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Old May 11th, 2008, 08:08 PM   #1 (permalink)
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Got ear plugs?

I'm curious: How many of you take the stage with ear plugs?

I feel like I have to wear them to save myself from tinnitus, but, man what a drag! The highs all just disappear and all I get is the boom of the bass and drums. And as far as singing goes? Forget it. My voice sounds flat and woody, and it's hard to harmonize with the other singers.

I've tried a few varieties (hear-o's, the bright orange foam jobs from the drug store, special "flanged" ear plugs), they all pretty much stink. Are there any varieties or brands that you swear by? Do custom earplugs cost a bundle? And are they worth it?

Thanks in advance for the advice...
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Old May 11th, 2008, 08:09 PM   #2 (permalink)
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Custom musician's ear plugs are expensive, but they have special filters in them that let you hear music much more correctly...just not as loud.
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Old May 11th, 2008, 08:20 PM   #3 (permalink)
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You get what you pay for...

Professionally made custom fitted ear plugs are a great investment. If they fit properly down into the ear canal and have a 15db cut filter, you should get a pretty flat response, retaining all the highs. They are great not only for performing, but also for going out to clubs with overly enthusiastic sound men.

You've only got one set of ears!
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Old May 11th, 2008, 08:25 PM   #4 (permalink)
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I just use the ones they sell at walgreens to help old people sleep. I'm sure I should get 'good' ones but they work well enough. I think I can hear better with them at shows, you get more seperation. I always use them for practice but depending on the gig almost never on stage.
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Old May 11th, 2008, 08:29 PM   #5 (permalink)
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Okay, I should admit up-front that I have a strong bias on this one, since I'm a teacher of the deaf by training. If you expect to be enjoying music twenty or sixty years down the road, you NEED to take care of your ears now.

I've been meaning to invest in some customs for a while, but in the mean time I've found these to be a pretty good cheap alternative:



They're about $12, and while they aren't perfect, they do a much better job of allowing me to hear high frequencies than those awful foamies. Of course, they don't block as much as the foamies, so I usually keep some of those on hand too, for when I have to sit through an awful band.
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Old May 11th, 2008, 08:37 PM   #6 (permalink)
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I've been wearing those funny-looking plugs Tarnisher mentions for about a year.

I get home at night...no crickets in my ears!

Like the man said, we only have one set of ears.

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Old May 11th, 2008, 08:50 PM   #7 (permalink)
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Okay, I should admit up-front that I have a strong bias on this one, since I'm a teacher of the deaf by training. If you expect to be enjoying music twenty or sixty years down the road, you NEED to take care of your ears now.

I've been meaning to invest in some customs for a while, but in the mean time I've found these to be a pretty good cheap alternative:



They're about $12, and while they aren't perfect, they do a much better job of allowing me to hear high frequencies than those awful foamies. Of course, they don't block as much as the foamies, so I usually keep some of those on hand too, for when I have to sit through an awful band.
Thanks guys! I just jumped over and ordered a couple of pairs.

Appreciate the help...
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Old May 11th, 2008, 09:10 PM   #8 (permalink)
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Originally Posted by Hucklebilly View Post
Professionally made custom fitted ear plugs are a great investment. If they fit properly down into the ear canal and have a 15db cut filter, you should get a pretty flat response, retaining all the highs. They are great not only for performing, but also for going out to clubs with overly enthusiastic sound men.

You've only got one set of ears!
They are also available with 25dB filters.
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Old May 11th, 2008, 09:14 PM   #9 (permalink)
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Thanks guys! I just jumped over and ordered a couple of pairs.

