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| Bad Dog Cafe Hershey's Bad Dog Cafe is where Off Topic Discussion is welcomed -- but please follow our rules and stay away from subjects that turn political or have caused fights in the past. |
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#1 (permalink) |
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Tele-Meister
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Got ear plugs?
I'm curious: How many of you take the stage with ear plugs?
I feel like I have to wear them to save myself from tinnitus, but, man what a drag! The highs all just disappear and all I get is the boom of the bass and drums. And as far as singing goes? Forget it. My voice sounds flat and woody, and it's hard to harmonize with the other singers. I've tried a few varieties (hear-o's, the bright orange foam jobs from the drug store, special "flanged" ear plugs), they all pretty much stink. Are there any varieties or brands that you swear by? Do custom earplugs cost a bundle? And are they worth it? Thanks in advance for the advice...
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-- Drew |
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#2 (permalink) |
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Friend of Leo's
Join Date: Sep 2004
Location: Dallas, Texas
Posts: 3,566
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Custom musician's ear plugs are expensive, but they have special filters in them that let you hear music much more correctly...just not as loud.
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"Oh God, I am the American Dream! I do not think I'm too extreme." - FZ |
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#3 (permalink) |
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Tele-Holic
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You get what you pay for...
Professionally made custom fitted ear plugs are a great investment. If they fit properly down into the ear canal and have a 15db cut filter, you should get a pretty flat response, retaining all the highs. They are great not only for performing, but also for going out to clubs with overly enthusiastic sound men.
You've only got one set of ears! |
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#4 (permalink) |
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Tele-Afflicted
Join Date: Jul 2007
Location: Virginia
Posts: 1,375
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I just use the ones they sell at walgreens to help old people sleep. I'm sure I should get 'good' ones but they work well enough. I think I can hear better with them at shows, you get more seperation. I always use them for practice but depending on the gig almost never on stage.
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#5 (permalink) |
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TDPRI Member
Join Date: Apr 2008
Location: Brooklyn
Age: 29
Posts: 72
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Okay, I should admit up-front that I have a strong bias on this one, since I'm a teacher of the deaf by training. If you expect to be enjoying music twenty or sixty years down the road, you NEED to take care of your ears now.
I've been meaning to invest in some customs for a while, but in the mean time I've found these to be a pretty good cheap alternative: ![]() They're about $12, and while they aren't perfect, they do a much better job of allowing me to hear high frequencies than those awful foamies. Of course, they don't block as much as the foamies, so I usually keep some of those on hand too, for when I have to sit through an awful band.
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http://profile.myspace.com/thetarnishers |
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#6 (permalink) |
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Friend of Leo's
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I've been wearing those funny-looking plugs Tarnisher mentions for about a year.
I get home at night...no crickets in my ears! Like the man said, we only have one set of ears.
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"An awfully lot of time can be wasted waiting for the right time." - Gunsmoke's Doc Adams |
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#7 (permalink) | |
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Tele-Meister
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Quote:
Appreciate the help...
__________________
-- Drew |
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#8 (permalink) | |
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Friend of Leo's
Join Date: Sep 2004
Location: Dallas, Texas
Posts: 3,566
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Quote:
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"Oh God, I am the American Dream! I do not think I'm too extreme." - FZ |
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#11 (permalink) |
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Friend of Leo's
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I spend $3 at Walmart and buy the cheap cushion style. They cut 29DB's and are comfortable.
I also notice that at the end of the night I am refreshed and no where near as physically fatigued as without them.
__________________
![]() éí 'aaníígÓÓ 'áhoot'é Redd Volkaert is a Jedi Knight at one with the Force!!! |
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#12 (permalink) |
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Moderator
Poster Extraordinaire
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We played a gig today (4 hours) at a place we'd all wanted to play (close and decent dough and great clientele) for awhile... after the second set the owner approaches us and asks for 5 more dates... he says, "you've got six guys, 4 singing and we can hear all of you AND people can order a drink and talk if they want and you guys sound good." I was afraid we were gonna be asked to turn down! Every single one of us makes a conscious effort to keep it down and not have volume creep... Prevention over medication...Turn it DOWN! Everyone will be glad of it.
