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Old January 14th, 2009, 09:53 AM   #1 (permalink)
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Getting Roy Buchanan's tone in my Tele

I have a MIM Tele w/ vintage radius neck that plays great (been playing 40 yrs now) and would like to set her up to sound more like Roy's w/o blowing a lot of cash ... Replaced stock p/u's with Duncan Antiquity's, and am about to wire .1 caps in series on both pu's.

Wanted to check w/ Form members about other suggestions before I begin.

Thanks to ALL !!

UA

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Old January 14th, 2009, 11:24 AM   #2 (permalink)
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my suggestion: don't over-obsess about the gear — take what you got and practice. a lot.
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Old January 14th, 2009, 12:02 PM   #3 (permalink)
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BF or SF Fender. Crank the volume, treble and reverb. Practice, practice, practice.
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Old January 14th, 2009, 12:07 PM   #4 (permalink)
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Quote:
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BF or SF Fender. Crank the volume, treble and reverb. Practice, practice, practice.
+1
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Old January 14th, 2009, 12:09 PM   #5 (permalink)
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.1uF caps in series? Where did that come from? According to Seymour Duncan, Roy's 53 had stock wiring, which gave him deep rhythm, neck pickup, and bridge pickup, in the three positions. The times I saw him play that 53, it seemed apparent that this was correct.
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Old January 14th, 2009, 01:46 PM   #6 (permalink)
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It all begins with finding a discarded set of strings from one of his guitars, then retrieving the DNA from any skin cells left in the winding. After that, we take the samples to a secret lab deep in the Amazon jungle and clone an army of the most fantastic guitar players in history. The "Roys From Brazil" will be unstoppable! Bwahaha!

Sorry, I was having a bad 70's movie flashback. <G>

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Old January 14th, 2009, 01:48 PM   #7 (permalink)
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Somehow swap your hands with Roy's.
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Old January 14th, 2009, 05:30 PM   #8 (permalink)
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came from a thread on this form from Don Mare:

http://www.tdpri.com/forum/just-pick...-whos-got.html

go almost a third of the way down

so we have someone who says stock and someone who says .1 caps

????

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Old January 14th, 2009, 10:46 PM   #9 (permalink)
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Don Mare, AKA Buck Cannon, spent lots of time delving into that particular tone. Obsession was more like it. He's been rewarded by actually playing and measuring Nancy. The real Nancy. Talk to him. He's got some info in the gear department.
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Old January 15th, 2009, 12:57 AM   #10 (permalink)
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Big big thing is having the amp cranked and using your volume and tone knobs constantly. Just rolling the volume knob from off to 3 with your pinky should get some good loudness going. With the amp cranked, the bridge pup on volume 3-6 is not so trebly as usual as well so it sounds fat and very warm.
Roy's tone actually varies a fair amount so learning "how he did it" is more important than what pups he had, etc. my 2 cents. Find the GP interview from the early 80's and the PBS movie.
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Old January 15th, 2009, 05:50 PM   #11 (permalink)
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Slightly off topic, but how do you wire a capacitor in series for the pickups? Sorry for the stupid question.
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Old January 15th, 2009, 05:53 PM   #12 (permalink)
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What kind of amp do you use? A Deluxe Reverb or Twin Reverb'll help. Preferrably SF or BF.
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Old January 15th, 2009, 06:07 PM   #13 (permalink)
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+1, +1 on the amp. A good tube amp carefully tweaked seems to be a major part of the equation. I use a 7W/ 15W Class A with EL 84s. I ain't never gonna be Roy, but the tone zone is attainable with my '52 RI (stock), my CS Thinline with Bardens (stock), and my homebrew with Toneriders (oh so completely custom; hee hee!).

Oh yeah, (some) volume could really be your friend as it has a profound effect on the dynamic response of your set-up.

Play on, play on...
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Old January 17th, 2009, 10:46 AM   #14 (permalink)
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Get a fish n chips eq pedal from danelectro...you can get a lot of tonal variance and boosts without mucking up the sound of your original signal and they are quiet,,go from Roy's 'Nancy' to Keef's 'Macawber' in a stomp and a flip and most importantly, to Your sound in the same manner...I personally go for a Roy nichols type a thing sometimes, and no matter the room or volume, I can get there with this sucker ..... happy hunting, the elusive snipe
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Old January 17th, 2009, 02:11 PM   #15 (permalink)
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Questioner has over 40 yrs playing-- asking a pup question is not "obsessing" over gear.

GEAR can make a diff. We all know that a different pup set (may be $$$ -- may be el cheapo) can make a diff-- inspiring one in the tone realms they are seeking.

Woodman-- looks like you got some quality gear-- no one calling you "obsessive"
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Old January 17th, 2009, 05:48 PM   #16 (permalink)
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no diss intended, Doug. the OP obviously has the tools for the job. but copping Roy's tone is a whole lot (dare i say it) in the hands.
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Old January 17th, 2009, 05:58 PM   #17 (permalink)
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I know it wasn't dissing.

It is amazing how we guitarists have in our soul what sounds good to each of us individually--- and somewhere at the intersection of perseverance/talent and gear--
one may find it.
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Old January 17th, 2009, 06:13 PM   #18 (permalink)
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It is amazing how we guitarists have in our soul what sounds good to each of us individually--- and somewhere at the intersection of perseverance/talent and gear--
one may find it.
very true, in my experience. i did the Roy tone-chase in the late '90s and found, lo and behold, i had a sound of my own even though it wasn't Roy's. the gear helped, but it was the effort that made it come about.
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Old January 17th, 2009, 09:34 PM   #19 (permalink)
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OC Duff winds a Nancy set of pups. Redd seems to be a fan.
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Old January 18th, 2009, 01:15 AM   #20 (permalink)
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Did Roy Buchanan use some sort of Bill Lawrence there for a while?
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Old January 21st, 2009, 04:12 PM   #21 (permalink)
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You can wire a cap to the tone control to make it a high pass filter. Normally the cap is wired to ground to produce a low pass filter. Wire the cap to the upper lug, and connect the ground to the center one. The cap will be in series with the output jack.
I experimented with it a long time ago. It works but not to my liking.
My Tele is bright enough through a Blues Deluxe and Blues Junior.
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