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| Tele-Technical Telecaster nuts and bolts talk ONLY |
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#1 (permalink) |
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TDPRI Member
Join Date: Jul 2005
Location: TEXAS
Posts: 91
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Vintage Style Bridge Plate with 6 Brass Saddles
Anybody know of (use) a Vintage style Tele bridge plate that is setup with 6 individual brass saddles? I use EB Heavy Bottom Slinky Top strings (.010-.052) set and even the aftermarket angled saddles don't quite get the tuning right. I recently reinstalled a Fender 6 steel unit and the tone suffers without the good ol' brass (IMHO), but the tuning is a lot better. Thanks guys.
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* There is a fine line between art and sh#t. |
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#3 (permalink) |
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Tele-Meister
Join Date: Jul 2007
Location: New Jersey
Posts: 145
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See if the bottoms of the height adjustment screws are flat and in full contact with the bridge plate. If rounded, pointed or angled, the saddles are resting on two tiny points. Flat bottoms and better contact may not solve the problem but it should improve things.
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#4 (permalink) |
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Tele-Afflicted
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Yes this is a good point.
Also make sure that the bottom of the bridge plate is flat, because the same may happen. You could also upgrade your nut to a brass one. I have played a Custom guitar with all brass hardware. Very nice indeed! At only about £6 a swing the nuts are pretty good going. Hope This Helps!
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"Try not. Do... or do not. There is no try." - Yoda. |
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#5 (permalink) |
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Friend of Leo's
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It seems I've seen a "modern" bridge assembly on the aftermarket, that has 6 brass saddles, that you could probably use in a vintage plate. They're round just like the Fender 6-saddle vintage bridge. Might be AllParts, I'll check it out for you.
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PJ "I don't know if it's art, but I like it." |
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#6 (permalink) |
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Telefied
Join Date: Feb 2007
Location: New Orleans, LA + in the past
Posts: 30,195
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I understand that the stock bridge with 6 brass saddles from a G + L ASAT Classic can be fastened right on a vintage specs Tele body.
I agree there's something missing with the Nashville 6 barrel steel saddles, and yes the G + L in brass is made much nicer and there's far less contact between the adjacent saddles, far less contact between the string ends and the intonation springs. But I think you can compensate the 3 brass saddles as Callaham and Glendale have to get good intonation with a wide variety of string mixes, 10-46,10-50,11-49, wound G strings, and it is worth it. I've ditched all 4 of my stock Nashville saddles for 3 barrel; my ASAT Classics get the Callaham test next. Bubbanov |
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#7 (permalink) |
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TDPRI Member
Join Date: Jul 2005
Location: TEXAS
Posts: 91
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I read something about a G&L unit but I didn't know if you could buy one as an aftermarket piece. Google has yielded no real results. I imagine that someone could file in some compensation on the 3 saddle unit. I've taken needlenose pliers and bent (my already slanted units) and that has maybe helped, but that's not very scientific. I appreciate the inout and hope somebody out here knows of some good option. Callaham wasn't much help when I contacted them before.
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* There is a fine line between art and sh#t. |
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#8 (permalink) | |
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Tele-Meister
Join Date: Jul 2007
Location: New Jersey
Posts: 145
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Quote:
The Guitarfetish C12 bridge has 6 brass saddles, but they are gold plated. No idea if plain brass is available but it might be worth asking. Do an Ebay search for C12 bridge to see it, there is one up now, ending late Sun night. |
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#9 (permalink) | |
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Poster Extraordinaire
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Quote:
If you can find a set of those, they will fit on any bridge plate made to the specs of the Fender '70s vintage 6-barrel style. There's a recent thread all about that style bridge here. Here's a pic of the saddles I had. Here they are installed on a bridgeplate that was stock on a '98 CII Squier Standard Tele, and I had to use longer screws and springs. The intonation screws that came with my G&L saddles were black. I sold the saddles through the garage sale here.
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#12 (permalink) |
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Telefied
Join Date: Feb 2007
Location: New Orleans, LA + in the past
Posts: 30,195
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+1 what tele_player says.
Even with the closer tolerances G + L rig, you've got too many saddle height screws fighting to make good contact with the bridge plate, and if just one of them loses, your gonna get noises you can't use. Plus, three saddles can make some contact, at two locations, but the six saddle type usually make contact at five locations, increasing your odds of troublesome vibrations, I submit. I can take a pick and drive it between the 3 brass barrel barrels and avoid all contact, never be able to keep all 5 spacings right with a guitar in regular use. Finally the string drops down off the saddle break and right alongside, usually in lengthy contact with the intonation or length spring, even some contact on the G + L. The three barrel saddle springs never ever touch the strings, so 6 more chances for problems in one than the other. They're the top heavy monster trucks of the saddle world, and I am not entertained when they're trying to tumble over. Bubbanov |
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#14 (permalink) | |
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Poster Extraordinaire
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Quote:
Personally, I'm with boris, I don't like the performance of the six barrel setups I've tried. Unstable, and I think the tone was affected by that. The Tele saddle designs with six rectangular saddles, strings centered on them, and STB holes in close proximity for a relatively steep break angle (American Standard / American Series and current production Squier Standard) seem better than the six barrel design. The 3 barrel design is still my favorite. |
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