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| Bad Dog Cafe Hershey's Bad Dog Cafe is our Off Topic forum -- but NO POLITICS and NO FIGHTING. NOTE: Discussion of guitars other than Tele & Strat belongs in the "Other Guitars" forum and discussion of Music belongs in the "Music to Your Ears" forum. |
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#41 (permalink) | |
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Doctor of Teleocity
Join Date: Apr 2008
Location: Port Moody, BC
Age: 52
Posts: 12,276
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Quote:
However, From the Cradle was really big. SRV was big (double-platinum is big, isn't it?). I can't think of any others, though.
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#42 (permalink) |
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Poster Extraordinaire
Join Date: Jan 2010
Location: Houston
Age: 65
Posts: 9,271
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I interpreted "Big" Blues players to mean the ones who generally stood out (as in Sanctified
If you mean commercial then pick the ones who toured with the big Rock bands like the Stones or with Clapton. Muddy, John Lee, Sumlin, Gary Davis come to mind as semi headliners or festival feature acts then take a jump down to Blues venues. Blues artists were probably much more commercially successful locally or in Europe at that time, or if they crossed over (ex. Lew Rawls, who started out as a Chicago Blues singer). I was in New Orleans and Houston during the 70's and the clubs I went to see Blues played were packed solid, wall to wall. Guitar Slim, Earnie K-Doe, Gatemouth Brown, Carla Thomas, Irma Thomas, Etta James, Bobby Bland, Otis Rush, Ezra Charles and the list goes on. Not many white guys on Bass and very few of us in the audience, but it sure as hell was big for me. Most of those folks played it because they felt it, not expecting to make much money. I think before YouTube you had to go find the Blues or happen upon a record. Blues is a lot like traditional country. Serious dedicated audience who know who they are and where they play. Fortunately for Blues it is in a huge revival and half of Mississippi towns have some sort of Blues event going on every weekend. Too bad the "big" ones are dying off so fast now.
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"Blues is a natural fact, is something that a fellow lives. If you don't live it you don't have it. Young people have forgotten to cry the blues. Now they talk and get lawyers and things. " - Big Bill Broonzy |
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#43 (permalink) |
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Poster Extraordinaire
Join Date: Dec 2007
Location: brisbane australia
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No "You" might be talking about commercially successful. That doesn't mean you can say "We" are.
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"Life is mostly Froth and Bubble" Adam Lindsay Gordon |
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#44 (permalink) | |
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Doctor of Teleocity
Join Date: Apr 2008
Location: Port Moody, BC
Age: 52
Posts: 12,276
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Quote:
Who were the commercially successful blues artists of the 70's? Which blues artists sold millions of records, headlined arena tours, and were at the top of the Billboard charts? Clear enough now?
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In cyberspace, no-one can see you sneer. |
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#45 (permalink) | |
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Poster Extraordinaire
Join Date: Jan 2010
Location: Houston
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Quote:
What was the point of the question? To see if there was a huge commercial market for Blues in the 70's or if there was some standout Blues guy who made it in the Pop markets? Except for cross-overs, I can't think of any. Maybe ABB could be defined as a commercially successful blues band. War, Doctor John, 3dog night, Creedance, Van Morrison, Bill Withers and others were heavily influenced by Blues. War had one of the top albums of the 1970's. For the rest traditional blues artists, a few hits here and there but no seminal albums that cracked the pop charts. If you checked the Billboard R&B charts, there were prominant artists. Some soul artists with Blues roots made some in-roads. Staples Singers, Cornelius Brothers and Sister Rose, Earth Wind and Fire, Chi-lites, Atlanta Rhythm Section all had Blues roots and commercial success, but not at the Pop market levels you cited. Some did quite well in Disco as cross-overs but not doing Blues. Donna Summers was Gosphel Blues before disco. I'm not raggin you just trying to clarify the question for me. I have a passion for Blues so the subject interests me greatly. I tend not to see the relevance of commercial success as a measure of quality, though I'm sure all the artists do.
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"Blues is a natural fact, is something that a fellow lives. If you don't live it you don't have it. Young people have forgotten to cry the blues. Now they talk and get lawyers and things. " - Big Bill Broonzy |
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#47 (permalink) | |
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Friend of Leo's
Join Date: Jun 2012
Location: Monmouth, IL
Age: 30
Posts: 2,755
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I coordinate the pigs that makes your Baconater. |
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#48 (permalink) |
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Tele-Meister
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In discussions of blues bands, I seldom see mention of one of my favorites. If had a negative print, it might fit Kelnet's question, but I'll toss it out there.
