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| The Stomp Box Effects pedals and their effect on your playing. |
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#2 (permalink) |
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Poster Extraordinaire
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Did someone say feedback? As far as control goes, I step a few to the right to activate, and a few to the left to tone it it down, then when I'm feelin cool, I swivel like those late night exercise commercials to get some great effects.
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And now for some feedback: EEEEEEEEEEEEEEEEEEEEEEEEEEE |
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#4 (permalink) |
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Tele-Meister
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Feedback... well you seem like a good person, oh not that kind of feedback
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http://steve-steveszone.blogspot.com/ Time you enjoy wasting is not wasted. John Lennon |
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#5 (permalink) |
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Tele-Afflicted
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get an overdrive pedal, not one that says metalmaster on it. I like tubescreamer, anyone will do. Then heres the secret just kiss your signal with the boost. Maybe three, set tone neutral. vol accordingly. Just cause the knob says ten, you dont have to go over there.
Set it up where max volume on guitar is max feedback, turn down at guitar clean up signal.
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opinions expressed are the view of the author, and are not necesarily correct. |
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#6 (permalink) | |
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Friend of Leo's
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Quote:
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Please visit my website! If you are driven to play, you will find a way. |
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#7 (permalink) |
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Tele-Afflicted
Join Date: Oct 2005
Location: San Antonio, TX
Age: 23
Posts: 1,082
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Yeah feedback rules! As far as I've figured out, the closer the pickups are to the speaker the more feedback you get. So that's as much control as you really need at least for me. Also, you can control it quite a bit with your tone knob [more feedback when tone knob is at ten]. Obviously the volume knob can give a lot of control also. Some other factors to consider are whether the guitars body is resonant, such as a hollowbody, or whether the pickups are potted. These both will result in more feedback. And I'd advise against using a distortion pedal simply because I don't like them! Use what you already have and make it work! :)
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"I'm gonna toss my telecaster through the television screen cause I don't like what's goin on!" - Radiators From Space |
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#9 (permalink) |
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Banned
Tele-Meister
Join Date: May 2006
Posts: 125
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I, of course knew about standing in front of the amp, thanks all the same tho. I do have a DOD tube classic distortion pedal, but to get the real distortion going the gain and volume has to be up full, but it does sound metalish. I like the idea of the signal boost tho. Sounds good guys thanks.
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#11 (permalink) | |
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Tele-Meister
Join Date: Oct 2008
Location: Prague via So. Cal
Posts: 289
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Quote:
There is an indyguitarist mod for a ds-1 that has the same effect as this clip at 1:56. Its pretty cool as its only in the last 20% of the distortion knob rotation,any lower and your DS-1 is a normal distortion.lots of fun! |
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#12 (permalink) |
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Tele-Meister
Join Date: Sep 2003
Location: Madison, NJ
Age: 27
Posts: 221
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Try a boss SD-1 or Fulldrive-2. Any overdrive should help but I've had the best luck with these two pedals to add sustain/feedback.
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Guitars: 1997 Fender American Telecaster :: Fender '72 Telecaster Custom (reissue) Pedals: Analogman TR-2 :: Fulldrive 2 :: MXR Phase 90 (1977) :: Boss FV-500H Volume Pedal :: Analogman DD-6 |
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#13 (permalink) |
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TDPRI Member
Join Date: Jul 2009
Location: Chicago, IL
Age: 34
Posts: 56
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I like to use an Ibanez AD9 analog delay. Turn the Repeat and Delay Level (mix) all the way up. Then mess with the Delay Time while it's feeding back for cool sounds. No OD/distortion required, but it doesn't hurt!
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#15 (permalink) |
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Tele-Meister
Join Date: Apr 2008
Location: Brooklyn
Age: 30
Posts: 405
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My DOD Classic Fuzz does the job nicely, especially on hollowbodies.
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http://profile.myspace.com/thetarnishers |
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#16 (permalink) |
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Tele-Meister
Join Date: Jul 2009
Location: sno couny washington
Posts: 362
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If you like feed back I am willing to bet you like crazy oscillation and feedback,
Give the Catalinbread v8 fuzz tone engine a go , it is crazy fun. And if you are totally insane try their Teaser Stallion. |
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#17 (permalink) |
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Tele-Afflicted
Join Date: Aug 2006
Location: Minneapolis
Age: 44
Posts: 1,034
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I've found that your choice of guitar matters way more than your pedals for feedback. I love my Telecaster, but it doesn't feed back worth a dang. But I have a nice Strat with humbuckers that feeds back beautifully. But guitars that feed back too readily (i.e. hollowbodies) can be too hard to control. The trick is to build a setup with a nice, broad sweet spot, so it'll feed back easily when you want it to, but stay under control.
Best feedback guitar I ever owned was a Gibson Blueshawk. I miss it sometimes, just for that. Volume matters, too. The more volume you have, the less gain you need. Back to the whole sweet spot thing. I use three different dirt pedals right now (BBE Freq Boost, HAO Rumble Mod, Rat), and stack them for the right amount of gain depending on circumstance. I might also use a volume pedal to balance things.
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Oz: Well, other bands know more than three chords. Your professional bands can play up to six, sometimes seven completely different chords. Devon: That's just, like, fruity jazz bands. -from Buffy the Vampire Slayer |
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#18 (permalink) |
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Friend of Leo's
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All of the above regarding the boosts/OD's and here's a little trick that I like ...
If you're close enough to your amp(?), touch the headstock to the cab (if only a 'head' then the head box) when you've got some volume and drive and it's just on the verge of feedback. That should push it over the edge. Using your guitars volume ctrl you can keep it at a reasonable volume infinitely. |
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#19 (permalink) | |
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Tele-Afflicted
Join Date: Aug 2006
Location: Minneapolis
Age: 44
Posts: 1,034
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Quote:
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Oz: Well, other bands know more than three chords. Your professional bands can play up to six, sometimes seven completely different chords. Devon: That's just, like, fruity jazz bands. -from Buffy the Vampire Slayer |
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#20 (permalink) |
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Tele-Meister
Join Date: Feb 2009
Location: Massapequa, New York
Age: 19
Posts: 169
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i have a Rumble Mod pedal its amazing for getting "clean" feedback, meaning there doesnt have to be much distortion to break into feedback. An EQ pedal would work great too boost the lower mids in the 400-600HZ range for a more feedback prone sound
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It's true i've lost my marbles and I can't remember where i've put them |
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#22 (permalink) |
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TDPRI Member
Join Date: Dec 2008
Location: Zoo Atlanta, GA
Age: 22
Posts: 42
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Big Muff!! Either the American or the Russian work awesome, and have totally different feedback tones...and you can install a feedback loop switch and have it generate its own feedback where you can control the pitch with the sustain knob.
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