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| Tab, Tips, Theory and Technique Formerly "Suger Free Tab & Music 101." Look for and post TAB, talk about playing technique or music theory. Nuts and bolts of playing music... not gear. |
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#1 (permalink) |
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Tele-Meister
Join Date: Oct 2007
Location: san francisco
Posts: 182
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How to stop unintentional pull-off?
When I play this string:
|--5--0-----0--2--0-----0--5--0-----0--2--0-----0-- |--------2-----------2------------2------------2---- |---------------------------------------------------- |---------------------------------------------------- |---------------------------------------------------- |---------------------------------------------------- The open B sounds when I lift my index finger (i) from the C# to go to the F#. This is a pull-off but unintentional as I don't want the B to sound. So the question is how to prevent this? These are 16th notes at 120 bpm (8 nps). Thanks, Hugh |
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#5 (permalink) | |
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Friend of Leo's
Join Date: Sep 2006
Location: chicago
Age: 30
Posts: 4,046
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Quote:
as for picking, straight up alternate, though i must admit, my first instrinct was to treat every F# to open E and A to open E as a pull off, and i played those with my picking hand middle finger, hybrid style...then the speed really took off, but that might not be the sound you want...
__________________
"Jazz isn't a what, it's a how" -- Bill Evans |
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#6 (permalink) | |
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Tele-Meister
Join Date: Oct 2007
Location: san francisco
Posts: 182
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Quote:
H |
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#7 (permalink) |
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Poster Extraordinaire
Join Date: Mar 2003
Location: Lubbock, TX
Posts: 5,956
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The index finger on the C# does indeed mute that note when time comes to determine its duration. ONE of the big tehcnical 'errors' I see guitarists make is to pull the fingers far away from the strings. KEep things close and you can control things like this. IT becomes second nature...your ears will govern your fingers without concious thought, ime. I play this series of notes with just the index and the pinky with no 'pull off' problems on the C#. My index finger always controls the strings.....that is, keeps them muted when not played. The picking hand has some responsibility for this muting/damping, also, when the fretting hand can't take the 'assignment'. Soemtimtes, both hands are busy keeping extraneous string vibrations under control....my ears demand that my hands keep those noises from happening. PRactice, practice, practice.
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