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| Home | Forum | Resources | TeleShop | Gallery | Classifieds | Reviews | Register | FAQ | Search | Today's Posts | Mark Forums Read |
| The Stomp Box Effects pedals and their effect on your playing. |
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#1 (permalink) |
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Tele-Meister
Join Date: Dec 2007
Location: Bronx NY
Age: 32
Posts: 231
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How many use two overdrive pedals to get a specific tone?
How many of y'all use two overdrive pedals to get a certain overdrive sound that maybe one pedal alone won't give you?
Me, sometimes i use my barber ltd and my maxon od9+pro Last edited by andrenighthound; March 18th, 2008 at 04:04 PM. |
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#2 (permalink) |
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Tele-Afflicted
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My Keeley Mooded Sparkle Drive is my main OD.... I kick in modded blues driver as a lead boost or a heavy OD when needed.
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Practice make permanent!!!!....Perfect practice makes perfect!!! Chris B. Current Band www.productoffaith.net Last band as a bass player www.neonjones.com |
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#4 (permalink) |
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Friend of Leo's
Join Date: Mar 2003
Posts: 2,164
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Klon into the OCD. Together, they can give a huge range of tones.
I guess the same is also true for the King of Tone.....it's really two overdrives in one pedal.
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Lance "not very good...but I make up for it by playing loud" |
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#5 (permalink) |
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TDPRI Member
Join Date: Oct 2007
Location: Lilburn, GA
Age: 23
Posts: 32
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One's not an OD, but I do use two drive pedals. The order I engage them in is different based on the kind of music I'm playing.
Keeley DS-1 (SEM/Ultra mods) usually on the Ultra setting Bad Monkey OD Bad Monkey then DS-1 if it's softer or classic rock DS-1 then Bad Monkey if it's the heavy stuff for solo boosts |
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#7 (permalink) |
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Tele-Afflicted
Join Date: Jan 2008
Location: Indianapolis, IN
Age: 55
Posts: 1,557
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I use the on-board OD mixed with either an FBM-1 or TS-7 to create certain lead and rhythm tones.
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If you get hung up on just guitar players, you've missed something.... Don't ever get to a point where you just gotta be a guitar player. You hear something, go try to get that note and sound as much like that as you can.-Buddy Guy |
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#8 (permalink) |
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Tele-Meister
Join Date: Aug 2007
Location: Massachusetts
Age: 42
Posts: 310
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I kick a Keeley Compressor into an OCD sometimes for added sustain at low drive volumes... or, for an almost fuzz like quality at max guitar volume.
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Fender 2007 Custom Shop Custom Classic Telecaster | Gibson 2004 Les Paul Standard Gibson 2005 SG Std / Fender 2004 AmDlx Ash Strat | Mesa '05 Lonestar Special Gibson 2006 CJ-165 Maple | Martin 2004 DC Aura "Playing is not practice. Practice is taking something you can't do, and trying it until you can." - Ben Harper |
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#9 (permalink) |
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Tele-Meister
Join Date: Nov 2006
Location: Tampa Bay, FL, USA
Age: 45
Posts: 263
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I'm actually using 3 boxes right now...
Boss SD-1, this is set around halfway, into a Ibanez TS-7 Tubescreamer, gain 8 o'clock, volume set to give slight boost, into a '86 ProCo Rat, gain about 10'oclock, filter 3 oclock, then the other stuff... Still getting the tuning JUST right, although it was pretty good to begin with. Stangely, I'm using just the TS-7 most of the time... Franc Robert Back Alley Blues Band |
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#10 (permalink) |
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Tele-Afflicted
Join Date: Sep 2007
Location: Chicago Chicago that toddlin' town
Age: 46
Posts: 1,719
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I've got a couple of trunks packed full of stompboxes, so I'm always messing
with this n' that --- a Z-Vex SHO with a Crowther Hotcake can be quite nice, but then again so is an MXR Micro-Amp and a Visual Sound Route 66.. I like an OD paired up with a distortion/fuzz sometimes as well. sometimes a couple of fuzzboxes in line can be just the ticket!
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#11 (permalink) |
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Tele-Afflicted
Join Date: Dec 2004
Location: Hackettstown, NJ
Posts: 1,608
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I've never been a "stacker." Never sounds good to me. The only sort-of exception is when one pedal has TWO levels of drive... like the FD2's Boost or the KOT (2 channels, stackable). THAT I like alot. But I've never been a fan of stacking 2 pedals.
Part of the reason probably is, I get quite a bit of drive from my amps, and more than one pedal added tends to get way too compressed & mushy. Looses all definition.
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"I've got callouses, from all those nights, spent playin' a Telecaster, 'till my fingers bled Bud Light" - Travis Tritt |
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#12 (permalink) |
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Tele-Meister
Join Date: Apr 2007
Location: Toledo, Ohio
Age: 24
Posts: 235
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I use a bad monkey and a little big muff. I haven't had a lot of time with the two together yet, so I am always tweaking settings. I didn't even think about switching which of them is first. New stuff to try out I guess. So far I am really liking the combination though.