Appreciate the help...
I got a pair of these last week and I've used them for a couple of rehearsals. They're really quite good and tend to "disappear" after the first few songs. Much better than foam plugs.
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Old May 11th, 2008, 09:17 PM   #10 (permalink)
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Old May 11th, 2008, 09:50 PM   #11 (permalink)
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I spend $3 at Walmart and buy the cheap cushion style. They cut 29DB's and are comfortable.
I also notice that at the end of the night I am refreshed and no where near as physically fatigued as without them.
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Old May 11th, 2008, 09:56 PM   #12 (permalink)
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We played a gig today (4 hours) at a place we'd all wanted to play (close and decent dough and great clientele) for awhile... after the second set the owner approaches us and asks for 5 more dates... he says, "you've got six guys, 4 singing and we can hear all of you AND people can order a drink and talk if they want and you guys sound good." I was afraid we were gonna be asked to turn down! Every single one of us makes a conscious effort to keep it down and not have volume creep... Prevention over medication...Turn it DOWN! Everyone will be glad of it.
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Old May 11th, 2008, 10:03 PM   #13 (permalink)
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The way I look at it is if my ears are ringing after any portion of the set we don't start playing again until volume is at a decent level. I am able to carry on a conversation with the bass player in normal tones every time we play. Volume should be handled by the sound man and the PA.
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Old May 12th, 2008, 05:45 AM   #14 (permalink)
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Old May 12th, 2008, 07:29 AM   #15 (permalink)
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Old May 12th, 2008, 09:04 AM   #16 (permalink)
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I always have earplugs on hand, and am quite adamant about their use. I mow the lawn in them, I use power tools with them, and I rehearse in them if the room feels loud. I also carry an SPL meter in my bag, so if I'm at a gig/jam/rehearsal, I can prove that we're too loud and not get the idiotic "if it's too loud, you're too old" comment.
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Old May 12th, 2008, 09:13 AM   #17 (permalink)
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I have the custom molded jobs with changeable attenuators, and they are really comfortable. I find that the promise of flat freq response at lower volume is a bit overstated. Things still get bass heavy, but way better than stuffing paper or foam in there. The biggest advantage is they block drum transients, which can damage you even at lower volumes.

I also mow, chain saw, shop vac, hammer, etc... with plugs. They're worth the money, because you get your use from them.
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Old May 12th, 2008, 09:22 AM   #18 (permalink)
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How about the issue with vocals? Anybody sing with 'plugs in?

At smaller gigs without monitors, it can be hard to work with another singer when you've got your own voice blaring in your head.

Any tricks to deal with that?
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Old May 12th, 2008, 10:41 AM   #19 (permalink)
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I've been thinking about getting some plugs made. I know several guys who use them and like em. We try to watch the volume at gigs, usually not a problem, but sometimes at practice in the studio, things can get a little loud if we don't watch it. I've never sang with plugs, I have no input on that
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Old May 12th, 2008, 11:59 AM   #20 (permalink)
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These days very few of my gigs are loud enough to warrant plugs. But in the past, when I gigged frequently and all night long, it was an issue.

I agree that most foam plugs are just unusable. The response is so bass heavy and one's own voice is so loud and muffled that for me it really makes music almost pointless.

I have had some custom fitted "flat response" plugs that worked better, but current technology looks nicer than my old one. The Etymotic plugs look terrific for $12!

Fortunately, the last time my ears felt "dinged" by a gig was long ago. I always blame it on pedal steel players.
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Old May 12th, 2008, 12:01 PM   #21 (permalink)
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I used to use the custom "flat-response" jobbers, and they were the best plugs I found, but these days I refuse to allow volume levels that demand earplugs. The mix is never good when it's that loud, so attenuating it just results in a quieter bad mix.
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Old May 12th, 2008, 12:16 PM   #22 (permalink)
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How about the issue with vocals? Anybody sing with 'plugs in?

At smaller gigs without monitors, it can be hard to work with another singer when you've got your own voice blaring in your head.

Any tricks to deal with that?
I have been unable to sing with 'plugs in, and when I sing or do backing vocals I have to pull one out and stand sort of sideways to the band, with the earplug close to the drummer.
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Old May 12th, 2008, 12:23 PM   #23 (permalink)
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We played a gig today (4 hours) at a place we'd all wanted to play (close and decent dough and great clientele) for awhile... after the second set the owner approaches us and asks for 5 more dates... he says, "you've got six guys, 4 singing and we can hear all of you AND people can order a drink and talk if they want and you guys sound good." I was afraid we were gonna be asked to turn down! Every single one of us makes a conscious effort to keep it down and not have volume creep... Prevention over medication...Turn it DOWN! Everyone will be glad of it.
This raises an interesting question to me. How loud do you really HAVE to play when gigging?

If its so loud your hearing is damaged, it must be loud enough to damage the hearing of the folks in the audience I'd think.

I've heard drummers play so loud it hurts my ears and if you have a drummer like that in a band the rest of the players are going to have to crank it way up - enough to cause hearing loss.
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Old May 12th, 2008, 01:59 PM   #24 (permalink)
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I think that's probably one of the big issues. Even if you can get guitarists who are willing to gig with an amp that distorts at reasonable volumes, you're still going to have to deal with the perception that a drummer isn't "rocking" adequately if he's not whacking them at 110% force.
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Old May 12th, 2008, 02:14 PM   #25 (permalink)
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These days very few of my gigs are loud enough to warrant plugs. But in the past, when I gigged frequently and all night long, it was an issue.
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