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Tele Home Depot Building a T-Style guitar? From scratch or from parts. This is the forum for you.

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Old August 7th, 2008, 09:59 AM   #161 (permalink)
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How many winds till 11k? Do you stop winding and scratch a bit of insulation off and make a quick resistance check ... or is there a formula that ya can plug in the wire gauge, the pickup width and the number of windings to know when to stop?
There is a formula. If you know the resistance of a given length of wire, and the distance of each wind ,work out the algorythm for the increase of length for build up of wire....!!!..oh heck, I'll just scrape a little off and measure it!
cheers
ED

PS I'm doing about 13,000 winds before I check.

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Old August 7th, 2008, 10:39 AM   #162 (permalink)
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A broom and a dust pan!.. ..
Good one !

Your build pics and design are an incredible thread ! I love see this craftsmanship.

I've been in another tele builder's shop..Charlie McVay (the McVay bender guy who does all of Brad Paisley's bender installs) - his shop was spotless. Great guy and very friendly too !

Can't wait to see the finished guitar...beautiful work !
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Old August 7th, 2008, 08:56 PM   #163 (permalink)
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There is a formula. If you know the resistance of a given length of wire, and the distance of each wind ,work out the algorythm for the increase of length for build up of wire....!!!..oh heck, I'll just scrape a little off and measure it!
cheers
ED

PS I'm doing about 13,000 winds before I check.
Whoa! What's your winder's red-line?
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Old August 7th, 2008, 10:12 PM   #164 (permalink)
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Whoa! What's your winder's red-line?
Well...It's not a fast one. My guess is that 13,000 winds will take about 20min. About 600 rpm. As long as the wire does'nt break! ..That has happened before. If it's in the begining of a wind you can start again! If it's near the end you can scrape off the enamel, solder the wire together, cover the solder joint with nail polish, and keep on going. I never had to do that. Mine always broke in the beginning because I wasn't paying attention...
Cheers
ED
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Old August 7th, 2008, 10:18 PM   #165 (permalink)
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Cheers, Ed. One last question: do you "scatter" wind? Or nice and neat?
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Old August 7th, 2008, 10:58 PM   #166 (permalink)
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Cheers, Ed. One last question: do you "scatter" wind? Or nice and neat?
Scatter. I move right to left and back again in about every 30-40 turns and vary the speed of the right to left movement so the wire doesn't lay right next to one another (or not too many)...Hmmm...does that make sense? Anyway, they are VERY scattered.Iv'e made a number of sets now and I really like the way they are sounding. The set that I made for the "53 build" is killer. I won't trade them for anything..(well..for a real 53' I might!) This "broadcaster" pickup is the first of this kind that I am making. We'll see how this sounds! I can't wait!
Cheers
ED
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Old August 7th, 2008, 11:44 PM   #167 (permalink)
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WOW I thought rocket science was hard..awesome
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Old August 8th, 2008, 07:46 AM   #168 (permalink)
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courtesy of tfcbooks.com
American Wire Gauge
(20º C)

AWG = Brown & Sharpe

AWG OHMS PER WIRE
SIZE 1000 FT. DIAMETER
0000 .049 .460
000 .0618 .4097
00 .078 .3648
0 .0983 .3249
1 .1239 .2893
2 .1563 .2576
3 .1970 .2294
4 .2485 .2043
5 .3133 .1819
6 .3951 .1620
7 .4982 .1443
8 .6281 .1285
9 .7925 .1144
10 .9987 .1019
11 1.261 .0907
12 1.588 .0808
13 2.001 .0720
14 2.524 .0641
15 3.181 .0571
16 4.018 .0508
17 5.054 .0453
18 6.386 .0403
19 8.046 .0359
20 10.13 .0320
21 12.77 .0285
22 16.20 .0253
23 20.30 .0226
24 25.67 .0201
25 32.37 .0179
26 41.02 .0159
27 51.44 .0142
28 65.31 .0126
29 81.21 .0113
30 103.7 .0100
31 130.9 .0089
32 162.0 .0080
33 205.7 .0071
34 261.3 .0063
35 330.7 .0056
36 414.8 .0050
37 512.1 .0045
38 648.2 .0040
39 846.6 .0035
40 1079. .0031
41 1323. .0028
42 1659. .0025
43 2143. .0022
44 2593. .0020
45 3348. .00176
46 4207. .00157
47 5291. .00140
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Old August 8th, 2008, 07:50 AM   #169 (permalink)
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#43= 2143 ohms per 1000 feet of wire. Of course the wire gets longer per turn as the coil builds. I am guessing 2 turns = about a foot of wire?
Marty
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Old August 8th, 2008, 08:40 AM   #170 (permalink)
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#43= 2143 ohms per 1000 feet of wire. Of course the wire gets longer per turn as the coil builds. I am guessing 2 turns = about a foot of wire?
Marty
Oh boy, math!! ...don't you just love it!!
Thanks Marty!
Cheers
ED
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Old August 8th, 2008, 08:11 PM   #171 (permalink)
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Oh boy, math!! ...don't you just love it!!
Thanks Marty!
Cheers
ED
I wonder if anyone's wound a pickup using aluminium wire or some other non-copper or copper alloy? Probably, eh - and it didn't sound too good.
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Old August 10th, 2008, 01:02 AM   #172 (permalink)
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I wonder if anyone's wound a pickup using aluminium wire or some other non-copper or copper alloy? Probably, eh - and it didn't sound too good.
Lace is using a single turn of aluminum..coupled to a copper coil.
http://www.lacemusic.com/electric_pi...ne_article.php
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Old August 10th, 2008, 02:20 AM   #173 (permalink)
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Lace is using a single turn of aluminum..coupled to a copper coil.
http://www.lacemusic.com/electric_pi...ne_article.php
Interesting. I notice aluminium has almost half the electrical conductivity of copper ... but silver has slightly more. I'll bet there's someone out there winding silver wire pickups for a grand each .

