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#1 (permalink) |
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NEW MEMBER!
Join Date: Oct 2003
Location: Clovis, California
Posts: 2
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The Chambered Telecaster Body
I have noticed that some private Tele body makers have been selling chambered Tele bodies. I have always been under the impression that "the more meat the better". Can anyone who owns one explain the tone characteristics of a chambered Telecaster body verses a solid body?
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Telecasters are a gift from God! |
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#2 (permalink) |
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Tele-Holic
Join Date: Mar 2003
Location: New Jersey
Posts: 606
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Chambered Tele Bodies
Hello,
What I'm about to say is only my opinion... but this what I think. The chamber thing really only decreases the overall weight of a guitar and doesn't have much if any influence on the overall tone of a given guitar. I have a 1976 Thinline Tele and the top portion of the guitar is hollowed out and there is an F-Hole. The guitar also has two Fender Wide Range humbuckers in it. I did a side by side comparison of my guitar and a 70's Tele Deluxe that has the exact same pickups but the guitar is totally solid. I A/B'd em both through the same amp and the two guitars sounded practically identical. I also did the same test with a chambered Les Paul DC and a Les Paul Standard, same results... no noticable difference in tone. Hope this helps
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Regards, Ray |
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#3 (permalink) |
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Tele-Afflicted
Join Date: Mar 2003
Location: Bergen, Norway
Posts: 1,998
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They don't sound that different
Hi Steve.
The middle stem(?) that the pickups sit on is still solid, and goes all the way from the back to the neck, that and the fact the lids and sides are so thick means it doesn't have much of the characteristics of an acoustic. But they do have more sound unplugged, and I'd like to think that some of that resonance is projected into the electric sound. However, I think that depends on the pickups. While the Tux sounds like it does, the 90s Thinline does not. Since all of my teles have different pickups, it is hard to tell, since the pickups probably account for more of the differences than the bodies... Both of mine also have more sustain than my solid body ones, but again I don't know if that can be attributed to the body being semi hollow. But the cool factor is high! Geir :)
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"This is a room in Paul's house." |
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#4 (permalink) |
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Tele-Afflicted
Join Date: Mar 2003
Location: Tacoma, WA
Posts: 1,294
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I currently have a homebrew "chambered" USACG tele and a stock 1971 Fedner Tele. Of course, there are some differences with pickups, wood, hardware, etc....but all things being equal, they both sound like teles, they both sound good, yet the chambered tele has a warmth and open-ness to it that the solid 71 does not have. It's not just me, my wife can hear it also. She can tell what guitar I'm playing when she's out of the room by the tone. I really dig the 71, but the chambered just kills! This may be my own partiallity to semi's and I may be blowing smoke out my arse...but I ( at least I like to think I can ) can hear and feel a difference between a solid & semi.
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We don't stop playing because we get old, we get old becasue we stop playing. |
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#5 (permalink) |
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Tele-Meister
Join Date: Mar 2003
Location: Baltimore, MD
Posts: 280
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Chambered and thinline bodies in general tend to be more resonant IMO than solid bodies. The trade off is that solids are more efficient - tighter overall tone and more sustain. Chambered/hollow seems to have more "air". I like and have both. Unless you are into mondo gain tones, a chambered/hollow body can be pretty cool. When I play with a loud rock band, I prefer the solid bodies; when played lower than painful volume rootsy Americana I really enjoy the thinlines. YMMV
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How 'bout dem O's, hon? |
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#7 (permalink) |
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Friend of Leo's
Join Date: Mar 2003
Location: Park Ridge, NJ
Age: 62
Posts: 4,670
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IMO, Thinlines and some chambered body g'tars usually have that "woody" acoustic-like tone uplugged, and to some small degree when played at real low volumes, but when cranked up they're all electrics ...
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#8 (permalink) | |
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Tele-Afflicted
Join Date: Mar 2003
Location: Bergen, Norway
Posts: 1,998
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Quote:
Geir :)
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"This is a room in Paul's house." |
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#9 (permalink) |
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Tele-Meister
Join Date: Mar 2003
Location: Baltimore, MD
Posts: 280
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You can woof out on high vol/high gain setting with a Thinline; its happened to me... Who was it that coined the term "breath of the Thinline"? They have a higher acoustic potential.
That said, I've seen a few that were fairly heavy and stiff that sounded, well just like a solid version.
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How 'bout dem O's, hon? |
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#10 (permalink) | |
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Friend of Leo's
Join Date: Mar 2003
Location: Park Ridge, NJ
Age: 62
Posts: 4,670
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Quote:
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#11 (permalink) |
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Tele-Meister
Join Date: Mar 2003
Location: Baltimore, MD
Posts: 280
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Had a 68 and a 71 type I and both were significantly hollowed out on the treble side. They would woof too sometimes - DR and TS9, not that it wasn't cool though.
Now I have a self built maple top mahogany set neck and a MIM 72 RI. There is more meat in each of these compared to the Type I (single coil varient). The 72 RI will woof, the self built seldom does. Cool idea Roger Rosmeisl had, huh?
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How 'bout dem O's, hon? |
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#12 (permalink) |
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Tele-Afflicted
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I currently own 3 thinlines and a solid one (I guess I am sold to thinlines at the moment...).
