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Old May 25th, 2008, 12:58 PM   #1 (permalink)
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Do you prefer Ebony fretboards over Rosewood?

I'm interested in the pros & cons of each & your experiences with them, if you would care to share them?
Thanks!
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Old May 25th, 2008, 01:30 PM   #2 (permalink)
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I prefer ebony, unless rosewood is traditional for that type of guitar. For instance, I prefer rosewood in a Les Paul Standard, Strat, or Tele because it's traditional compared to ebony.

But for function, I like ebony a lot. It feels slicker to me than maple or rosewood and being harder, doesn't get wear divots as easily as rosewood. It has more of a tendency to be brittle and develop cracks, I suspect because it isn't as naturally oily as rosewood. So you may want to put a drop or two of lemon oil on it once a year if it seems dry. For what it's worth, I've had two acoustics and one electric with ebony fretboards, and no problems with any of them. One of the acoustics is 80 years old. Of course ebony is the traditional fingerboard wood for the violin family, and some of those are hundreds of years old and still going strong.

I especially like ebony on acoustic guitars. I don't know about the sound. Supposedly, rosewood sounds the warmest, maple sounds brighter, and ebony brighter still. I'm not convinced that I hear that, as, to make a true test, I'd have to replace the fretboard on the same guitar with each type of wood.

But it does wear well and to my fingers, feels very smooth. It also feels classy, if that makes any sense.
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Old May 25th, 2008, 01:50 PM   #3 (permalink)
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All my acoustics have ebony fretboards, but finding an ebony on a Fender guitar takes quite some searching. I can think of one or two Strats over the years, but no Tele's, although there must have been at least one at some point in the 90's.

Update: I see that the Flat Head Tele came with an ebony board, and it was an option on the John Jourgenson and Nokie Edwards models.
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Old May 25th, 2008, 02:00 PM   #4 (permalink)
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I love ebony fretboards. My Telecaster has one as does my Ovation acoustic as well as my old Harmony archtop. With mother of pearl markers, it's a striking effect.

I like rosewood boards but I like the rosewood to be that darker reddish kind with the heavier grain (brazilian?).

I don't like the type of chalky rosewood that you see out there on most new budget/mid-priced guitars.

Like was said, ebony does need regular conditioning (use lemon oil) to stave off cracks. As with every other subject under the sun there's disagreement on the effectiveness of this but I've been doing it for years now and it works for me.
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Old May 25th, 2008, 02:08 PM   #5 (permalink)
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Ebony has the best feel of all of them.
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Old May 25th, 2008, 02:28 PM   #6 (permalink)
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Thanks guys.

I've heard that putting new frets on down the road can be problematic and more expensive , because of cracking etc.

Any thoughts on that?

Do you think there are any reasons why rosewood would be prefered over ebony other than personal preference?
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Old May 25th, 2008, 02:45 PM   #7 (permalink)
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Prefer Ebony?

For playing, yes.
For working on/building, no.
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Old May 25th, 2008, 03:53 PM   #8 (permalink)
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Prefer ebony and have it on all my acoustics, but never had it on electrics, though I'd like it. All my electrics are rosewood which is just fine, I dislike maple. For my it's part appearance, part feel.

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Old May 25th, 2008, 04:14 PM   #9 (permalink)
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Ebony vs rosewood ? Ebony. Smoother & looks much better.
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Old May 25th, 2008, 04:23 PM   #10 (permalink)
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I have an 89 Epiphone Spotlight...has a black board on it..did they have ebonite than? Not sure if its ebony, dyed rosewood or ebonite...
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Old May 25th, 2008, 04:24 PM   #11 (permalink)
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Maple.
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Old May 25th, 2008, 04:28 PM   #12 (permalink)
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In the heat of the moment, with my eyes closed, I really couldn't care if it's rosewood, ebony, or maple, but there are subtle differences. I have a tendency to crave rosewood for Strat necks, just because it "supposedly" warms up the tone just a smidge. I like maple for Tele necks because of the "supposed" added snap and twang. I've had a Les Paul Custom with an ebony board, and a few other ebony board guitars. It seems to have more of a maple board-like response, as opposed to a rosewood sound and feel. Ebony is just too luxurious for me. Too fancy-schmancy.
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Old May 25th, 2008, 05:11 PM   #13 (permalink)
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Quote:
Originally Posted by Whisperer View Post
Thanks guys.

I've heard that putting new frets on down the road can be problematic and more expensive , because of cracking etc.

Any thoughts on that?

Do you think there are any reasons why rosewood would be prefered over ebony other than personal preference?
Cost may also be an issue for some. Rosewood and its close relative, pao ferro, tend to be cheaper than ebony.
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Old May 25th, 2008, 07:32 PM   #14 (permalink)
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I re-fretted a Martin D-35, years ago, using a 12" flat bastard file, a pair of wire cutters, a claw hammer, and a quart of George Dickel white label. No problems with the ebony, but the Dickel made me forget about the binding, so the first couple of frets kinda broke through...
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Old May 25th, 2008, 08:43 PM   #15 (permalink)
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Australian desert hardwoods. I like these two, mainly because anyone would think there were only three types of tree.

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Old May 25th, 2008, 09:51 PM   #16 (permalink)
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1. ebony
2. rosewood
3. maple

Sacrilege, I know.
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Old May 25th, 2008, 10:14 PM   #17 (permalink)
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Yes.

I've never personally noticed the sound difference so much, but it feels much nicer under my fingers. Rosewood has a looser grain, and I really don't like the way it feels when bending strings.

That said, the guitar I'm playing the most these days has a RW board, but it's a good one, so it's tight enough that I can deal with it. I'm also considering buying a Gretsch Electromatic, and the ones I've played have the nicest RW boards I've ever played. Still, it doesn't feel quite as nice as my Larrivee's ebony board.
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Old May 25th, 2008, 10:31 PM   #18 (permalink)
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All my acoustics have ebony fretboards, but finding an ebony on a Fender guitar takes quite some searching.
Jim Root's Tele has'em

Don't know about functionality, but I like the deep blackness of Ebony, works well with many color schemes.
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Old May 25th, 2008, 10:32 PM   #19 (permalink)
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I've built a few Zemaitis copies and have come to the conclusion, as stated above, that ebony just feels classy.






Despite the difficulty in working with it, someday when I get around to building myself my '59 LP it will have an ebony neck, period correct or not.
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Old May 27th, 2008, 01:04 PM   #20 (permalink)
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Rodeo, you aren't the guitarist for the Lemurs are you? I've only seen one dude in Austin play one of those.
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Old June 1st, 2008, 10:20 PM   #21 (permalink)
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Rodeo, you aren't the guitarist for the Lemurs are you? I've only seen one dude in Austin play one of those.

Nope, that wasn't me. I'm a better builder than player, thus I don't get out much.
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Old June 2nd, 2008, 12:57 AM   #22 (permalink)
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+1...ebony

Quote:
I've heard that putting new frets on down the road can be problematic and more expensive , because of cracking etc.
I think this is mainly a problem for mass producers because they often use machines that press all the frets in at once which can cause cracking and seating problems.

Also I have read that ebony can tend to shrink a little more than some other woods in extreme temperature and humidity but I haven't experienced that with any of my guitars.

If done properly ebony certainly feels & looks the best to me.
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