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| Bad Dog Cafe Hershey's Bad Dog Cafe is our Off Topic forum -- but NO POLITICS and NO FIGHTING. NOTE: Discussion of guitars other than Tele & Strat belongs in the "Other Guitars" forum and discussion of Music belongs in the "Music to Your Ears" forum. |
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#1 (permalink) |
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Poster Extraordinaire
Join Date: Apr 2003
Location: greenville, sc
Age: 55
Posts: 7,543
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favorite comic book artists
a while back, we had a thread here about our favorite comic book super heroes. got me to thinking about the guys who draw (drew) those characters in the pages of our fondly remembered comics. i have my favorites, most of which are from the mid 60's to the early 70's 'cause those were my prime years for reading comic books:
John Romita:Spider-Man (i came in after the Ditko era) Jack Kirby: Fantastic Four, Captain America, etc. Neal Adams: Batman, Green Lantern/Green Arrow Barry Smith: Conan John Buscema: Thor, FF (after Kirby left Marvel) Curt Swan: Superman Russ Heath: GI Combat (Haunted Tank), Sgt Rock Joe Kubert: Sgt Rock, Tarzan John Severin:Sgt Fury (solo for a while, then inking Dick Ayers pencils) chime in with your favorites! |
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#2 (permalink) |
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Tele-Holic
Join Date: Mar 2006
Location: Bron-Yr-Aur
Posts: 936
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I like all the one's you listed. I also really like..Phillipe Druillet: Yragael Urm etc. and Rick Griffin: He was responsible for a lot of Grateful Dead artwork, and "Omo Bob Rides South". Also, some of the Manga art is brilliant.
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"What You Resist, Persists". |
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#5 (permalink) |
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Friend of Leo's
Join Date: May 2003
Location: Muddy York
Age: 43
Posts: 3,804
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Another vote for Barry Windsor Smith. Art Nouveau as barbarian comic!
I also really liked George Perez (JLA, Wonder Woman, New Teen Titans) and John Byrne (X-Men; the really good years) as well as all of the ones listed in your original post. I don't like the way comics are illustrated these days - I don't like the trickle-down anime influence. I do like some anime - Miyazaki especially - but being a Libra I'm naturally inclined towards there being a balance as opposed to over-saturation of any one thing/style. Or so the stars say... My favorite period is definitely Silver Age.
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Brother musician listen to a miracle! |
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#6 (permalink) |
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Friend of Leo's
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R. Crumb.
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http://www.lukefisher.com/blame.wav |
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#9 (permalink) |
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Tele-Afflicted
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Frank Miller is the the best writer and best artist all in the same guy. I also love Bill Sienkiewicz, he's kind of like Neal Adams on acid, I always thought of him as the Jimi Hendrix of comic books.
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"When I die bury me deep, place two speakers at my feet, place some headphones on my head, and rock-n-roll me when i'm dead" - A T-Shirt |
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#10 (permalink) |
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Tele-Holic
Join Date: Nov 2004
Location: Eau Claire, WI
Posts: 943
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Jim Mahfood, does a lot of independant books, including some stuff for clerks
Joe Madureira(X-men, Battle Chasers), though he doesnt really draw any more Humberto Ramos(Crimson, Wolverine) Chris Bachalo (Generation X, STeam punk, Xmen) David Mack (Kabuki) AMAZING SAm Keith (Old Wolverine, The Maxx) gee whiz, too many to mention Alex Ross,
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Alt-country and psych-rock-tronica! Hey, be happy you can choose one genre for yourself! http://www.myspace.com/aenpage |
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#11 (permalink) | |
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Tele-Meister
Join Date: Dec 2003
Location: Lake Tahoe California
Posts: 340
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Quote:
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If I could play my telecaster as good as I sing---- well then I would sound even worse than I all ready do. |
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#12 (permalink) |
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Tele-Holic
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Golden Age...
I love the early Simon and Kirby stuff like the Captain America Timely covers and stories. There's just something about the way those two guys mixed it up in those days. Shelly doing Hawkman was magic on paper. From the Silver age, I'm a big fan of Steve Ditko and Kirby's work on the early Marvel stuff.
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#13 (permalink) |
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TDPRI Member
Join Date: Apr 2006
Location: Massachusetts, USA
Posts: 31
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Zippy's Alter-ego
Bill Griffith.
About as surrealisticly real as it gets. Yow! Are we having fun yet? http://www.zippythepinhead.com |
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#14 (permalink) |
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Poster Extraordinaire
Join Date: Mar 2003
Location: Atlanta, Georgia
Age: 52
Posts: 5,277
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Wow, cool. I started drawing in '66, and have idolized many of these cats. Haven't been around this stuff in ages, but I'd certainly acknowledge Jack Kirby and Neal Adams. Also, Gil Kane. Barry Smith totally freaked out my eyeballs... his work was so, ehhh, lyrical. Heck, all mentioned are great.
