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| Recording In Progress Studio and Home Studio recording forum for discussion of tips, techniques, gear and setup. |
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#1 (permalink) |
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TDPRI Member
Join Date: Dec 2007
Location: Nashville TN
Posts: 62
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Small Diaphram Condeser for Acoustic?
Any suggestions on a descent budget minded Small Diaphram Condenser Mic for recording Acoustic guitars?
Just wondering if there was something widely known (as a standard) for great results for home studio use? I am looking to spend between 100-300 dollars. I am familiar with the Shure SM81 but it pushes to the upper limit of my budget...maybe slightly beyond. Thanks for any recommendations! |
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#2 (permalink) |
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Poster Extraordinaire
Join Date: Nov 2004
Location: Mint Hill, NC
Age: 63
Posts: 8,128
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yeah, the SM81 ain't cheap, though it's considered top-of-class. i've had pretty good results with the AKG C1000S at about $70 less ... of course, my experience is limited and i'm sure other folks will chime in with equally good suggestions.
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Truth is stranger than fact ... www.myspace.com/stragglerswing (Woody & the Stragglers - Western Swing/Roots-rock) |
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#3 (permalink) |
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TDPRI Member
Join Date: Dec 2007
Location: Nashville TN
Posts: 62
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I have heard the same about the AKG C1000s from researching over the weekend, sounds like a workhorse and would probably fit the bill...
What we are doing now for acoustic guitars is taking a Sterling ST51 large diaphram condenser for the body near the bridge on one track, then using a SM57 pointed between 12-14th fret at 45 degree angle towards body for other track. Works well but level is so low on the SM57 it gets weak signal to the Lamda pre and track. (hey in the meantime, maybe that ART Tube MP would be good on the SM57 to bump up the level?...just hit me). So, I am considering getting a small diaphram condenser for that purpose...to replace the SM57 when recording acoustics. |
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#5 (permalink) |
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Tele-Afflicted
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"I have heard the same about the AKG C1000s from researching over the weekend, sounds like a workhorse and would probably fit the bill..."
Harsh to my ears..... But YMMV.... An Audio Technica Pro 37R is a good call when on a budget... A Gefell M300 is my fav, but they are through the roof right now 'cause of the tanked dollar... But that 37R is a great little mic.... |
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#7 (permalink) |
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Moderator
Doctor of Teleocity
Join Date: Mar 2003
Location: Ocean Pines, Maryland, USA
Age: 50
Posts: 13,151
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I've gotten really good results with the relatively inexpensive (okay, it's cheap!) MXL 603s. I've used it on acoustic guitar, mandolin and as a pair on drum overheads and have been VERY happy. In fact, I bought two more when MF had them on the "Stupid Deal of the Day"...
The Cheers, Tim
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http://www.moodswingers.org |
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#8 (permalink) |
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TDPRI Member
Join Date: Jun 2008
Location: Los Angeles
Age: 50
Posts: 92
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Hey all:
The 603/604 is a no brainer for the price. here is the CK-1 (x2) that I own - better for the money IMO. three caps plus shockmount. Sound great. Really. I am itching for the Fatheads too, and a 1482, and a Nash S-63, and a SuperChamp XD, and a VibroChamp XD (like that one a little more, but I want both!!! Well I think you get the point, Does it ever end??? Michael
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Fear is not an option. |
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#10 (permalink) | |
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Friend of Leo's
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Quote:
Therefore, I also second the Pro37. I've heard very nice things out of those. I also like, and own, a the MXR 603s. Amazing quality for the money. The other mic I like quite a bit is the KEL HM-1. Cheap, tough, and flat sounding, which I prefer over colored mics - at least in this price range. ...And believe it or not, I've gotten some great acoustic sounds out of a Shure Beta 57A. It was just for a scratch track, and if it weren't for the playing, it woulda been a keeper!
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"I think I'll go for the life of sin, followed by the last-minute, presto-change-o, deathbed repentance." - B. Simpson "...Because we all expect the truth, we must be the best of fools." - Stiff Little Fingers |
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#12 (permalink) |
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Friend of Leo's
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+1 on the MXL 603s.
mud
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MudBean Music Nekkid Bart: "This is the worst day of my life." Laffing Homer: "Worst day SO FAR!!" |
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#13 (permalink) |
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Friend of Leo's
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Thanks, Stu! I've been remembering what I love about this place. Just look at all the useful, well reasoned advice on this thread!
__________________
"I think I'll go for the life of sin, followed by the last-minute, presto-change-o, deathbed repentance." - B. Simpson "...Because we all expect the truth, we must be the best of fools." - Stiff Little Fingers |
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#14 (permalink) | |
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Friend of Leo's
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Quote:
Just scored an AT PRO-37R in perfect condition off the CL this past Friday (for $70!) ... I read an interview with some famous AE a while back (name eludes me at the moment) wherein he mentioned alotta love for this mic on acoustic guitar, so I've had one on my "browse list" since. Looking forward to trying it out. mud
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MudBean Music Nekkid Bart: "This is the worst day of my life." Laffing Homer: "Worst day SO FAR!!" |
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#15 (permalink) |
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Friend of Leo's
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BTW, I believe someone mentioned recording acoustic guitar with an SM57 above - something I have personally never found joy with, but in this month's Recording Magazine there's an interesting article, "Recording Britt Neal’s Over That Bridge." In it, Producer André Fratto makes some (to me) amazing statements concerning recording acoustic guitar with an SM57, and vocal overdubs.
I'd be quite interested to hear the opinions of our studio guys here on this article. mud
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MudBean Music Nekkid Bart: "This is the worst day of my life." Laffing Homer: "Worst day SO FAR!!" |
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