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| Bad Dog Cafe Hershey's Bad Dog Cafe is where Off Topic Discussion is welcomed -- but please follow our rules and stay away from subjects that turn political or have caused fights in the past. |
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#41 (permalink) | |
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Tele-Meister
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Quote:
And as for the second bit, when you're in a noisy bar full of people playing pool, drinking and talking too loud you need something to.... get their attention. And nothing works quite as well as a sucker punch Maybe it's "once a punk, always a punk..."
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The Hammer of the Honky-Tonk Gods www.myspace.com/hardwayband www.myspace.com/mojobros2mantrio http://www.soundclick.com/davemilesandthehardway ... and preface everything I say with IMO,FWIW... and WTF |
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#43 (permalink) |
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Tele-Afflicted
Join Date: Aug 2003
Location: springfield, missouri
Posts: 1,125
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as already said....back when i was actively gigging, it just depended on the type of crowd me and my buddy Red were playing for...examples:
in the mood panhandle rag speedin' west bud's bounce honky tonk green onions tequila cissi strut cannonball rag we did lots of Chet Atkins type instrumentals, lots of big band stuff we were able to pull off quite succesfully since we both used MIDI tone generators. other instrumentals later in a gig interspersed with Red's vocals would be: sleepwalk harbor lights i'm a fool to care vaya con dios sugarfoot rag malaguena....our version....don't ask theme from Dr. Zhivago (somewhere my love) of course the "gotta do" stuff wildwood flower, but with banjo, piano, sax, fiddle, via MIDI under the double eagle foggy mountain breakdown.. steel guitar rag drifter's polka lotsa others
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bender-freak |
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#44 (permalink) |
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Tele-Meister
Join Date: Apr 2008
Location: Sydney Australia
Posts: 134
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"Water of Love" - Dire Straits, laid back Mark Knopfler feel to let the band get a feel for the venue and the crowd, like others have said.
(which is not to say I can play it like Knopfler, but let's stay positive...) Boris - that cracked me up!
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imagination is more important than knowledge... |
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#45 (permalink) |
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Friend of Leo's
Join Date: Mar 2003
Location: Atlanta, Georgia
Age: 47
Posts: 3,045
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I've heard that Willie Nelson considers the tune Whiskey River to be "roll call" for his shows, and usually dives into it with that one.
The only act that I've been associated with that always starts off with the same tune is my duo. Our "roll call" is No Expectations. We've launched off with original tunes and covers by other folks on a few occasions, but for us, it's never quite the same as starting the evening with this Rolling Stones tune. It's medium tempo, and for my partner, it's medium vocal range. I don't sing harmony on the tune, and I can take as many instrumental rides as I'd like until I've got a handle on the acoustic properties and quirks of the venue. By the time the tune is done, we've introduced ourselves to the room, I've tweaked my circuits, we've tweaked the PA - which we do on the fly - and we're good to go. We're two guys that are typically charged with entertaining a roomful of folks for 3-4 hours, sans rhythm section (other than ourselves), and for us, this tune sets our parameters and acts as our divining rod. Regardless of whom I'm working with, I'll always push towards a comfortable opening number, and there are plenty of ways to project such while still maintaining "attitude". If there's a technically ambitious tune that I know in my heart of hearts will translate better after all involved have managed to get comfortable within their environment, I'll (strongly) suggest that such be positioned accordingly within a projected set list. I can't begin to say how many times I've witnessed project leaders all intent on "kicking ass" from jump street (a good thing, at least in theory) - but in effect, asking drummer and/or rhythm section to be 'ON' from the first downbeat; If they're seasoned, sure, they can deliver it, but chances are pretty good that the set will transpire better with pacing that recognizes how human beings operate under newfound conditions (live environment, no matter how many times you've been there). Jeff Beck doesn't start his set with "Space Boogie".
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Can't say, 'cause I don't know. - Bullwinkle |
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#46 (permalink) |
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Tele-Meister
Join Date: Jul 2006
Location: Jeff City Mo
Age: 42
Posts: 213
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Depends on the bar/crowd. One bar we play at is decidedly more country than the others w/a few more older folks to start out with, so it's usually something like "Big City", "Crazy Arms", or "Heartaches By the Number". Most of the other bars have younger folks so we start w/something like "Got a Lot of Leavin to Do" by Dierks Bentley. "Drinkin Bone" is a good opener also.
We almost always start the 2nd set w/"Seven Bridges Road", though. |
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#47 (permalink) |
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Tele-Afflicted
Join Date: Jan 2008
Location: Indianapolis, IN
Age: 55
Posts: 1,145
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Muddy Waters: "I'm Ready".
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If you get hung up on just guitar players, you've missed something.... Don't ever get to a point where you just gotta be a guitar player. You hear something, go try to get that note and sound as much like that as you can.-Buddy Guy |
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#48 (permalink) | |
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Tele-Holic
Join Date: Jan 2004
Location: New Orleans, LA
Age: 52
Posts: 688
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Quote:
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Lettin’ the cat outta the bag is a whole lot easier than puttin’ it back. |
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#49 (permalink) |
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Tele-Afflicted
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We used to open with either "Settle for Love" by Joe Ely or "99 1/2 (Won't Do)" by Wilson Pickett.
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![]() MySpace "That number don't mean nothing to me if the guitar don't sound right." - Buddy Guy on the year a guitar was manufactured. |
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#51 (permalink) | |
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Tele-Meister
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Quote:
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The Hammer of the Honky-Tonk Gods www.myspace.com/hardwayband www.myspace.com/mojobros2mantrio http://www.soundclick.com/davemilesandthehardway ... and preface everything I say with IMO,FWIW... and WTF |
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#55 (permalink) |
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Tele-Afflicted
Join Date: Apr 2007
Location: North Bushey, near London, England
Age: 61
Posts: 1,782
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Depends on the gig. If it's an older crowd we'll ease in with a couple of Don Williams things, "Love Me Tonight" segued into "I Would Like To See You Again" (there's a hint in the titles
But sometimes, if it's a pub gig with mixed ages, we'll start off with the intro to "Get Back", extended a bit to build it up, and just at the crucial moment sing "I Can See Clearly Now" in that style instead, before following on into "Get Back" itself. Never fails! On sixties tribute jobs we'll invariably kick off with "Every Time That You Walk In The Room", stopping to let the audience sing the punch-line.
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Proud to be The Man From Uncool. |
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#56 (permalink) |
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Tele-Meister
Join Date: Apr 2008
Location: Bloomington, Indiana
Age: 50
Posts: 141
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Yep. We are huge KX fans and that song pretty much sums up where we are going the rest of the night. When we first put Blistered Soul together , one of the first tunes we played together was " Fall On Me".
We start off with Groove Machine which , sadly, not many people know...but it always gets a great round of applause and gets people moving towards the dance floor right away. Great to see another KX fan here!
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" Grab that slab,plug that sucker in ,and grind me a pound" ! - Billy F. Gibbons |
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#57 (permalink) | |
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Tele-Meister
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Quote:
The only problem with King's X songs (where I'm concerned) is the expectation that the guitar player is going to play like Ty Tabor.
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-- Drew |
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#58 (permalink) | |
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Tele-Meister
Join Date: Apr 2008
Location: Bloomington, Indiana
Age: 50
Posts: 141
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Quote:
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" Grab that slab,plug that sucker in ,and grind me a pound" ! - Billy F. Gibbons |
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