Nareg
May 27th, 2012, 01:47 AM
Bought two bodies from a guy claiming to sell rejects from the Fender factory. I described them in another thread and thought that they were probably made in mexico. Now I think one could possibly be made in America?
It has American Standard bridge patterns and also had that big stamp in the neck pickup cavity that said "NAT". This one also has UPC Barcode stickers in the cavities. I'd love to know what it was intended to be. I assumed "nat" meant that this was suitable for a natural finish of some sort.
Also, questions:
1) my lower horn has a dirty looking spot in the corner that would not clean up no matter how much I erased or sanded. It looks like someone rubbed pencil graphite up against it and it's somehow impregnated into the wood. I'm thinking I should maybe cover this with some natural colored paint before I do my butterscotch finish? Problem is I've already done about 4 layers of grain filler and it's not exposed anymore, I'd be painting over crystalac.
2) Why does my neck pocket not end flat up against the lining of the neck pickup cavity? Why does it have two dips in the edges? This seems like it would affect sustain/tone in a bad way.
3) how do you guys like the grain on this guy? think this is a good candidate for a butterscotch finish?
4) what's that lower hole in my neck pocket for?
It has American Standard bridge patterns and also had that big stamp in the neck pickup cavity that said "NAT". This one also has UPC Barcode stickers in the cavities. I'd love to know what it was intended to be. I assumed "nat" meant that this was suitable for a natural finish of some sort.
Also, questions:
1) my lower horn has a dirty looking spot in the corner that would not clean up no matter how much I erased or sanded. It looks like someone rubbed pencil graphite up against it and it's somehow impregnated into the wood. I'm thinking I should maybe cover this with some natural colored paint before I do my butterscotch finish? Problem is I've already done about 4 layers of grain filler and it's not exposed anymore, I'd be painting over crystalac.
2) Why does my neck pocket not end flat up against the lining of the neck pickup cavity? Why does it have two dips in the edges? This seems like it would affect sustain/tone in a bad way.
3) how do you guys like the grain on this guy? think this is a good candidate for a butterscotch finish?
4) what's that lower hole in my neck pocket for?
![$vboptions[bbtitle]](../../gifs/tdpr-headTRANS.gif)