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| The Stomp Box Effects pedals and their effect on your playing. |
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#1 (permalink) |
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Tele-Holic
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I've just built my first ever pedal - Zendrive clone
Yesterday, I finished building my first ever fx pedal, a Zendrive clone from German supplier uk-electronic.
I know, that guys like Johnny Crash will laugh about it because it is only a kit (not built from scratch - more like painting by numbers), but I must confess that I'm proud about my work. Prior to this - except for soldering guitar electronics - I had ZERO experience with electronics. Looking at schematics, I couldn't even tell which symbol was a resistor and which was a capacitor. So first, I did some research on the internet about electronic components, reading schematics and such. Then I decided to ordered the kit. I could have started with something more easy like a Looper or a Treble Booster but what I needed was an Overdrive, so I settled for the Zendrive clone. The kit includes everything you need to build the pedal except for the enclosure and the knobs. For 42 Euro incl. shipping I got the kit, a Hammond 190B enclosure and 4 knobs. The detailed description has to be downloaded from the website. First, I drilled all the holes in the enclosure with my trusty Bosch drill press. I did this 'by hand', holding the enclosure with one hand and the drill press with the other. Everything worked fine, but this method is NOT recommended. A 13mm drill that gets wedged in metal at 2000 rpm can be pretty dangerous. Knowing this, I was very careful, but for my next build, I think I'm going to buy some screw clamps to hold the enclosure. The description is very detailed, so, with some double-checking, it was easy to assemble all the parts, even for a novice like me. Here is the circuit board with all the components installed and the wires for the pots already connected: ![]() In the meantime, I sprayed the enclosure. Here's my paint-booth on the balcony ![]() And a pict of the 3PDT switch with most of the wires: ![]() Tools I used: - a drill press with metal drills - some spray cans (primer, white and transparent lacquer) - a phillips screw driver - a wire cutting plier - soldering iron - a printer for the decal and some masking tape |
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#2 (permalink) |
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Tele-Holic
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And here's the final result:
![]() ![]() Everything was working perfectly in the first test but after I had performed the final works (fixing the circuit board on the back of the pots with some spacers), I encountered some drop-outs in the sound. The problem was found and solved within 5 minutes - a cold soldering joint at one of the capacitors. Being my first build, this is far from perfect, but I'm totally happy with the result. The pedal has a very sweet but yet "open" sound. In bypass mode it is absolutely quiet. I've had some good OD pedals before but honestly, I like this one the most. I don't hear any "artefacts" when the overdriven sound fades out (like I heared on the Barber Small Fry and LTD which are fantastic pedals btw.) and the sound cleans up nicely when I roll back the guitar's volume. Building this pedal was fun and educational and it won't be my last one Thanks for reading. |
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#3 (permalink) |
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Tele-Meister
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Excellent job! I can't speak for Mr. Crash, but being that you learned a little something while you built this pedal, then that's all that matters, regardless of whether it was a kit or from scratch. The more you understand how the parts function in a circuit and what happens when values are changed, the greater the options and choices are for your own personal tastes. Besides, it's always cool to create things! So good on ya!
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"You said you're from college but you don't seem too bright, 'cause you just brung a switchblade to a pistol fight" - Chris Knight |
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#4 (permalink) |
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Tele-Meister
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Nice job, you should be proud.
Don’t feel guilty about the painting by numbers aspect of building gear, I would say most people who get into building amps and other gear are only doing that, as long as a little sinks in on each build I wouldn’t worry, I’ve done four and I’m only just starting to understand what does what. How about some sound clips when you have a chance. Stax |
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#5 (permalink) |
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Tele-Meister
Join Date: Feb 2008
Location: Illinois State University
Age: 19
Posts: 303
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wow that looks great, good job!
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USA Ovation * (Big Baby Taylor - SOLD) MIM Telecaster * Vox AC15CC Takamine Classical G series Martin 000C-16RGTE Aura Some people sing in the shower, I play guitar... |
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#6 (permalink) |
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Tele-Afflicted
Join Date: Jul 2007
Location: Virginia
Posts: 1,889
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Thats awesome! I gotta say the finish looks very professional and for me thats the trickiest part to nail...I love these kits. So what if its paint by numbers you still learn something, a lot actually especially if you're like me who didn't know a capacitor from a resistor from a trim pot.
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"You released the ******* fury!" |
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#9 (permalink) |
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Friend of Leo's
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Thanks for the tip!
Here's a link: MEK - UK-Electronic Finding parts, and kits, can be a female dog sometimes, in Yer-Up... / Tony |
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#10 (permalink) |
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Tele-Holic
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Thanks guys for all the nice comments.