To be honest when I a/b my 69 Thinline RI and my 52 Warmoth tele copy (that have classic tele pups) through an amp there isn't any real difference in tone (than a slight "openess" the thinline has). The thinline is lighter though and sounds great unpluged. |
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#13 (permalink) |
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Tele-Afflicted
Join Date: Mar 2003
Location: Tacoma, WA
Posts: 1,294
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One big difference between my "chambered" & so
the ability to get controlled feedback from the chambered at a moments notice! Not as easy as with my 335, but still, very easy. My solid body tele & my strat will not do this, but the chambered......well....all I need to do is find the sweet spot near my amp, turn a bit and it's right there.
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We don't stop playing because we get old, we get old becasue we stop playing. |
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#14 (permalink) |
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Friend of Leo's
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i seem to remember reading...
...that to really take advantage of any guitar with a cavity in it, predominantly acoustics, you need some kind of saddle transducer pickup. if i remember correctly the particular article stated that electric guitar pickups almost entirely just sense the magnetic fields around them, i.e. string movement. an acoustic transducer, on the other hand, will actually sense pressures and soundwaves on wood surfaces, the interior of the guitar, etc.
so in essence, if the article is correct, then solids and semi hollows should respond in quite a similar matter. it would stand to reason that if you got a semi hollow close enough to your amp that you could get it to 'woof', but you can make a solidbody do that as well. chambered bodies should be yet more similar still, as the chambers are small and sealed. one could argue that a guitar with a universal route, bender routing, jacuzzi route, or even routed for trem to be similar to say, a Thinline, maybe even more so. i would think that the pockets would need to be out in the open to really have a pronounced affect, which would be more acoustic than anything. it seems to me that the main selling point of a chambered body is the reduced weight. right now lightweight bodies are in vogue. a few decades ago it was the opposite. in 5 years it could be 'midweight' bodies are the rage. whatever floats your boat when it comes time to buy, i guess.
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#15 (permalink) | |
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Tele-Afflicted
Join Date: Mar 2003
Location: Bergen, Norway
Posts: 1,998
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Re: i seem to remember reading...
Quote:
And Thinlines do look sweet! 8) Plus - assuming it doesn't matter much to the sound - me and my back like them light... Geir :)
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"This is a room in Paul's house." |
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#16 (permalink) | |
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Tele-Meister
Join Date: Mar 2003
Location: Baltimore, MD
Posts: 280
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Re: One big difference between my "chambered" &
Quote:
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#17 (permalink) |
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Tele-Afflicted
Join Date: Mar 2003
Location: Connecticut
Posts: 1,396
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Thinlines are it for me...
I love the way when I'm playing at a good volume at a gig, I can get this "Whomp" of air blasting out of the f-hole at certain times... it really feels like the guitar is letting out a huge breath of air... now it never does that when I'm unplugged... seeing as how my thinline reacts that way when plugged in I've got to assume it has some effect on the tone of the instrument when playing live... I love Thinlines. I'll take a Thinline any day over a solidbody. Maybe it's just psychological, but even when I pick up a thinline in a music store, they always have more of an airy, woody quality to the tone even when plugged in. I have a buddy who is a virtuoso violin player... he came with me to a local GC one time just to kill a little time. I played like 5 different tele's, among them a Muddy, a 52ri, MIM 50's and a couple of thinlines. he was well away from me and could not see whether it was a solidbody or thinline, he always came up to me when I had the thinlines plugged in and said "I like that one, it has a woody quality." That was enough confirmation for me...
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#18 (permalink) |
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NEW MEMBER!
Join Date: Oct 2003
Posts: 1
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hollow tele
check out my new hollowbody tele:
http://www.melodycustom.com/guitarga.../11/index.html First of let me start of by saying Nate Snell is THE man. This is easily my favorite guitar. If i had to keep one guitar this would be it. Check out the pictures, they're sure to make you drool! |
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#20 (permalink) | |
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Friend of Leo's
Join Date: Mar 2003
Location: Terre Haute, IN
Posts: 2,967
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Re: what
Quote:
Basically they have weight-reducing chambers cut in them. F-holes are optional. |
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#21 (permalink) |
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Tele-Meister
Join Date: Jul 2003
Posts: 482
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so i already basically knew that. yesterday was a weird day. i thought it was thursday and then later in the day i thought it was tuesday and for about 5 minutes i knew it wednesday but at like 6 i thought it was 8 and i was really tired and stuff and today its the same thing except i thought it was friday
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let's let love give what it gives |
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#22 (permalink) | |
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Friend of Leo's
Join Date: Mar 2003
Location: Terre Haute, IN
Posts: 2,967
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Quote:
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#23 (permalink) | |
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Tele-Meister
Join Date: Jun 2003
Location: The Potteries, UK
Posts: 113
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Re: i seem to remember reading...
Quote:
- and that bit later about controllable feedback - hitting the string and looking at the amp - it's better than chocolate cake - I use a Boss Compressor pedal to help the process along a bit Tone
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Please accept my resignation. I don't care to belong to any club that will have me as a member - Marx (Groucho) |
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