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| The BASS Place Talk about Bass guitars and the low end of the scale. |
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#1 (permalink) |
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Tele-Holic
Join Date: Jun 2009
Location: Adelaide, South Australia
Age: 23
Posts: 532
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'51 Precision (Single Coil) vs Modern Precision (Split Pickup)
Just out of curiosity, is there much of a difference sound-wise?
Obviously that is a massive generalization as each bass guitar is different. But I wonder if anyone has AB'd two models that fall under this catagory. What were the models? Did you notice a difference? I personally have a CIJ '51 Reissue in Sunburst. It is the bass I always wanted, and I lucked out a few years back and managed to get a new one for only $700. That is unheard of here! A new MIM Precisions cost about a grand here... and that is on a good day! Is flawless! The fit and finish is great, the neck plays like butter and I have never had it professionally set up. The stock pickup sounds wonderful. It has a lot of punch, but is still really articulate. All a man could ask for I have played both versions of the "traditional" Precision Bass, but have never had a good chance to AB the two. They both sound great to me, which I guess is really all that matters. But I feel like asking questions |
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#3 (permalink) |
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Tele-Meister
Join Date: Mar 2003
Location: Liverpool
Posts: 470
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I've owned or had access to P Basses ranging from a 1960, then an original L series through to a couple of 70's P's and then a brace of JV squiers.
Ironically, the "newest" P Bass I've owned was a MIJ Sting Signature (based on his 1955/6 "transitional" Bass). For that instantly recognisable Precision tone, all the Basses were great but the 1960 and the L series stood out, with the L series shading it for me. The MIJ had its own sound...somewhere between classic P and the neck pickup on a Jazz Bass pickup. It definitely growled more than the split hunbucker to my ears. They were all great though.
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#4 (permalink) |
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Super Moderator
Friend of Leo's
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I've owned a number of different P basses over the last 40 years, and a few years ago I lucked into a mint MIJ 51 Reissue. Compared to the split pickups, the 51 sounded much weaker and thinner to my ears. It wasn't bad on its own, but in a band situation I wasn't getting the growl and low end I wanted. I wound up replacing it with a GFS Strat guitar pickup, the Lil Puncher -- perfect size, drop-in replacement -- and I was VERY happy with the change. Plenty of definition and low end, with a much hotter signal. Really brought the 51 RI to life. And it actually looked kinda cool, too.
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"I go online sometimes, but everyone's spelling is really bad. It's depressing." – Tara, from "Buffy the Vampire Slayer" "It was born at the junction of form and function." – Bill Kirchen, from "Hammer of the Honky-Tonk Gods" |
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#5 (permalink) | |
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Tele-Holic
Join Date: Jun 2009
Location: Adelaide, South Australia
Age: 23
Posts: 532
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Quote:
Do you have any pics or vids of your 51P with the lil puncher in action? It sounds interesting :) |
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#7 (permalink) |
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Poster Extraordinaire
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SCPB has more punch. Split coil sound is more polite, but has more output and, of course, no hum.
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Jill Martini Soiree - Fretalian Jazz Manouche www.jillmartinisoiree.com www.reverbnation.com/jillmartinisoiree |
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#8 (permalink) |
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Tele-Afflicted
Join Date: Dec 2006
Location: Potsdam, NY
Age: 53
Posts: 1,874
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I'm no expert on P-Bass tone, just that I generally like the lower-mid honk of a split-coil P. On the other hand, Sting's bass tone on the Certifiable DVD/CD from the 2007 tour is one of the best I've ever heard. Kinda grunty, but it fits into and fills out the Police's generally top-heavy tone perfectly. That's a CS re-creation of his original, I think. I believe I read somewhere recently that he has a Duncan pickup in it - a QP perhaps? Need to research that further.
Last edited by Rich_S; June 18th, 2010 at 01:25 PM. |
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#9 (permalink) |
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Friend of Leo's
Join Date: Sep 2004
Location: California
Posts: 2,211
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I have both, in some combinations, and with flats I couldn't tell any difference if my life depended on it.
The single-coil with single-pole magnets has sharper transient peaks, which Leo Fender believed were responsible for blowing speakers on his early amps. The "Sting," BTW, is nothing but FJ's somewhat interpretive domestic-market '54 RI with that stupid inlay added.
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Data, not discussion. |
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#10 (permalink) |
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Tele-Afflicted
Join Date: Aug 2003
Location: Cochise, AZ
Posts: 1,674
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I had an Early Telecaster Bass from 1968 in the early 70's. It was my main bass since that was what my main instrument was at the time. I found it to lack bottom end. I have been usinga Precision for years and find it to be the perfect all around bass. It has battom end and can be a s punch as I need.
Winnie
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I have noticed that happy people are often evaluating themselves and unhappy people are always evaluating others. -William Glasser |
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#11 (permalink) |
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TDPRI Member
Join Date: Nov 2009
Location: Southern Colorado
Posts: 36
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I built up a couple Ash Basses with split-coil pickup in the normal position and a single coil in the neck position. 2 volume pots and a single tone pot. The blend of the 2 pickups sounded great. Unfortunately I sold both. I did a recent swamp ash build of a '51 and put in a Rio Grande Muy Grande single coil pickup. Awesome, especially with Rotosound flats. If you use a powerful enough single coil, there's no problem cutting through the clutter.
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