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| Tab, Tips, Theory and Technique Formerly "Suger Free Tab & Music 101." Look for and post TAB, talk about playing technique or music theory. Nuts and bolts of playing music... not gear. |
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#1 (permalink) |
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Tele-Meister
Join Date: Jan 2011
Location: Thunder Bay, Ontario, Canada
Age: 24
Posts: 144
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Mistakes in Charlie Parker Omnibook
Does anyone know how bad, how many, and WHERE the mistakes in this are. I hear it's riddled with them. I want to expand my jazz vocal from simple arpeggios and blues scales and I figure this would be a great book to study in conjunction with Ted Green's Single Note Soloing. I just don't want to be teaching myself the WRONG ideas. I'm unable to find a teacher dude to the fact I live in the middle of nowhere, so any help would be great appreciated
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#2 (permalink) |
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TDPRI Member
Join Date: Jun 2011
Location: Fenton, MO
Posts: 64
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I've never used the Omnibook so I can't comment there. I've gone through Ted Green's books and thought they were just so-so. Since you said you were in the middle of nowhere may I suggest online lessons with Jimmy Bruno. I learned more from him than any book I ever purchased. He's a fabulous teacher and can cut through all of the useless nonsense and get you playing.
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#3 (permalink) |
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Tele-Meister
Join Date: Jan 2011
Location: Thunder Bay, Ontario, Canada
Age: 24
Posts: 144
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you know I considered it. Thing is its a bit pricy, and honestly, Id rather study at my own pace. Im in university for classical music (no jazz program here) so Id like to work at my own pace. I basically have the theory and technique already, what I really want to work on is acquiring the language, which is easily done from recordings. My plan is essentially to transcribe the solo's myself then double check with the Omnibook. The Ted Greene books would just be used for technical practice and learning positions that I am not already familiar with (I have been using CAGED for almost 10 years) that he uses. I have also considered a book called patterns for jazz by Jerry Coker, as well as the Bergonzi books. I just feel like they should/could probably do me better once I have more bebop under my belt.
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#4 (permalink) |
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Poster Extraordinaire
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It's all relative.
There's maybe a handful of mistakes in the omni book. I'm talking about a note here and there. The same way there are discrepancies in various Bach editions. It's a great study tool. You won't be learning any 'wrong' ideas from the omni book. Make sure you get TG's 'modern chord progressions' to go along with the single note soloing books. Coker and Bergonzi are great and I'll personally recommend the Steve Khan books.
__________________
Spanning 23 years ... http://soundcloud.com/klasaine |
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#5 (permalink) | ||
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Tele-Afflicted
Join Date: Jul 2009
Location: Melbourne ,Australia
Posts: 1,291
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Quote:
Quote:
__________________
"We were making music before language" |
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#6 (permalink) | |
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Tele-Meister
Join Date: Jan 2011
Location: Thunder Bay, Ontario, Canada
Age: 24
Posts: 144
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Quote:
btw - I do have all of Ted's books, but I don't find chord chem and modern progressions as useful as I used to. Studying classical guitar (especially Villa-Lobos, Barrios, Bach, and Sor) helped me devise me own lines. I still want to work on some more pianistic jazz comping, but for now soloing will do as I play in a funk/r&b band, and a big band. I can comp well enough to get by for bebop too. so...yeah lol |
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#7 (permalink) |
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Poster Extraordinaire
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Lets put it this way. The little mistakes in the omni book are not nearly as consequential as they are argued to be in some of the more disputed Bach editions. Transcribing for yourself is better anyway. Omni book is great for reading practice too.
__________________
Spanning 23 years ... http://soundcloud.com/klasaine |
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