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| The BASS Place Talk about Bass guitars and the low end of the scale. |
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#4 (permalink) | |
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Friend of Leo's
Join Date: Mar 2003
Location: The Gorge
Posts: 2,584
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Quote:
1. emphasize the fundamental 2. ring less 3. sustain less That all conspires to get an electric more in the realm of the upright bass. It's not real close of course, but closer than with rounds. In conjunction with a bolt on design like the P or J, you get a big percussive attack followed by a rather short decay making that P or J with flats near ideal for a root - V or walking bass kinda player. For my roots rock gig - a Fender with flats just does it. When we break out the Surf music, I switch to rounds as the extra sustain and ring and harmonic's work to my advantage there. Other's can chime in about how there is less fret wear with flats or they feel better on your fingers - to me that is all secondary. It's about the tone and the attack. There are also ground wounds which tend to fall in the middle somewhere. The D'Addario Half Round, is a string I used for many years. Big body and big attack like the flat but a bit of zing and ring on top as well. I stopped using them a few years back. It seems like D'Addario changed the formulation of the steel to something that doesn't agree with my sweat making the strings unconfortable for me now. Another is the GHs Brite flat which as I now understand is a round wound, ground entirely flat - coulda fooled me - it feels just like a flat when I'm playing it. I'm not sure I see where the brite part comes in. These came to me on a bass so i have no idea how old they are. I do like them though. Last edited by 4mal; June 27th, 2007 at 03:19 AM.. |
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#8 (permalink) |
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Moderator
Doctor of Teleocity
Join Date: Mar 2003
Location: Ocean Pines, Maryland, USA
Age: 50
Posts: 13,701
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Another cool thing about flats is that, when you pluck them with a pick, you get that classic 60s thing happening....
Cheers, Tim
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http://www.moodswingers.org |
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#9 (permalink) |
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Tele-Meister
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Can't add much to what 4 and Tim said. A fresh set of rounds on my P produces the "piano" tone I like for rock and fusion. Flats on my J type mellow the single coils just enough for blues/roots/alt country. I too worry less about fret wear and more about tone and feel. Though roto's can chew like a beaver..
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Now go do the voodoo that you do sooo well... |
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#10 (permalink) |
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Poster Extraordinaire
Join Date: Mar 2005
Location: Fullerton, CA
Posts: 9,121
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Like said before... generally speaking, flatwounds have a smoother, jazzy, almost upright sound. Flatwounds on a fretless is as close as you'll get to an acoustic upright on an electric.
I prefer roundwounds. They've got that "clang" and "kerang" when you dig in with a pick. You can also always dial back some attack/aggressiveness with the Tone knob or amp or play without a pick. I mostly play hard rock though.
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-- I constantly have to remind myself I'm a grownup and it's just the internet. |
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#11 (permalink) | |
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Tele-Meister
Join Date: Mar 2003
Location: Arlington, VA
Age: 50
Posts: 427
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#13 (permalink) | |
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Moderator
Doctor of Teleocity
Join Date: Mar 2003
Location: Ocean Pines, Maryland, USA
Age: 50
Posts: 13,701
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Quote:
Cheers, Tim
__________________
http://www.moodswingers.org |
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#17 (permalink) |
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Tele-Meister
Join Date: Mar 2003
Posts: 431
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This is from a McCartney interview from the late Nineties:
" I'm the least technically minded person you could meet. A guy came up to me in Mannys music store in New York and asked; "Hey Paul, what strings did you use with the Beatles?".....long shiny ones, I replied. I was'nt being funny, I genuinly did'nt know."
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Your attitude will always affect your altitude. |
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#19 (permalink) |
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Tele-Afflicted
Join Date: Aug 2006
Location: EDMONTON, Alberta... yes, in CANADA
Age: 43
Posts: 1,777
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DOH!!! I was hoping that one would slip by. I shouldn't read so late at night and try to post witty comments.
However, imagine if he did? That would have been fun. Bob
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It don't mean a thang if it ain't got that TWANG!!!
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