The paint job is ok, but it was a hazzle. The first so-called 'Aluminium primer' lost it's paint adhesion just when I was ready to attach the decal, so I had to sand all the lacquer down again and re-spray the whole thing with better Dupli-Color lacquer. This was the only boring thing (waiting for the lacquer to dry) of this whole fun build. Per request, here are some raw and dirty recordings. Beware, that we had some really hot days with very high humidity here in Berlin and our appartment which is right under the building's roof, feels like a sauna. My fingers felt like they were glued to the maple neck, so the playing is a bit bumpy. I use the Zehndrive as a mild to mid Overdrive. The Gain knob on these recordings was a 11 o'clock. When you cranck the gain all the way up, you get into AC/DC / hardrock territory. This is definitely not a high-gain pedal. For me, it's always important to hear the clean guitar signal to judge an overdrive's sound, so you first hear the clean signal, followed by the click of the Zehndrive's switch and then the overdriven signal. Settings: Gain 11, Volume 12, Voice 9 and Tone 4 o'clock Bridge pickup Telecaster. At the end you can hear how evenly the overdriven sound fades out: http://www.armeirre.de/jotka/tdpri/Zehndrive_1.mp3 Neck pickup Stratocaster: http://www.armeirre.de/jotka/tdpri/Zehndrive_2.mp3 Neck pickup Telecaster. An example how dynamically the Zehndrive reacts to the strength of the picking: http://www.armeirre.de/jotka/tdpri/Zehndrive_3.mp3 Everything was recorded with a cheap condenser mic in front of my Princeton, going directly into Logic 8 without any further sound processing. I used a very light reverb from a Marshal Reflector pedal, nothing else. |
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#11 (permalink) | |
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Tele-Holic
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Quote:
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#13 (permalink) |
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Tele-Holic
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The Tone control is basically, what it says. It changes the sound from dark/muddy to trebly.
My impression is that the Voice control changes the mids of the signal from almost flat to mid-hump. Edit: Just found an explanation on another board which seems to attest my impression. "The Tone control is after the OD, and is flat when wide open. The Voice control is before the OD and is flat when at minimum. When set flat, the Zendrive still has a ~very slight boost around 300-400hz, which makes high notes have more body. As the voice control is turned up, the upper mids begin to be emphasized similar to the TS pedals, but the bottom end remains, and it still sounds more open and much less compressed." |
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#14 (permalink) |
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Tele-Meister
Join Date: Aug 2007
Location: Alabama, United States
Age: 29
Posts: 121
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Sounds cool and looks nice. I'm going to have to try building a pedal soon.
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I'll be more enthusiastic about encouraging thinking outside the box when there's evidence of any thinking going on inside it. -- (Terry Pratchett) |
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#16 (permalink) | |
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Tele-Holic
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Quote:
This pedal is built from a kit which I bought from German supplier MEK uk-electronic (link can be found some posts above). The description can be downloaded from the website. |
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#17 (permalink) |
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Friend of Leo's
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#20 (permalink) | |
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Friend of Leo's
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Quote:
/ Tony |
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#22 (permalink) |
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Friend of Leo's
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It is my impression that all those boost, and overdrive pedals are mostly copies of one another. Nothing new, or revolutionary.
A bit like old tweed amps...it's the same old circuits, recycled. Like the blues. Who has the copyright? (taking cover..) / Tony |
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#23 (permalink) |
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Tele-Holic
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Like Big Tony said....
Do you really think that pedals like the OCD or the Centaur are the sole ideas of their creators/sellers? Then do a google search for "Klon Centaur copy" or "Fulltone OCD copy". You should rather ask if copying/modifying a pedal design and then selling it for more than 150 $US under your brand name is ethical. And then what about all the aftermarket pickups? These are basically all copies of Leo's original designs. What about all the boutique amp- and guitar builders? Just some brands that come to mind (WITHOUT any judgement and in no particular order): Seymour Duncan, DiMarzio, Fralin, Lollar, Novak, Weber, STF, Headstrong, Mission, Allen, Ceriatone, Victoria, Demeter, Cornell, Suhr, Anderson, DeTemple, Grosh, Tyler, Carvin, Nash, Schecter, Lentz... I think your question is obsolete. |
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#24 (permalink) |
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TDPRI Member
Join Date: Mar 2008
Location: Dallas, TX
Posts: 38
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If you guys want to read a country mile's worth of debate on this very topic, head over to the Gear Page and search cloning. It's really a worn out topic over there and you'll get all the input and opinions you could ever want!
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Corby L. pedal-holic |
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