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Tele Home Depot Building a T-Style guitar? From scratch or from parts. This is the forum for you.

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Old January 10th, 2010, 09:52 PM   #1 (permalink)
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how I spent saturday...(necks galore)

I cleaned up last night and set the afternoons progress on the table with necks getting ready to be shipped out. I shot this picture and wanted to share it with you.

First 9 blanks are ready for truss rod installation process. ( First one is Purpleheart strat, 5th one is Jatoba tele, 3 flamey tele necks, an oversize tele-strat neck and a few regular maple blanks.) The next 3 are waiting for frets. And the last 4 or 5 are ready to ship. I think there is 18 in all...


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Old January 10th, 2010, 10:05 PM   #2 (permalink)
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How do you keep track of them all? Serial #?
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Old January 10th, 2010, 10:23 PM   #3 (permalink)
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I put frets in three necks last night. I C & L'ed one and made one bone nut. My hands are like raw meat.

Granted, there is that sense of accomplishment (a new task for me), but I'd rather do anything than clip, file, sand or otherwise handle spiky necks.

The other two spikey monsters remain.

I like bodies.
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Old January 10th, 2010, 10:40 PM   #4 (permalink)
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Please explain the one at the far end .
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Old January 10th, 2010, 10:55 PM   #5 (permalink)
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Do you do all 2 piece necks? you know, truss rod installed from the front?
Either way, that is a boatload of work you've got going on there.
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Old January 11th, 2010, 12:23 AM   #6 (permalink)
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Tex, yes. I only do slab boards right now. To be honest, I think it makes a better neck. I am sure that is debateable, but right now I am striving to make the best necks possible and not just meet the demands of the public. I think the two different woods glued together makes a more stable neck than a one piece neck. In fact if I can do flatsawn or just off-flatsawn necks with quarter sawn fingerboards, I prefer it. I think they sound great and seem to be stable over the long run. That has been my expierence but of course yours may differ. I may start building 1 piece skunk stripe necks too, but it really has to prove to be stable for me to build them on a on-going basis.

Otter, the very last neck in the picture is a Mandocaster neck. It was an electric mandolin that was being made by Fender from the late 50's to the early 70's as far as I know. That was a clone I build for a customer.
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Old January 11th, 2010, 12:35 AM   #7 (permalink)
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Quote:
Originally Posted by homerzeppelin View Post
How do you keep track of them all? Serial #?
Yes. I use the standard luthier serial number plan for my necks that I sell. The first number is the number neck and the last is the year. So 2210 is the 22nd neck made in 2010. The only variance is that some start the first digit over each year while others continue on. So 2109 would be followed by 2210 if the year changed before the next one was complete. Others would do 0109, 0209 for necks made in 09 and 0110, 0210 for necks made in 2010. I them keep them all logged in a book.

I use a perminent marker on the heel. The only issue is that I send them out raw and the number can be removed. I have struggled with this. I stamp (indent) my serial number on the necks I use with my own builds. But most ask me to not mark the necks I sell to them. I even was going to by a branding iron with my logo or name on it, but many say they don't like the branding on the heel. For me, if they remove my number, I can not identify them as my own. I then will not help them with any issues.

Finally, I thought about just stamping an inital on the tip top of the headstock or something. Just some mark to identify it as mine. But I just don't have a solution.

If you have a suggestion...I am all ears.
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Old January 11th, 2010, 01:03 AM   #8 (permalink)
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Maybe a small brand where a tuner would cover it, on the back of course?

I would say the heel is the best place for any marking...
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Old January 11th, 2010, 02:21 AM   #9 (permalink)
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Why not show some pride in your work and put your name on the front of the headstock? Seriously, if people buy your gear, they might as well fess up to it. :-)

Cheers,
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Old January 11th, 2010, 02:40 AM   #10 (permalink)
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I say if u want people to see your name put it on the front. If u want to hide it do it on the back, about 1/8" or so under the tuners, lots of space to work with on the back and its hidden til someone looks right at it. If its just a serial number it will be even more inconspicuous.
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Old January 11th, 2010, 06:14 AM   #11 (permalink)
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You could imprint, brand, or stamp your info on the bottom of the heel like allparts does. Why would a customer complain about that?
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Old January 11th, 2010, 06:49 AM   #12 (permalink)
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I would just stamp something on the heel. You built it so you should be able to mark it. The heel can't be seen when its attached to a guitar.

I stamp a serial number on every body and neck I build whether someone wants it there or not. It's not an issue thats even up for debate.

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Old January 11th, 2010, 09:06 AM   #13 (permalink)
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Quote:
Originally Posted by joe desperado View Post
Yes. I use the standard luthier serial number plan for my necks that I sell. The first number is the number neck and the last is the year. So 2210 is the 22nd neck made in 2010. The only variance is that some start the first digit over each year while others continue on. So 2109 would be followed by 2210 if the year changed before the next one was complete. Others would do 0109, 0209 for necks made in 09 and 0110, 0210 for necks made in 2010. I them keep them all logged in a book.

I use a perminent marker on the heel. The only issue is that I send them out raw and the number can be removed. I have struggled with this. I stamp (indent) my serial number on the necks I use with my own builds. But most ask me to not mark the necks I sell to them. I even was going to by a branding iron with my logo or name on it, but many say they don't like the branding on the heel. For me, if they remove my number, I can not identify them as my own. I then will not help them with any issues.

Finally, I thought about just stamping an inital on the tip top of the headstock or something. Just some mark to identify it as mine. But I just don't have a solution.

If you have a suggestion...I am all ears.
I vote stamping JD on them somewhere... just has a bad arse sound and name recognition to it lol.
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Old January 11th, 2010, 09:40 AM   #14 (permalink)
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It should be standard practise for any builder to use a maker's mark in an inconspicuous location (like the neck pocket/heel). But if a customer doesn't want it, then explain that you can't warranty the neck if you can't identify it as yours. That should be simple enough for almost any situation.

Good looking necks BTW.
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Old January 11th, 2010, 10:48 AM   #15 (permalink)
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Hey, Joe
Where in Chicago are you located ?
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Old January 11th, 2010, 12:31 PM   #16 (permalink)
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I80 and I55. Joliet/Shorewood/Plainfield area.
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Old January 11th, 2010, 04:47 PM   #17 (permalink)
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Hey Joe!

First and foremost great necks dude those are gorgeous and im not gonna try Hijack your thread. I live in Chicago(West Loop UIC-Med district) and I'm building( or parts-o-castering) an esquire build and i will def. need a neck sooner than later can you PM me or just put it on the forums with more information about your process. I would rather go with a local Luthier/ wood shaper than to order online.
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Old January 12th, 2010, 02:14 AM   #18 (permalink)
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Thats how id like to spend my school holidays ;). wait im starting a neck tomorrow haha. Nice work man.
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Old January 12th, 2010, 05:33 AM   #19 (permalink)
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Oh yeah just thought id say, If people dont want you to put a stamp on it where they cant see it, dont give them a warrenty unless you put your stamped serial number with JD or something on it.
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Old January 12th, 2010, 02:31 PM   #20 (permalink)
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You could write in permanent marker on the heel before you put the finish on - then it won't wear off.
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