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I got a room at the top of the world tonight, I got a room at the top of the world tonight, and I ain't... comin'... down. |
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#13 (permalink) |
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Friend of Leo's
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+1000
The way I look at it is if my ears are ringing after any portion of the set we don't start playing again until volume is at a decent level. I am able to carry on a conversation with the bass player in normal tones every time we play. Volume should be handled by the sound man and the PA.
__________________
![]() éí 'aaníígÓÓ 'áhoot'é Redd Volkaert is a Jedi Knight at one with the Force!!! |
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#16 (permalink) |
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Tele-Afflicted
Join Date: Aug 2007
Location: Monroe, NC
Age: 35
Posts: 1,087
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I always have earplugs on hand, and am quite adamant about their use. I mow the lawn in them, I use power tools with them, and I rehearse in them if the room feels loud. I also carry an SPL meter in my bag, so if I'm at a gig/jam/rehearsal, I can prove that we're too loud and not get the idiotic "if it's too loud, you're too old" comment.
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#17 (permalink) |
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Tele-Holic
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I have the custom molded jobs with changeable attenuators, and they are really comfortable. I find that the promise of flat freq response at lower volume is a bit overstated. Things still get bass heavy, but way better than stuffing paper or foam in there. The biggest advantage is they block drum transients, which can damage you even at lower volumes.
I also mow, chain saw, shop vac, hammer, etc... with plugs. They're worth the money, because you get your use from them. |
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#18 (permalink) |
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Tele-Meister
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How about the issue with vocals? Anybody sing with 'plugs in?
At smaller gigs without monitors, it can be hard to work with another singer when you've got your own voice blaring in your head. Any tricks to deal with that?
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-- Drew |
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#19 (permalink) |
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Tele-Meister
Join Date: Nov 2006
Location: Kansas City
Age: 44
Posts: 416
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I've been thinking about getting some plugs made. I know several guys who use them and like em. We try to watch the volume at gigs, usually not a problem, but sometimes at practice in the studio, things can get a little loud if we don't watch it. I've never sang with plugs, I have no input on that
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"In a land where all are blind, the one eyed man is king" |
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#20 (permalink) |
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Tele-Holic
Join Date: Jul 2006
Location: Portland, OR
Age: 50
Posts: 569
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These days very few of my gigs are loud enough to warrant plugs. But in the past, when I gigged frequently and all night long, it was an issue.
I agree that most foam plugs are just unusable. The response is so bass heavy and one's own voice is so loud and muffled that for me it really makes music almost pointless. I have had some custom fitted "flat response" plugs that worked better, but current technology looks nicer than my old one. The Etymotic plugs look terrific for $12! Fortunately, the last time my ears felt "dinged" by a gig was long ago. I always blame it on pedal steel players.
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---------- Tech Geek and Sensitive Artiste String bender ordinare! |
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#21 (permalink) |
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Friend of Leo's
Join Date: Jan 2005
Location: Seattle
Posts: 3,177
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I used to use the custom "flat-response" jobbers, and they were the best plugs I found, but these days I refuse to allow volume levels that demand earplugs. The mix is never good when it's that loud, so attenuating it just results in a quieter bad mix.
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It takes two people to paint a perfect painting: one to paint it, and the other to shoot him when it's done. http://www.myspace.com/travishartnett http://www.myspace.com/sugarcanemutiny http://www.myspace.com/davidbavas |
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#23 (permalink) | |
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Tele-Meister
Join Date: Dec 2007
Location: rockville, md.
Posts: 242
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Quote:
If its so loud your hearing is damaged, it must be loud enough to damage the hearing of the folks in the audience I'd think. I've heard drummers play so loud it hurts my ears and if you have a drummer like that in a band the rest of the players are going to have to crank it way up - enough to cause hearing loss. |
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#24 (permalink) |
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Tele-Meister
Join Date: Nov 2007
Location: Willamette and Columbia
Posts: 331
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I think that's probably one of the big issues. Even if you can get guitarists who are willing to gig with an amp that distorts at reasonable volumes, you're still going to have to deal with the perception that a drummer isn't "rocking" adequately if he's not whacking them at 110% force.
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