The Siegel-Schwall Band was a group of white guys with a black bass player when they caught my ear. I saw them several times in the early 70s with Corky Siegel on harp and piano, Jim Schwall on guitar, Rollow Radford on bass, and Shelly Plotkin on drums. They played around Chicago and through the upper Midwest, but I heard they spent some time on the left coast doing warmups for other shows. A handful of albums were out there and most have hit the cd format. They broke up sometime in the 70s, but have been doing a reunion gig regularly for some time. The youtube has a bunch of their recent stuff but little of their original work. An I one of only a few fans or do they not fit the bill? |
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#50 (permalink) | |
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Doctor of Teleocity
Join Date: Apr 2008
Location: Port Moody, BC
Age: 52
Posts: 12,276
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Quote:
I know who the legends and icons are, but I just couldn't think of any that were doing really well in the 70's. After the list was posted above, I did some reading, and I found that some of those guys branched out into other styles, suck as funk, rock, and R&B, which I thought was quite telling of where blues went in the 70's. Nowadays, it's seems there's a new blues guitar ace around every corner, from Joe Bonamassa to Derek Trucks to Tommy Castro. But yeah, my original question was truly just wondering if any of those big name blues guys did well in the 70's.
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In cyberspace, no-one can see you sneer. |
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#51 (permalink) | |
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Friend of Leo's
Join Date: Oct 2007
Location: Thule, Greenland
Age: 59
Posts: 2,186
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Finally found an example of someone using 'eschewed' in an actual sentence! Be still my heart!! .
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“Music is the only religion that delivers the goods.” ― Frank Zappa |
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#52 (permalink) |
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Tele-Holic
Join Date: Feb 2012
Location: Perth, West Australia
Posts: 806
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They all had dogs that tended to die.
They all got a bad bad feelin. They walked down the street a lot. They never have no money. Women leave them. Hardly surprising, the dudes are jinxed. |
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#55 (permalink) | |
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Poster Extraordinaire
Join Date: Aug 2010
Location: SC
Posts: 8,201
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Quote:
Kel, you know I respect you, but you've been adjusting the question all along. At first, you simply wanted to know who the big blues artists of the 1970s were. Now it's the "commercially successful blues artists of the 70s." And you choose to define "commercially successful blues artist" as being only those artists who sold millions of records, headlined arena tours, and topped the Billboard charts. Those are your criteria for a "commercially successful blues artist"?! Who in this thread was supposed to intuit that from your original question? (I'm trying to think how you could make those criteria more unrealistic with regard to blues artists, and I'm drawing a blank. I think if someone asked me to define "commercially successful blues artist" -- of any time period -- I'd say "a guy who can live comfortably on just the money he makes playing the blues.") Next time, instead of asking a question and challenging everyone to guess what you're really getting at, just say "No blues artists were huge commercial successes in popular music during the 1970s." Then everyone can ask you what that has to do with the original topic.
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If you find yourself beginning a sentence with "I hate to say this, but..." -- don't say it. Or admit that you actually can't wait to say it. |
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#56 (permalink) | |
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Tele-Holic
Join Date: Nov 2007
Location: Maine
Age: 57
Posts: 834
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Oh, and BB King seemed to thrive during that decade as well, with hits like "The Thrill Is Gone" and "Hummingbird". Again, the numbers might not compare with someone like the Stones, but the music certainly was Alive and Well. |
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#57 (permalink) | |
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Poster Extraordinaire
Join Date: Dec 2007
Location: brisbane australia
Age: 63
Posts: 5,227
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Quote:
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"Life is mostly Froth and Bubble" Adam Lindsay Gordon |
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#59 (permalink) |
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Friend of Leo's
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They'd also have their women sleeping six feet under ground rather than sleeping with another man.
And if she gets unruly and thinks she don't wan' do Take my 32-20, now, and cut her half in two
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...it is easier to ask forgiveness than it is to get permission... |
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#60 (permalink) |
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Poster Extraordinaire
Join Date: Aug 2010
Location: SC
Posts: 8,201
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She got a .38 Special, but I b'lieve it's most too light.
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If you find yourself beginning a sentence with "I hate to say this, but..." -- don't say it. Or admit that you actually can't wait to say it. |
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