What I really dug though were those Warren pulp comics (Creepy, Eerie, Vampirella, The Shadow). Man that stuff was a feast for the eyes. Estaban Maroto had a very unique and interesting style. Bernie Wrightson was great [and also "crossed over" - Swamp Thing (Marvel)]. With his brilliant sheens and rich hues, Richard Corben was among the first true geniuses of the airbrush medium. He also had a knack for purveying absolute and total horror. In my opinion, the undisputed master of the pulp art medium is the often imitated, never outdone, and one and only - Frank Frazetta. Nobody gets a spookier vibe to canvas than Frank. http://frazettaartgallery.com/ff/index.html |
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#16 (permalink) |
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Tele-Holic
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Berni Wrightson +1
Barry Windsor-Smith +1 -- Those guys are my heroes! Neil Adams with the '70's Batman stuff Mike Grell - Warlord Mike Ploog with '70's Man-thing More Recent: Mike Mignolia Alex Ross -- My brother went to a Halloween party at his place a couple of years back--He knows him through a friend of a friend--says is was an absolute blast! Whoever drew the Batman Year One series--- can't recall his name off the top of my head. As I get older I appreciate simpler comic art--not that animie look per se, but the not-as-detailed look like Mignolia's work... Maybe it's the "less is more" thing.
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"This is a song that sometimes takes a building in a manner which our forefathers were very used to. Did you hear that? It's right, isn't it? That feeling that's left everybody, the cosmic energy! Everybody goes yeah! Bash!" - R. Plant |
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#17 (permalink) | |
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Tele-Holic
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Quote:
The "Stray Toasters" series is cool...
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"This is a song that sometimes takes a building in a manner which our forefathers were very used to. Did you hear that? It's right, isn't it? That feeling that's left everybody, the cosmic energy! Everybody goes yeah! Bash!" - R. Plant |
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#18 (permalink) |
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R.I.P.
Poster Extraordinaire
Join Date: Mar 2003
Location: Flushing, Michigan
Age: 52
Posts: 5,124
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I became good friends with our own Timbo from Skull Island, until he vanished. He has popped in a couple of times over the last few years, but he disappears again. I never realized until later that he was Tim Truman, a well known artist and cartoonist. He was a great guy, and I really miss his presence on this board. His Skull Island reports were the most hilarious thing I've ever read.
ABBA ABBA TIMBO! Which way did he go???
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Timothy Jon Lamb |
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#19 (permalink) |
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Doctor of Teleocity
Join Date: Dec 2003
Location: The Netherlands
Age: 36
Posts: 10,274
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The Americans on this board probably never heard of him but André Franquin 1924-1997 is my all time favorite.
![]() Taking his cues from the american comic Perry Winkle, Franquin re-invented the way European comics are drawn. During the fifties and sixties with his series "Spirou and Fantasio" ("Robbedoes en Kwabbernoot" in Dutch) he took cartooning to a whole new level earning praise from greats like Hergé the artist who did the world famous "tin-tin" comics who called Franquin the greatest cartoonist of all times. ![]() Spirou (the one in the red costume) and Fantasio But even during his time as the artist for "Spirou and Fantasio", Franquin was already sowing the seeds for something far greater. He once went to the chief of publishing and told him. "Did it ever occur to you that every comicbook hero has a job? All of them seem to have an occupation for them to earn their money, why don't we have a slacker in the cartoon world? Somebody who for example takes a pinnball machine to the office." And with that conversation the best known character of the Franquin universe was concieved. Gaston Lagaffe ("Guust Flater") Gaston Lagaffe during the "Spirou and Fantasio" era Franquin's way of drawing also changed when he dropped "Spirou and Fantasio" to concentrate on Gaston Lagaffe. His way of drawing became wilder, using ticker lines and harder colors, and in doing so influencing even more fellow cartoonists to adopt his style and make it their own. ![]() Gaston Lagaffe after the "Spirou and Fantasio" era But I guess the best know of all characters that Franquin created was the fantasy beast that Spirou and Fantasio had to capture in the book "The heirdom" a yellow with black spots critter that Franquin later sold the rights to disney. ![]() Prior to his death Franquin expressed his dissatisfaction about what Disney did with the Marsupilami, and he was working on a new album of Gaston Lagaffe until the very last day.
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"I reject your reality and subsitute my own." - Adam Savage, Mythbusters |
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