How about doing some vampire-killer pickups, Ed?
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Old August 10th, 2008, 12:22 PM   #174 (permalink)
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Interesting. I notice aluminium has almost half the electrical conductivity of copper ... but silver has slightly more. I'll bet there's someone out there winding silver wire pickups for a grand each .

How about doing some vampire-killer pickups, Ed?

Aluminum!?! must be a pain to wind!
Hey Nick...send me the silver wire and I'll wind you a set too!

Cheers
ED

PS.. your aussie swimmer is REALLY good lookin'
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Old August 10th, 2008, 12:36 PM   #175 (permalink)
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Alright Ed, I ordered up some bobbins and A2. I'm gonna try the lap wrap as well. At least that way when you start giving me crap about how the pup sounds I'll know what your takin' about.
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Old August 10th, 2008, 12:57 PM   #176 (permalink)
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Alright Ed, I ordered up some bobbins and A2. I'm gonna try the lap wrap as well. At least that way when you start giving me crap about how the pup sounds I'll know what your takin' about.
Let the fun begin!!
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Old August 10th, 2008, 01:02 PM   #177 (permalink)
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The pearl marker dots have been glued in. Here are a few pics of the process...

Tools...



I use the file to bevel the back edge of the pearl. That edge is like a knife! It makes it easier to insert the pearl. My holes are a line to line fit with the pearl.
I put a dab of glue in the hole and insert the pearl...



I then use the flat side of a SMOOTH pair of pliers (you can use any smooth object) to "rock" over and seat the pearl...



Last dot!



I make my holes .050 deep. The pearl is .050 thick but the small amount of glue has them stand proud a little. about .003 - .005 high. That makes for easier sanding of the fretboard and pearl when finished.
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Old August 10th, 2008, 01:03 PM   #178 (permalink)
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Here are some finished pics...





Today (Sunday) I will put the side markers in and finish sand the neck. I will then install the frets , file the ends, and sand one more time. I will then give it a tint with a few drops of colortone vintage amber in alcohol. (sprayed on)...It's then ready for lacquer. I will level the frets after the neck is finished.

I may put together the pickup chassis also. My wife is at work today, so the day is MINE!! ( I did all my "honey-do" stuff on Saturday!)

Cheers
ED
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Old August 10th, 2008, 07:42 PM   #179 (permalink)
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Uh-OH...The whole day wasn't mine!.. ..

Anyway...the side dots are glued in..The frets will have to wait!
Here is the tool I use to drill the side dots with. I made the simple fixture for my 53 build, but it worked so well that I'm using it for all my side dots now!
I had to put some painters tape on it (there are many uses for painters tape that are not related to painting!) to raise it up about 1/16 of an inch more then on my previous maple neck.



The way it is used is...measure between the fret slots and put a pencil mark at the dot location...



Put the fixture on the neck and line up the hole and pencil mark and...drill!

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Old August 10th, 2008, 07:43 PM   #180 (permalink)
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With all the holes drilled I am ready to insert the pearl dots. They are 3/32 dots purchased from Stewmac.



