and is actually quite yellow on the first coat. I got the amber tone by spraying about four passes (two coats) of the color on that body. As to why the 52RIs in stores look like they were dropped in a vat of highway departement truck paint, I don't know.
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Of course, I don't see anywhere in my post that says it'll actually work... |
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#13 (permalink) |
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Friend of Leo's
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Blonde ain't blond
Original '52s were similar to the current ones, finished with a translucent coat of yellowish colour topped with clear.
As Fuzzy said, that was a popular finish with furniture at the time. Leo's Tele prototype was painted in white acrylic and is still white today. In around '54 'blonde' became whiter until it looked like a limed finish, but still translucent. So the colour on 50's whiteguard Teles as original was pretty well as it appears today on 50's Classics. They have yellowed due to the nitro yellowing. Old No. 1 ![]() Jaguar with yellowed Olympic White finish - original colour was as seen under pickguard area. ![]() Blonde was the original 50's name - it became 'blond' in the 60's. Nothing to do with Oz.
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My other Telecaster is a Thinline The Tele Bible, Ch 1, v 10 Love thy Telecaster, covet not thy neighbour's Strat! |
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#14 (permalink) |
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Tele-Meister
Join Date: Mar 2003
Location: Camden NSW Australia
Posts: 122
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Dacious - Oz spelling referred to "colour".
Sorry - my original posting included a clarification about the spelling of the word "colour" which our north american friends spell without the "u". I wasn't referring to "blond/e".
regards - bj |
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#15 (permalink) |
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TDPRI Member
Join Date: Nov 2003
Location: Ojai, CA
Posts: 98
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I just got a "vintage white" stratocaster. All in favor of Fender changing the name to "banana creme pudding" say "AYE!"
;-) DZ
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Stood Miss Pragmatism is fine in theory, but it just doesn't work in practice. |
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#16 (permalink) |
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Poster Extraordinaire
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#17 (permalink) | |
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Friend of Leo's
Join Date: Mar 2003
Location: Terre Haute, IN
Posts: 2,967
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Re: Blonde ain't blond
Quote:
If you look at pics of old ones, you'll see that they are clearly much lighter under the guards than the color Fender is using today, and also sprayed much more thinly. The color we all associate (now) with old teles is the results of aging (i.e., "bar tan"). In fact, on some guitars that the clearcoat is wearing off of, the actual color coats look almost white -- but it certainly isn't the same color as an orange Hostess cupcake.
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Of course, I don't see anywhere in my post that says it'll actually work... |
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#18 (permalink) | |
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Friend of Leo's
Join Date: Mar 2003
Location: Old Hickory (Nashville), Tennessee, USA
Age: 40
Posts: 4,400
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Re: Original color
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The immaculate orange shade of the '52 RIs and the N.O.S. Nocasters is ridiculous--it never existed! If Fender wants to reserve that rust shade for Relics, then fine; however, for a New Old Stock guitar, go with the original 1950-'53 blonde, please! Just goes to show that the research and marketing guys at Fender don't always "dot their i's and cross their t's." You know, it's the little things like this that bring to mind Fender's gripes and legal threats toward those Fender players who make "unauthorized" modifications to their guitars. If FMIC would do things right the first time, they would save themselves a lot of wasted breath in griping and a ton of money in legal bills. The customer is always right, and I'm a lifelong customer of Fender. Furthermore, from this board, I'd stake a few non-FMIC employed members' in-depth knowledge of early Fender particulars over virtually any Fender employee. A bold statement, to be sure, but nonetheless true. Joel |
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#19 (permalink) | |
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Tele-Afflicted
Join Date: Mar 2003
Location: Bergen, Norway
Posts: 1,998
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Re: Original color
Quote:
Seems I am missing an important part of Fender history here?? :? Geir :)
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"This is a room in Paul's house." |
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#20 (permalink) | ||
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Friend of Leo's
Join Date: Mar 2003
Location: Old Hickory (Nashville), Tennessee, USA
Age: 40
Posts: 4,400
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Re: Original color
Quote:
The questionable mods I'm talking about are more along the lines of Fender players reduced to using copy decals to replace damaged or decimated original Fender decals after they fail to meet Fender's standards of decal replacement. Things like that. Perhaps this isn't directly related to the color issue, but it's definitely a modification issue. Of course, if you wanted a truly original-looking blonde NOS '52 RI, you could lay out a wad of cash to the Fender Custom Shop. (At second glance, maybe the guys in Fender marketing know exactly what they're doing....) Joel |
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#21 (permalink) | |
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Poster Extraordinaire
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Re: Original color
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#23 (permalink) | |
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Tele-Holic
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Re: Original color
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