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#14 (permalink) |
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Tele-Meister
Join Date: Dec 2007
Location: Bronx NY
Age: 32
Posts: 231
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i guess i'm looking for a booster for my 5f1. i'm trying out the barber eq as a booster right now, i guess it wasn't made for being used as a booster but maybe it was...it does come with a volume pot.
i don't know but it might be too much treble even with the treble pot all the way down. It seems that the treble pot doesn't work going counter clockwise passed 12 oclock. if the barb eq works for me i'll add the barber ltd even more sustain/gain |
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#16 (permalink) |
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TDPRI Member
Join Date: Feb 2007
Location: MD
Age: 29
Posts: 32
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My favorite tones that I get come from something(okay, anything into my Timmy) Menatone Red Snapper sounds great on its own, but better into my Timmy.
Same for Subdecay Liquid Sunshine, Keeley RAT, and Zvex Box of Rock. The cool thing is that the Timmy sounds amazing on its own as well. You want it to be a clean boost? Just turn Gain, Bass, Treble all the way down and adjust Vol. to taste. Want a little dirt? Turn the gain knob a little. It's the best purchase a guitar player can make for improving their tone.
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Guitars: '58 RI Les Paul, AV52RI Tele Effects: Tone Press>Red Snapper>Keeley RAT>Liquid Sunshine>Timmy>Zvex BOR>EB VP JR>Korg DT-10>AM Bi-Chorus>Semaphore>Disaster Transport>Analogman AR20DL>Deeelay Amp: Traynor YCV50 Gibson GA-5 |
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#17 (permalink) |
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Friend of Leo's
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I use a TS9 for the crunch and blues stuff, a TS10 for a little more overdrive. The two together make some beautiful overtones. Nice feedback.
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#18 (permalink) |
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Tele-Afflicted
Join Date: Apr 2007
Location: California
Age: 49
Posts: 1,807
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I'll mix and match a lot of different things, depending.
One of my favorite distortion sounds ever was a Snarling Dogs VeryTone Dog into a Bad Monkey, into a little 10 watt Epiphone Galaxy amp. It was very bright and snarly and dynamic -- not in the least smooth, sophisticated, or tasteful!
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"It looked like a giant green gum drop to me." |
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#19 (permalink) |
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Friend of Leo's
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I found that not all overdrives chain together well. I tried two Fulltone overdrives and they sounded bad. On the other hand, two Vox Valvetones gave me a great sound. Set one with gain high/level low and set the other with gain low/level high. Gave me clean, clean boost, medium overdrive, and big overdrive.
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#21 (permalink) |
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TDPRI Member
Join Date: Mar 2006
Location: Belfast, UK
Posts: 26
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I've changed the way I use my distortion pedals in the past year. Now I set both my Reezafratzitz and my OCD to a much lower gain setting and then boost each with various pedals. I find that "stacking" in this way give a much, much fatter, fuller, and yet much more cutting sound.
Running my pedals this way means that each pedal gives a much better rhythm sound, and then when boosted, the lead sound is great. For boosting duties I use an old TS808, a Seymour Duncan Pickup Booster and the fat boost on a Toadworks Deathrattle. |
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#22 (permalink) |
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Tele-Meister
Join Date: Mar 2003
Location: North London, UK
Posts: 456
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I use a Bad Monkey into a Boss OD3, - in effect I use the BM as a tone control for the OD3, - the bass control on the BM provides a lot of "oomph" to the OD3. There's a tremendous amount of different sounds available with these two, I find.
Rick J
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"If you want to know what an electric guitar is supposed to sound like, just listen to this." - British DJ John Peel introducing a Roy Buchanan track on BBC radio in the late 60's. |
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#25 (permalink) |
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TDPRI Member
Join Date: Sep 2006
Location: Asheville, NC
Age: 45
Posts: 63
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I feed a Boss OD3 with a modded SD1, both with the gain set at about 11 o'clock. The OD3 is essentially my amp "modeler", giving me a flat-frequency, amp-on-the-edge crunch, and the SD1 is my "Tube Screamer clone" that sends me into saturated-lead land. I can clean the sound up by lowering my volume control, and I control the overall volume with a volume pedal after both the overdrives.
I've tried many combinations, and many just couldn't work at all. This combination is the best I've tried, but I'm sure there are better ones out there. |
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#26 (permalink) |
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Tele-Meister
Join Date: Sep 2006
Location: Westborough, MA
Age: 56
Posts: 377
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I run a Bad Bob booster before my ODs, it's always on, so that gives them an extra little punch as soon as they're engaged. After the BB, there's a Keeley BD-2, a Barber Direct Drive, and a Soul Patch Fuzz from Aramat Effects. One or more of those will run in tandem with the BB when it's time for the crunch. I also have a Danelectro Daddy-O, Keeley Sparkle Drive, stock DS-1, and stock OD-3 that may rotate into that board at times - many flavors, all a little different.
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