Don't sneeze!!!



I put a drop of Titebond in level to the top of the hole...



Insert the pearl, then use a flat object to press the pearl even with the neck With all the dots in I'm ready for the frets...



I also had time to build the pickup chassis, but alas, no time right now to post!
Pictures of that to come!
Cheers
ED
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Old August 10th, 2008, 09:11 PM   #181 (permalink)
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There are guys who assemble guitars (me) and the there are the guys who really build guitars.

You have no idea how impressive this stuff is, to me.

Thanks.
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Old August 10th, 2008, 11:56 PM   #182 (permalink)
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There are guys who assemble guitars (me) and the there are the guys who really build guitars.

You have no idea how impressive this stuff is, to me.

Thanks.
Thank you!!
Cheers
ED
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Old August 10th, 2008, 11:58 PM   #183 (permalink)
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Ah...Time is back on my side! I can now post the chassis pics! My wife is drinking Mai Tai's and eating lobster...(my neighbor has a lobster boat out of Belford...we get some of the shorts...Sshhh!)

Here is a picture of the bridge parts...



The first thing is to inspect the flatwork for any sharp edges that will catch the wire when winding. Sand the edges and countersink the top for mag insertion.
I use a 60 degree center drill...



I made magnet holders from clear plexiglass (acrylic, perspex for the brits). I have several with different hole sizes for the magnets. Vintage mags in the 50's were .193 to .197 dia. Fender went to 3/16 mags sometime in the late 50's.
Stewmac magnets are vintage specs. Around .195 dia, but all of them are Alnico 5. The magnets from Mojo were .1875, late 50's spec, but they were alnico 2, which I wanted. I also bought the flatwork from them because it fit their 3/16 mags. All the stuff from them was top notch!

The mag holder holds the magnets square to the flatwork when tapping them in...



Tapping in...

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Old August 11th, 2008, 12:00 AM   #184 (permalink)
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When tapping in the magnets you will get a bit of flash under the flatwork...



Just clean this off and give a finlal tap to seat the mag. When all the magnets are in the bottom half you will have this...



You will notice that I position the eyelets large side up. Most winders put the large side down. I want most of my solder on the bridge pickup to be on the top of my flatwork.Why... I don't know. I just think the larger solder amount will help to protect the delecate wire. It's just the way that I do it . With that said, I have to flatten the eyelets so as not to catch the 43 gauge wire when winding. I use a pin punch to flatten them and then sand them to smooth the surface...



Sanded...

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Old August 11th, 2008, 12:02 AM   #185 (permalink)
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With the magnets pressed into the bottom I am now ready to put the top flatwork on. I chamfer the side toward the mags and place the flatwork on the mags...



I use the plexiglass insertion tool to span the mags and tap the top onto them...



At this point you have flash around the mags. It looks like the old early 50's bridge pickup tops! I wonder if Fender cleaned this flash off? After all, EVERYONE used the bridge cover to hide it, right!?!..



.Well, I clean the flash off and give a final tap with the insertion tool inplace and end up with a clean top...



At this point the pickup chassis is ready for dipping. Fender used to dip them in lacquer. I dip mine in shellac. The neck pickup is done in the same way. The dipping process insulated the magnets from shorting out on the magnet wire. Even though the magnet wire was coated, this was an extra precaution!

Well, I'm off to enjoying my Mai tai's and lobster...Next is the fretting of the veneer neck and the cutting of the broadcaster neck!
Cheers
A lobster eating ED

PS all of this only takes about 5 mins.
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Old August 11th, 2008, 12:46 AM   #186 (permalink)
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Ed, thanks again for sharing!
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Old August 11th, 2008, 01:11 AM   #187 (permalink)
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Ed, thanks again for sharing!
Thanks Steve!

I left out an important step...The filing of the "V" to help guide the mag wire...



Thanks all ...Hey Steve...I'm waiting for the Jorgenson gold sparklecaster...Love your work!!
Cheers
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Old August 11th, 2008, 03:33 AM   #188 (permalink)
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I then cut the pearl marker cavities, and test cut the fret spacing. I'm using a .021 carbide endmill to cut the fret slots...


Ed, how many necks can you get out of a single .021 carbide mill bit like that?


Much obliged.
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Old August 11th, 2008, 09:42 AM   #189 (permalink)
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Amazing thread Ed thank you for sharing your superb talent and knowledge.
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Old August 12th, 2008, 02:53 PM   #190 (permalink)
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Ed, I just stumbled upon this site: http://pickups.myonlinesite.com/programs.php Not sure if the programs are any good, but there is an online version of the pickup calculator at the bottom...

just thought id contribute as everyone was talking formulas!


