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| The BASS Place Talk about Bass guitars and the low end of the scale. |
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#1 (permalink) |
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Tele-Holic
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Upright bass sound in a pedal
Wouldn't it be grand if a pedal existed that one could plug into it a bass guitar and out would come a big upright bass signal?
Sure would be nice on small stages with a multi-player band.
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The tone is in your fingers. |
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#3 (permalink) |
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Friend of Leo's
Join Date: Mar 2003
Location: The Gorge
Posts: 2,153
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Well if you've go the f'less chops you can take a close listen to a Rob Allen MB-2 in addition to being fly weight and devastatingly good looking - this from a guy who is not into coffee table basses mind you ... thye are about as close to the real thing as anything I've heard - including most of the EUB's I've heard.
No way am I plunking down that much dough on a fretless - i'm not good enough to justify it and I don't have the call for it. My little MIM J will suffice for now. Whenever I pickup up an RA though, it inspires un-chrisitan thoughts of the coveting type though ... just WOW ... If you can find one to play on, try a Dean EUB. I think they called it a Pace or something ? 34 " scale upright, smallish elec bass style neck and a hoot to play. |
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#4 (permalink) |
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Moderator
Poster Extraordinaire
Join Date: Mar 2003
Location: Berlin, Maryland, USA
Age: 49
Posts: 9,717
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I played a fretless Rick Turner Renaissance Bass (I think that was the model name) in a store once, and it could cop an URB tone pretty well. It was quite wonderful, but a little rich for my blood (or, more accurately, my pocket!).
Cheers, Tim
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#5 (permalink) |
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Moderator
Poster Extraordinaire
Join Date: Mar 2003
Location: Berlin, Maryland, USA
Age: 49
Posts: 9,717
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Thinking more on the subject, I'd think the biggest problem with copping an upright tone is the rather extreme difference in note bloom/decay and sustain. I'd think that you could probably get a little closer with a fretless strung with flats, using a mute and working with the e.q. a bit...
Cheers, Tim
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#6 (permalink) |
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Tele-Afflicted
Join Date: Mar 2008
Location: Virginia
Posts: 1,387
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It's an instrument, not a pedal, but the Ashbory has somewhat of an upright tone:
http://www.ashborybass.com/ http://www.dearmondguitars.com/ashbory.html |
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#8 (permalink) |
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Tele-Meister
Join Date: Dec 2007
Location: Sunny New Jersey
Posts: 184
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Wow! Kinda pricey (and not a pedal) but check this instrument out. Listen to the pizzicato sound samples here.
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#11 (permalink) |
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Friend of Leo's
Join Date: Mar 2003
Location: The Gorge
Posts: 2,153
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sage advice I'm sure but with a decent upright starting out in the good used car price range - not to mention that it's an entirely different instrument than electric bass - not to mention that you can't just toss one into the back of the hatch back along withthe AP, and other assorted gear .. me I'll stick to the fretless EB or maybe - a short scale EUB ...
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#16 (permalink) | |
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Tele-Afflicted
Join Date: Mar 2003
Location: Little Rock, AR
Posts: 1,338
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Quote:
I'm pretty happy with the tone of mine on the tune on my myspace |
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#17 (permalink) |
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Moderator
Poster Extraordinaire
Join Date: Mar 2003
Location: Berlin, Maryland, USA
Age: 49
Posts: 9,717
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I loved mine, but never had a gig that used that sound. Seriously, I played three gigs with it in two years, and two of those were pickup bluegrass gigs. I didn't practice much, either, so I never got my chops up to where playing for a couple of sets was comfortable. I miss my URB (a pretty sweet Engelhardt C-1), but ultimately I couldn't justify keeping it...
Cheers, Tim
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#18 (permalink) |
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Banned
Tele-Holic
Join Date: Jun 2007
Location: Portland, Oregon , United States
Age: 33
Posts: 727
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Ill be looking for a double bass, for jazz purposes, very soon. I still have not got my fretless electric either.....But a good fretless jazz..with a little cranked mids and a little compression, can ALMOST pull it off....I say almost like early amp emulation almost...I guess what Im saying is, it doesnt pull it off.
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#19 (permalink) |
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Tele-Meister
Join Date: Jul 2005
Location: Kalamazoo, Michigan
Posts: 207
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I can get in the ballpark soundwise by using my Ibanez fretless (early 80's P bass copy) with flats. I use a chunk of foam under the strings at the bridge to get the decay and then I pluck the strings over the end of the fretboard (18th , 19th 20th "fret" area).
