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| Tele-Technical Telecaster nuts and bolts talk ONLY |
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#1 (permalink) |
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TDPRI Member
Join Date: Mar 2012
Location: Chicago, IL
Posts: 21
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Tonal difference brass VS. aluminum saddles
I've always used brass compensated saddles from either Wilkinson or RS Guitarworks but I've noticed a number of guitarists using aluminum saddles and some using a combination of both aluminum and brass.
What's the total differences? For those who use both on one bridge, what's your favorite combination(s)? |
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#2 (permalink) |
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Telefied
Join Date: Feb 2007
Location: New Orleans, LA + in the past
Posts: 30,261
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I've used all 3 aluminum saddles, just E-A and D-G in aluminum and B little E in brass, Just E-A in aluminum and the other 2 in brass. I've even done "two saddle" style barrels, three strings to the barrel with one or both barrels in aluminum. I tend to match them to brass.
I don't know how to describe the sonic signature. I want you to think of 2 things, that maybe might give you a hint: 1) Xylophones, the aluminum ones. Think of how those sound; and 2) Harmonicas. What distinction you hear may make you think about harmonicas. That's the best I can do. Some people say aluminum decreases mids and increases highs, but IMO it is more complicated than that. I've begun falling away from them; I found 'em fascinating for a while now I've had almost enough. I won't be using them on any more plain strings even if I do use them now and again on wound ones, and no aluminum plates. Didn't like the aluminum half plates I made. |
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#5 (permalink) |
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Friend of Leo's
Join Date: Apr 2010
Location: brisbane
Age: 56
Posts: 2,912
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You need to check out the screw mod thread for ultimate tone. ;)
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FORTUNA FAVET FORTIBUS |
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#6 (permalink) |
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TDPRI Member
Join Date: Mar 2012
Location: Chicago, IL
Posts: 21
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Thanks for the insights. I went ahead and ordered an aluminum Wilkinson compensated saddle set to experiment with. My Baja is sort of my 'test guitar' so I'll try an aluminum E/A in place of the brass.
I'll post my thoughts after I install it...my thinking is, if I don't like it, I'm only out $12. |
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#8 (permalink) |
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TDPRI Member
Join Date: Mar 2012
Location: Chicago, IL
Posts: 21
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Had a few minutes to install the aluminum compensated saddle on the E/A along with two brass for the other strings.
Unplugged I noticed a little more brightness out of the E and A, could only hear a minor difference when plugged in though. I also changed strings when I swapped out the saddles so I'm unsure if the extra snap is just due to new strings. Regardless, it was a very cheap mod and a fun experiment (it was also a good excuse to intonate the guitar a little better) but I can't say there was an earth shattering tone change that's for sure. |
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#10 (permalink) |
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Tele-Afflicted
Join Date: Jul 2010
Location: Jackson, MS
Age: 38
Posts: 1,278
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I had brass on my Tele, and admittedly preferred them, but honestly, I can't say I could tell the difference in a blind-folded hearing test. I may well just be drinking the kool-aid (TM). I mean, I can't for the life of me figure out *why* brass saddles would actually make the guitar string have a different tone. Unlike the examples in Boris's post above, here, the saddle material isn't what's vibrating.
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#12 (permalink) | |
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Tele-Afflicted
Join Date: Jul 2010
Location: Jackson, MS
Age: 38
Posts: 1,278
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Quote:
I don't mean to be argumentative - I think it makes a difference, too - but I can't logically connect enough dots to understand why it really would make such a difference that we could hear it like we can with say bronze v. nickel strings on an acoustic. |
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#16 (permalink) |
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TDPRI Member
Join Date: Nov 2003
Location: New Jersey
Posts: 95
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You just gotta try and see what works for your guitar. I started using a Rutters saddle set with Aluminum for the low E/A and brass for the rest. I like the way the Aluminum E/A gives me a snappier, twangier tone, especially for clean sounds
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#17 (permalink) |
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Tele-Holic
Join Date: Oct 2011
Location: Central NC
Posts: 547
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The bent Strat-style saddles on the '08+ AmStd Teles are steel; the bridgeplate is brass.
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'11 Fender Baja Tele • '11 Fender American Standard Tele • '10 Jackson SL1 • '06 Ibanez AS83 • '01 Gibson SG • '00 Ampeg AMG-1 • '99 Fender American Lone Star Strat • '97 Gibson Les Paul Studio • '96 Larrivee D-03 Acoustic • '95 Fender Tex-Mex Strat |
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#18 (permalink) | |
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Tele-Meister
Join Date: Aug 2010
Location: Ocean Beach
Posts: 274
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Quote:
Changing the resonant quality of any of the major parts like a saddle, or the bridge plate will have measurable and sometimes quite noticeable effect. I think the deal with the alu. saddle has a bit to do with what slice of the resonating bandwidth it reduces. Kind of like a little tweak on a really good EQ when mixing a cut. There are those tweaks that are subtractive, make room for other frequencies and while you might not notice the tone difference on the track, you may just hear other things better since part of another sound is not stepping on them. Most importantly, EVERY guitar sounds different, reacts differently to the strings vibration and any other parameter that effects resonance. Things like density (try a saddle made fron a small length of string bean and let is know if this is audible.
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"Out of phase sound… some guys love it… some say it sounds like a strangled chicken…who’s right?" (R.K.) |
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#20 (permalink) |
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Tele-Holic
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I really don't think you're trying to be argumentative, but I do believe you're simplifying the tone process a bit too much. It sounds like your premise is that all of the sound that transfers to the amp is solely from the vibration of the string over the pickup. While that is partly true, there are a bunch of factors that go in to determining just HOW those strings vibrate. Just think of the difference you can hear between plucking a string with your finger vs using a pick. Both are making the string vibrate the same frequency, yet both sound differently. Same as an electric guitar with an ash body vs a mahogany body...etc...etc...etc
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