EDIT: http://pickups.myonlinesite.com/pick...turns&avt=8000 here is an example of the online pickup calculator.
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Old August 12th, 2008, 03:47 PM   #191 (permalink)
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Ed, I just stumbled upon this site: http://pickups.myonlinesite.com/programs.php Not sure if the programs are any good, but there is an online version of the pickup calculator at the bottom...

just thought id contribute as everyone was talking formulas!


EDIT: http://pickups.myonlinesite.com/pick...turns&avt=8000 here is an example of the online pickup calculator.
Thanks a million! this looks like it could be very useful!
Cheers
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Old August 12th, 2008, 08:53 PM   #192 (permalink)
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PS.. your aussie swimmer is REALLY good lookin'
This one? Stephanie Rice? Drool.



She might get another gold in the 200m. She's a bit better looking than some of the Rice's on the TDPRI ...
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Old August 13th, 2008, 11:59 AM   #193 (permalink)
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This one? Stephanie Rice? Drool.



She might get another gold in the 200m. She's a bit better looking than some of the Rice's on the TDPRI ...
That's her!!!....I saw here take the gold last night! (well...on T.V.)
Must be something in the water in Australia!
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Old August 13th, 2008, 03:11 PM   #194 (permalink)
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Yup ... she winds my pickup as well.......
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Old August 13th, 2008, 11:27 PM   #195 (permalink)
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Ed, how many necks can you get out of a single .021 carbide mill bit like that?


Much obliged.
Hmmm... Hard to say. There are a lot of factors involved. If I keep it slow I could get most likely over 15 necks! (or more!?!)...If I push it I might not get even 1.
The endmill I was using did 3 necks so far. A Maple, an African blackwood (black ebony) and the Macassar neck in this thread. I'll use it for the Broadcaster neck also. It's not so much the pressure from cutting, but the build up of chips. These endmills are designed for metal, so the flutes are shallow. If they had deep flutes to clear the wood chips away they would be weaker. I guess you could say you sacrifice speed for longevity! The fret cutting takes about 15 min to do at a "safe" pace. Each endmill cost about $15.00. Not too bad!

Thanks BB
Cheers
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Old August 14th, 2008, 12:34 AM   #196 (permalink)
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Yup ... she winds my pickup as well.......
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Old August 28th, 2008, 09:55 PM   #197 (permalink)
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The frets are in the veneer neck. Here are some picks....

Tools... (that crazy hammer I built for the 53 build!}



Clean slot and first fret in...





finished, ready for finishing and fret leveling...



Now..On to the meat of this thread
(or what it is really supposed to be about!)

The Broadcaster neck...
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Old August 28th, 2008, 09:57 PM   #198 (permalink)
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Double face tape is used to tape delrin blocks to the machine table to protect it from the .625 ball cutter...



The wood is then taped down and the outer shape cut...



I then cut the truss rod "skunk stripe" shape in. The skunk stripe on the broadcasters were .24 to .25 wide ( the 52s and on were around .220) and about 7/16 longer then the "modern" necks. The top of the stripe was just about dead even with the first fret...



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Old August 28th, 2008, 09:58 PM   #199 (permalink)
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The back shape of the neck is then cut. This is a soft V..(whatever that is to Tadeos hand sanding) ...

First the headstock area...



And then the rest...



The headstock area requires very little work with a file afterwards! Here is a picture of the cut right off the machine...



Here is a picture looking down the neck..It's a bit fuzzy, but you may be able to make out the soft V shape...

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Old August 28th, 2008, 10:01 PM   #200 (permalink)
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Here is the back of the neck cut...



I already cut the filler strip out of walnut. I have to drill the adjustment nut hole, shape the headstock dropdown and drill the hole for truss rod insertion and the walnut plug to "plug" it..After that I can shape the fingerboard, cut the fret slots and marker cavities. All this to come next week!

On a side and sort of "fun" note..I wanted to get a hand fret press. Well, they are $$$$$$$ expensive!! Around $200. bucks! And I'm cheap! So I bought this $21.00 vise grip and I'm going to alter it and make a few pieces out of aluminum to hold the Stewmac fret cauls. The ends of it is glass hard (around 64 Rockwell) so since we have an EDM (electrical discharge machine) in our shop I'll use that to "burn" the holes for holding pins. More on that to come later tonight. I have to proccess the pics....



More to come!!

Cheers
ED
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