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| Tab, Tips, Theory and Technique Formerly "Suger Free Tab & Music 101." Look for and post TAB, talk about playing technique or music theory. Nuts and bolts of playing music... not gear. |
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#21 (permalink) |
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Friend of Leo's
Join Date: Dec 2007
Location: New Florence, PA
Age: 20
Posts: 4,468
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I'm just a simple country boy...
--5-- --2-- --2-- --2-- --0-- --0-- A major with the e string A note fretted at the 5th fret.
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#22 (permalink) | |
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Poster Extraordinaire
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Quote:
Even this 'stock' Bbmaj7 is a very usable Gm9 (I think JazzTele has the same shape for an Em9 listed in one of the early posts) ... ----5---- ----6---- ----7---- ----8---- ----x---- ----x---- High to low it's the 9, 7, 5, 3 for the Gm9 ... and 7, 5, 3, 1 for the Bbmaj7. *The more extensions and/or alterations you use, the less important the root becomes. |
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#23 (permalink) |
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Friend of Leo's
Join Date: Mar 2009
Location: Toronto
Age: 51
Posts: 3,738
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Technically not even a chord -it's really just stacking root and fifths- but it's huge, overwhelming, and awesome:
6th string -open 5th and fourth string barred with your first finger 3rd string in the fourth fret with your third finger 2nd string in the fifth fret with your pinky 1st string open It's the omnipotent and all consuming E! You don't even need distortion to have this baby rock the house!!! Make sure you've got your safety goggles on! |
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#24 (permalink) | |
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Poster Extraordinaire
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#25 (permalink) | |
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Poster Extraordinaire
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Brokenjoe, I call that an E5, but I agree, it's a nice voicing! BTW, What would you guys call this: -9- -10- -12- -12- -x-- -x-- A7(11)/D???? |
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#26 (permalink) | |
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Poster Extraordinaire
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Location: victoria b.c. CANADA
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I wasn't promoted.....it was more like a bloodless coup. Just be thankful my taser is in for repair. I'm watching you punks.....
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#28 (permalink) |
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Poster Extraordinaire
Join Date: Mar 2007
Location: victoria b.c. CANADA
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Oh a wise ass eh? You know what happens to wisenheimers in the music theory big house pretty boy?!
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#30 (permalink) | |
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Poster Extraordinaire
Join Date: Mar 2007
Location: victoria b.c. CANADA
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Did anyone lose an eye in that music class?
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#32 (permalink) |
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Friend of Leo's
Join Date: Mar 2003
Location: Mo'town NJ
Posts: 2,547
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Very cool thread, I'll be trying these over the weekend.
Here is one I got from Scofield (as posted on the TGP dom7#9 thread last week). -5- -5- -8- -8- -x- -x- SKronky little F# (insert correct chord name here)
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All of us contain Music & Truth, but most of us can't get it out. Mark Twain |
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#34 (permalink) |
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Poster Extraordinaire
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Take a C major 7 (x 3 2 0 0 0 ) and whack an F on the bottom.
1 3 2 0 0 0 What you end up with is F C E G B E which is F maj9 ♯11. It is a very dense sounding chord- 'alien and deep' is how I think of it. Vai, Holdsworth both use these sorts of sounds a lot.
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#35 (permalink) | |
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#36 (permalink) | |
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Poster Extraordinaire
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I was wrecklessly jockeying for power last night and so I made my statement like it was absolute fact. I apologize. I'll have my resignation on LarryF's desk on Monday morning.
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#37 (permalink) |
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Friend of Leo's
Join Date: Mar 2009
Location: Toronto
Age: 51
Posts: 3,738
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Heh ;-)
I used to get into all of those kinds of argu.... discussions with my drummer, who was really a musicians musician. Guy could play ANYTHING if you left him alone with it for about fifteen minutes. You're right about things being not so cut and dry. Sometimes chords have a particular name because of the chords that preceed it or follow it. I guess it's all about context. |
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#38 (permalink) | |
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Poster Extraordinaire
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Quote:
We can think of a dyad as an interval rather than a chord, but it doesn't really matter either way. I'm not sure this is a question that will ever be answered definitively, it all comes down to personal preference.
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#39 (permalink) | |
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Poster Extraordinaire
Join Date: Mar 2007
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Quote:
Just kidding. I agree that context is everything for sure and we can argue about how many angels can dance on the head of a pin till the cows come home but ultimately...so what? When I'm playing my guitar I don't care about the terminology of what I'm doing, I'm just making sound. Absolutely. At some point what you call things becomes irrelevant. At some point it's useful to show you can walk(or play) your talk. At that point terminology ain't worth a wooden nickel.
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#40 (permalink) | |
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Tele-Meister
Join Date: Nov 2008
Location: usa
Posts: 187
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Quote:
x 6 4 6 0 x An Ebmin7 #5, or add on the E's and it's like a Emaj9/6 (not really sure how you name that). I like to alternate between using Eb as the bass note and using E. |
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