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#20 (permalink) | |
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Tele-Meister
Join Date: Mar 2003
Posts: 366
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Quote:
The little Ashbory mentioned earlier is the closest I've heard but imho, there really is no substitute for the real thing.
__________________
Your attitude will always affect your altitude. |
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#21 (permalink) |
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Friend of Leo's
Join Date: Mar 2003
Location: The Gorge
Posts: 2,153
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Have you listened to the Rob Allen ? One of the Portland 'upper echelon' jazz guys uses one. Through a WW head and Bag End S15-D. From out front it's a pretty convincing tone. Yes it isn't an upright, but it's way closer than other f'less basses I've heard.
I love the tone and the impact of UB. For the vast majority of us, switching to a 41 inch scale is just not going to happen. URB, EUB - they're just different instauments and it's no differnet than learning to play Trombone of Souss phone or Tuba sure they're all bass clef but ... |
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#22 (permalink) |
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Tele-Meister
Join Date: Apr 2008
Location: Goderich
Posts: 268
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I gave up on the upright because it didn't easily fit it the car, and was generally a nuisance to haul around, especially in winter. Liked the sound though, and nothing artificial comes close.
Having said that, I still use a fretless 5 string Godin strung with D'Addario Chromes flatwounds to get something approaching the tone I like. Mike Bruce |
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#23 (permalink) |
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Friend of Leo's
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It's more the technique than the instrument. Joey Spaminato (NRBQ) used to get a great upright tone out of this Danelectro strung with tapewounds.
On the recommendation of some Nashvillle cat (can't remember who), I ran my Jazz Bass with tapes into an analog delay and got a pretty good approximation of upright for an Elvis-type tune we were doing. Again, it was more technique, attack, and approach than anything else. The delay was set very fast, almost impreceptible repeats to give the illusion of depth. Remember that an upright pizzicato technique plucks the string higher up that a regular bass guitar, which tends to be played closer to the bridge. Move your plucking up toward the neck for an upright vibe, and use two fingers per string, or the side of your index finger.
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"Turn it up and it doesn't need any reverb." - Danny Gatton www.dannygatton.info Tiger Town Aces - Music That Bites Back In Redd we trust! Free Bill Kirchen! If lawyers are disbarred and clergymen defrocked, doesn't it follow that electricians can be delighted, musicians denoted, cowboys deranged, models deposed, tree surgeons debarked, and dry cleaners depressed? |
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#24 (permalink) |
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Tele-Meister
Join Date: Mar 2003
Posts: 366
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Sorry mate your wrong, its technique AND the instrument, an approximation is just that, an approximation.
If you want that slap Bass tic tac kind of sound, then what your Nashville bloke suggested is great. But to achieve the full, woody, raspy percussive upright Bass sound, you need an upright bass and a player with tone and technique..
__________________
Your attitude will always affect your altitude. |
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#25 (permalink) |
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Tele-Meister
Join Date: Mar 2008
Location: shortsville, ny
Age: 51
Posts: 379
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I have a carvin ac50 fretless with lines on the board. With a hint of verb it gets a pretty good doghouse sound because it only has the bridge transducer. The single saddle transducer really gives it the slow attack and fast decay for "the" sound. The body is just carved out mahogany (neck-thru) so it doesn't over resonate to the point of feedback lick a typical dreadnaught-ish acoustic bass. It came with the nylon taped labella strings which are awesome on the board. not cheap new but can find used ac40 s around. fretlines really helped me out after 35 years of frets.
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#26 (permalink) | |
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Friend of Leo's
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Quote:
The sound I was describing has nothing to do with tic tac. You wouldn't want any delay on a tic tac, you want it as dry as possible. Adding a little "spin echo" might help in getting closer to an upright strung with gut strings in a slap-bass rockabilly type set-up, but you need to approach the slaps like a rockbilly upright player, not a funk bass slap. Might do in a pinch. I remember playing Schubert's Trout Quintet, and the leader/conductor/violist gave the direction for the bass to sound like "drops of water." To get that roundness, you use two fingers and pluck way over the fingerboard, with very little/no vibrato. This technique is also used a lot when playing baroque string music so you stay out of the way of the cello ripieno part. Now the body of the upright is going to have a certain resonance when playing this. I can get very close to this sound with my J-bass and a little spin echo for resonance. It IS in the hands and note choice. Let me be specific - this is a particular, clean pizzicato technique. It is not intended to replicate the growly sound of an upright jazz solo or an arco sound or a rockabilly slap sound. Perhaps it's semantics after all. YMMV, etc.
__________________ "Turn it up and it doesn't need any reverb." - Danny Gatton www.dannygatton.info Tiger Town Aces - Music That Bites Back In Red |