Tony Reid
October 8th, 2008, 08:56 PM
There have been a few threads on Tele neck pickups over the last few months, so I would like to add my opinions and experience. Let me preface my comments by specifying what it is that I look for in a Tele neck pickup. Firstly, I mainly play clean – no effects, not even reverb – so I am extremely fussy about the unprocessed tone that a pickup can deliver. I am looking at a good (i.e. pleasing to my ears) clean tone. Second is that I like to use the neck pickup for lead playing. I know that originally the Tele neck pickup was designed as a rhythm pickup, hence the (chromed) brass cover and generally darker overall sound of the typical early Broadcaster, Nocaster, Telecaster neck pickups. I really do not like this. It usually means that I need to have the amp set really bright so that the neck pickup sounds O.K. with the tone wide open, and the bridge needs the tone backed off about 2/3 to get the sounds I am after. Not only do I dislike the inconvenience of having to quickly switch the tone control when changing from bridge or bridge + middle to neck, I usually like to find a specific tone setting where the tone changes significantly depending on pick attack (the ‘sweet spot’). In this way the ‘basic tone’ when picking with a soft-medium attack is clear and distinct but not ‘twangy’; only with a strong attack, a quick bend, a hammer-on or a pull-off does the twang emerge. Yes, I also like to twang on the neck pickup! My idea of Tele heaven is to have a set of pickups where the one sweet spot on the tone control works in all pickup settings.
I have been looking for this for several years now and have tried most of the boutique pickups (some even specially made to my requirements) and came quite close but never really hit the mark. I don't want to denigrate any of these pickup winders by mentioning names, but I have tried the best and the ‘best of the best’, and they were not to my liking. YMMV
Enter Don Mare’s 4709 Joel Foy set. I bought them on impulse about 6 months ago (yes, I have a severe and chronic case of GAS), based on the glowing recommendations of players on this forum. I was absolutely stunned. Not only the bridge pickup (which I LOVE), but also the neck pickup….they have the tone … on all 3 positions!!
I have been playing the guitar with these pickups (Brian Poe swamp ash body, 4lb; USA guitars neck one piece maple 1 inch fat C, Glendale CRS bridge with CRS saddles) every day for the past 6 months and I still find it hard to put down. In a band situation it cuts through the mix very easily and allows all of the nuances of my playing to be heard – yes, even on the neck pickup. I listen to recordings of band live and I am blown away by my sound … every time.
I don’t think words can adequately describe the feeling you get when the sound of your instrument inspires a higher level of creativity. I listen to recordings of solos I have played with the band and it is often like I am listening to another guitarist with this really great sound, and thinking, ‘how the heck did he do that?’….
Thanks Don.
I have been looking for this for several years now and have tried most of the boutique pickups (some even specially made to my requirements) and came quite close but never really hit the mark. I don't want to denigrate any of these pickup winders by mentioning names, but I have tried the best and the ‘best of the best’, and they were not to my liking. YMMV
Enter Don Mare’s 4709 Joel Foy set. I bought them on impulse about 6 months ago (yes, I have a severe and chronic case of GAS), based on the glowing recommendations of players on this forum. I was absolutely stunned. Not only the bridge pickup (which I LOVE), but also the neck pickup….they have the tone … on all 3 positions!!
I have been playing the guitar with these pickups (Brian Poe swamp ash body, 4lb; USA guitars neck one piece maple 1 inch fat C, Glendale CRS bridge with CRS saddles) every day for the past 6 months and I still find it hard to put down. In a band situation it cuts through the mix very easily and allows all of the nuances of my playing to be heard – yes, even on the neck pickup. I listen to recordings of band live and I am blown away by my sound … every time.
I don’t think words can adequately describe the feeling you get when the sound of your instrument inspires a higher level of creativity. I listen to recordings of solos I have played with the band and it is often like I am listening to another guitarist with this really great sound, and thinking, ‘how the heck did he do that?’….
Thanks Don.
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