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| Guitar Owners Clubs Here you'll find owners club threads for many different custom guitars and special models from larger manufacturers, too. |
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Friend of Leo's
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ES345 Club
Seeing reference to a 335 club got me thinking that we need a club for ES345 owners.
The 345 with varitone, and often with stereo output, cost $10 more than a 335 in 1959 and had the very handsome split parallelogram inlays, but brought with it a whole lot of questions. These included:
My first was a '66 with the anorexic neck. ![]() A previous owner had tried to mono-ise this by joining the two actives. This doesn't work. After I had the original circuit restored, I managed the stereo output by running a stereo lead to a breakout box but then discovered that the sound is out of phase if you run the two mono leads into two sides of a silverface. I solved the 345 into one amp question by using a Barge Concepts VFB-X which is essentially a mixer disguised as an effect and driven by an expression pedal. http://www.bargeconcepts.com/x.html While the tone of my '66 was great I found the neck with its 1 5/8" nut (characteristic of late 60s Gibsons) too skinny and traded it for a 2002 Memphis Custom Shop: This has a neck with a fatter C profile and a 1 11/16" nut. It comes with two outputs - one for each pickup. The upper one functions as a mono output if used by itself. It also comes with the '57 Classic pickups with which I was not happy (except for a short period at the store) as they lacked smoothness. Pete Biltoft wound me a pair of low output buckers. My tech installed them as this is a fiddly job that requires pulling the tone circuit out through the pickup holes. At the time of writing, I am on holiday and practising a lot (yay!). I have discovered that the bridge pickup is a good choice for a more fusion-y lead tone and that the Varitone is very useful for attenuating the output when both pickups are on. There are also a couple of useful settings for colouring the tone. I have done two other mods:
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