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#41 (permalink) |
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Tele-Holic
Join Date: May 2011
Location: Panama City, FL
Age: 27
Posts: 999
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That's probably because i'm not a huge fan of them. The only thing I see really using would be trem, and if it was a tap trem.
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'72 Tele Deluxe Road Worn > VS Route 66 v1 > Fulldrive 2 MOSFET > Keeley 2 Knob Comp > JHS Mini Bomb Boost > EB VOL JR > Polytune Mini > Timeline > Holy Grail > Hall of Fame > Orange AD30 combo |
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#42 (permalink) | |
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Tele-Afflicted
Join Date: Oct 2007
Location: West Virginia
Posts: 1,655
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Quote:
Wah Auto-Wah/Envelope Filter Octave Fuzz I'm not a HUGE Mod user, but I have a Script Phase 90 on 1 board and on the other a Boss CE-5 and a Dano CC Trem. I've also got a few others that I rotate in and out as my tastes change. |
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#43 (permalink) | |
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Tele-Holic
Join Date: May 2011
Location: Panama City, FL
Age: 27
Posts: 999
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Quote:
And, I should probably pick up a fuzz, though I can't forsee me using it too much....
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'72 Tele Deluxe Road Worn > VS Route 66 v1 > Fulldrive 2 MOSFET > Keeley 2 Knob Comp > JHS Mini Bomb Boost > EB VOL JR > Polytune Mini > Timeline > Holy Grail > Hall of Fame > Orange AD30 combo |
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#45 (permalink) | |
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Tele-Holic
Join Date: May 2011
Location: San Antonio, Texas
Posts: 673
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Quote:
I like using maximizers when I am working on overall mixes in my DAW. But how do you think your guitar sits in the mix of the bands you play in live? How does the maximizer help when you are using a bass and treble booster for an instrument that sits in the mids? I guess if the pots are set to noon it will neutralize the loss if mids. I've heard that a lot of players say that maximizers make their guitars sound full by themselves, but once they play out with their band, their guitar gets lost in the mix because they can't cut through. Last edited by mitch_m; August 29th, 2011 at 11:38 PM. |
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#47 (permalink) | |
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Tele-Holic
Join Date: May 2011
Location: Panama City, FL
Age: 27
Posts: 999
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Quote:
If you're not sure on how it works, it basically takes the signal and prepares it for phase cancelation. Delaying the high end a little while, so it lines up with the lower frequencies when they come out of the amp. Higher end moves faster than the lower stuff. As far as playing with a band and loss of mids, I experience NONE of these problems, so I am not really sure what you're talking about. I always get compliments on my tone from other people at church, they're always really impressed with how my guitar sounds by itself and in the house. I am a huge tone snob. I can promise you that I wouldn't do anything that hurt my tone.
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'72 Tele Deluxe Road Worn > VS Route 66 v1 > Fulldrive 2 MOSFET > Keeley 2 Knob Comp > JHS Mini Bomb Boost > EB VOL JR > Polytune Mini > Timeline > Holy Grail > Hall of Fame > Orange AD30 combo |
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#48 (permalink) |
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Tele-Holic
Join Date: May 2011
Location: San Antonio, Texas
Posts: 673
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I was just wondering what you meant by phase cancellation. It defies the current laws of physics for certain frequencies to travel faster than others. So I'm not sure that a pedal would be needed to fix this nonexistent problem. And phase cancellation doesn't happen until after the amp. So what does it really do?
And my second question was basically asking if you noticed any loss of mids when you set the pots straight up. cheers |
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#50 (permalink) | |
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Tele-Holic
Join Date: May 2011
Location: Panama City, FL
Age: 27
Posts: 999
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Quote:
To that, I don't have an answer for you. All I know is that it SEEMS to do what it claims it does, and I'm extremely happy with the outcome. There are loads of discussions of pro/anti BBE sonic max, and I really don't want this to turn into one of those. Agree to disagree? :)
__________________
'72 Tele Deluxe Road Worn > VS Route 66 v1 > Fulldrive 2 MOSFET > Keeley 2 Knob Comp > JHS Mini Bomb Boost > EB VOL JR > Polytune Mini > Timeline > Holy Grail > Hall of Fame > Orange AD30 combo |
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