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#2 (permalink) |
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Tele-Holic
Join Date: Feb 2005
Location: Independence, MO
Posts: 841
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500K is correct for P-90s. Gibson might use 300Ks, but I don't know that for certain. Gibson's pots are poop, for the most part. CTS 500Ks are the way to go.
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There is no substitute for Sound Pressure Level |
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#3 (permalink) |
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Tele-Meister
Join Date: Feb 2007
Location: Brisbane, Australia
Posts: 265
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My Squier Tele Custom II has 500k's in there which i left when i changed the p'ups to hotter SD P90s.
I think i may have read what DrewB said also about the 300k's...
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"Amps should have an on/off switch and a f***king volume and tone. If you get a really fancy one, it should have reverb on/off..." S.P Jones |
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#4 (permalink) |
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Poster Extraordinaire
Join Date: Jan 2004
Location: Sioux Falls, SD
Posts: 5,438
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WARNING:This post may contain items including, but not limited to, sarcasm, irony, hyperbole intended to bring humor to this discussion. Those of you who are overly sensitive or who have no sense of humor are better off ignoring this post. |
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#5 (permalink) |
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Tele-Holic
Join Date: Feb 2008
Location: St. John's, Newfoundland
Age: 43
Posts: 583
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CTS 1Meg pots are the best way to go. Let all that nice single-coil top end sizzle through! Tone wide open, P90s can sound like G&L's or even Tele pickups with a CAP'ed volume pot to adjust down the volume a little.
Seriously, get the 1Megs. |
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#6 (permalink) |
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Tele-Holic
Join Date: Feb 2005
Location: Independence, MO
Posts: 841
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I'm not sure who manufactures the pots they use in the regular production line. Some of the Custom Shop guitars have the same pots.
- The pots are cheaply made; it's not hard to damage one when you're soldering. I actually had an input lug on a volume pot fall off (the plastic melted) when I was changing out a capacitor, and I have done a lot of soldering, so it's not like I don't know what I'm doing. - Their use of 300K volume pots is another head-scratcher. How many Gibsons have you played in shops that have neck pickups that never make it out of the mud zone? Look no further than the control cavity. This is holdover from the cost-center Norlin era and limits the guitar's tonal range. - Gibson seems to like using linear-taper pots for their volume controls, which is a lesser consideration that the actual quality of the pots, but they react differently than audio-taper (standard) pots, which can be a nuisance if you are one of the people that actually uses a volume control dynamically. I'll grant that the first point is the only one that actually incriminates the pots as "poop," but the other two "choices" deserve honorable mentions. I love Gibsons and have been primarily a Gibson player for almost 20 years, but I'm not blind to their apparent cluelessness about some critical pieces of the puzzle. If you get a guitar 90% of the way "there," why limit how much you can close the remaining 10% gap in the name of saving $2.50 or less?!
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There is no substitute for Sound Pressure Level |
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#7 (permalink) |
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Poster Extraordinaire
Join Date: Jan 2004
Location: Sioux Falls, SD
Posts: 5,438
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Thanks.
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WARNING:This post may contain items including, but not limited to, sarcasm, irony, hyperbole intended to bring humor to this discussion. Those of you who are overly sensitive or who have no sense of humor are better off ignoring this post. |
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#10 (permalink) |
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TDPRI Member
Join Date: Jun 2007
Location: en la cantina
Posts: 90
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My experience:
I mounted a p90 in the the neck of my tele. First with stock 250k pots, later added brighter caps, then changed to 300k and stayed for a while... until I played a squier custom II to find that in comparison my antiquity p90 sounded muffled, lacking much high end I have just changed the tone for a 500k but still it sounds muffled in comparison to the squier... so i guess I'll have to go for both 500k pots... or maybe even a 1Meg tone as someone suggested above? |
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#12 (permalink) | |
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TDPRI Member
Join Date: Jun 2007
Location: en la cantina
Posts: 90
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Quote:
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#14 (permalink) | |
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Tele-Afflicted
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Quote:
I have a VOS R7, '62 SG RI, and a LP Classic Antique Mahogany (GOTW #33) and all have very good, high quality pots. Far as I know they're 500k as well. Maybe the Faded series or Studios use cheaper stuff. And 500k would definitely be the way to go with P-90's. I had a '98 LP Special for awhile...it had stock 500k Gibson potsand, again, seemed to be fine quality-wise. .
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__________________________________ "Yeah, well, you know,...that's just, like, your opinion, man." The Dude
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