![$vboptions[bbtitle]](../../gifs/tdpr-headTRANS.gif)
ibobunot
October 1st, 2009, 03:00 PM
It's How You Say It: Part One (http://somuchsound.blogspot.com/2009/08/its-how-you-say-it.html)
It's How You Say It: Part Two (http://somuchsound.blogspot.com/2009/09/its-how-you-say-it-part-two.html)
In my transcription, I have a basic harmonic analysis of what Pete's doing as it's good information for structuring your own solos, but it doesn't even begin to approach what he's doing here. Pay attention when listening to his attack and phrasing, how he bends these notes and uses pull-offs to shape the lines rhythmically. That's how you make Pentatonics sound like music.
If somebody put this chart in front of you and you played the notes in perfect time, like the way a computer would read it down, without bends, without the slurs and pull-offs I guarantee you'd think it was a terrible solo. Too square, too obvious, too simple-- boring. But the way Pete articulates these simple lines is what gives the solo life. His phrasing is killing. He swings.
--Sean Driscoll--
... :cool:
It's How You Say It: Part Two (http://somuchsound.blogspot.com/2009/09/its-how-you-say-it-part-two.html)
In my transcription, I have a basic harmonic analysis of what Pete's doing as it's good information for structuring your own solos, but it doesn't even begin to approach what he's doing here. Pay attention when listening to his attack and phrasing, how he bends these notes and uses pull-offs to shape the lines rhythmically. That's how you make Pentatonics sound like music.
If somebody put this chart in front of you and you played the notes in perfect time, like the way a computer would read it down, without bends, without the slurs and pull-offs I guarantee you'd think it was a terrible solo. Too square, too obvious, too simple-- boring. But the way Pete articulates these simple lines is what gives the solo life. His phrasing is killing. He swings.
--Sean Driscoll--
... :cool: