|
|
|
||||||||||||||||||||||
|
|
#642 (permalink) | |
|
Friend of Leo's
Join Date: Mar 2003
Location: Park Ridge, NJ
Age: 62
Posts: 4,622
|
Quote:
|
|
|
|
|
|
|
#643 (permalink) | |
|
Banned
Tele-Holic
Join Date: May 2005
Posts: 966
|
Quote:
But, the whole point was to show that this very affordable amp could be dialed in for almost anyone's tonal needs (within reason), for very little additional money. For some who can't afford to mess with speakers, some combination of those mods might be all that's needed to get the amp sounding the way they like. For those who can swap speakers and tubes, same thing. Some combination of those mods may be the ticket to make it that much more to their liking. Or, for some, leaving the amp box-stock may be exactly what they want. |
|
|
|
|
|
|
#644 (permalink) |
|
Banned
Tele-Holic
Join Date: May 2005
Posts: 966
|
Exactly. Of the "trinity mods" as Rob calls them, two of them are only removing or jumping components that are already installed in the amp. They cost nothing at all. And the third requires a 10 cent resistor that can be had from Radio Shack.
|
|
|
|
|
|
#646 (permalink) |
|
TDPRI Member
Join Date: Mar 2008
Location: NJ
Posts: 19
|
Hi folks. Here's a question for ROB DiSTEFANO, and/or anyone else using a Weber 8F150 in a GA-5. When you ordered it, how did you decide between the "paper dome with flat top" dustcap and the "H" (harp?) dustcap? How do they differ functionally & tonally?
I posed these questions to Ted Weber who simply said "If you are going to use a lot of distortion all the time, I'd use the H dustcap." I researched "H" caps on the web and found comments like "tames highs" and "reduces feedback", but that's about it. ROB, WHICH DUSTCAP DID YOU CHOOSE & WHY? I'm using a stock (non-mod'd) GA-5 reissue. I'm deliberately postponing any circuit mods until I hear the stock circuit with nicely broken-in Weber 8F150. Those of you considering the 8F150 may find the following feedback from Ted Weber useful... ME: I'm looking for an overall "larger" sound that doesn't sound so "boxy". A little more bottom end would be great! TED: I'd go with the 8F150. Big low end, lots of punch and dynamics... as well as overall loudness. ME: How do the 8A125 and 8F150 differ? TED: 125 brighter, louder. 150 bigger, louder, more low end and punch. |
|
|
|
|
|
#648 (permalink) | |
|
Friend of Leo's
Join Date: Mar 2003
Location: Park Ridge, NJ
Age: 62
Posts: 4,622
|
Quote:
Paper dome - only 'cause I know that works for me, dunno about the H cap. IMO, the 8F150 is quite dark, loud as an 8" will ever get, Huge low end. I have an 8A125T (full ribbed cone) on order and I've used this speaker in lotsa Champs - great for rock 'n' roll and yet will mellow out fine for jazz and blues. |
|
|
|
|
|
|
#649 (permalink) |
|
TDPRI Member
Join Date: Jan 2008
Location: Alaska
Posts: 37
|
Rob, I think you should put togeter some sort of "mod. booklet". There is no way I could not go through all 17 pages to sort out the mods. (especially on dial up). That would super cool to see something handy like this. I would buy one.
Steve |
|
|
|
|
|
#650 (permalink) | |
|
Banned
Tele-Holic
Join Date: May 2005
Posts: 966
|
Quote:
http://www.tdpri.com/forum/amp-centr...ml#post1144412 |
|
|
|
|
|
|
#651 (permalink) | |
|
TDPRI Member
Join Date: Mar 2008
Location: NJ
Posts: 19
|
Weber 8F150
Quote:
|
|
|
|
|
|
|
#652 (permalink) | |
|
Tele-Afflicted
Join Date: Oct 2003
Location: Massachusetts
Posts: 1,100
|
Quote:
__________________
Don |
|
|
|
|
|
|
#653 (permalink) | |
|
Friend of Leo's
Join Date: Mar 2003
Location: Park Ridge, NJ
Age: 62
Posts: 4,622
|
Quote:
|
|
|
|
|
|
|
#654 (permalink) |
|
Friend of Leo's
Join Date: Mar 2003
Location: Park Ridge, NJ
Age: 62
Posts: 4,622
|
Now that the .022uf Jupiter coupling caps have pretty well formed after over 7 hours of playing, the tone just blooms out with more presence and warmth. Definitely another great mod. Heck, I'm gonna change all my amp's couplers to Jupiter's - thanx for the heads up on the Jupiters, Paul!
There's a neat YouTube video of a before (Orange Drops) and after (Jupiters) swap out ... http://www.youtube.com/watch?v=njw06rLLDgs |
|
|
|
|
|
#655 (permalink) |
|
Friend of Leo's
Join Date: Mar 2003
Location: Park Ridge, NJ
Age: 62
Posts: 4,622
|
GA-5 Mods and Upgrades (so far, I think - what'd I forget Paul?)
NOTE: after pulling yer GA-5 chassis and before sticking yer fingers inside it, drain the filter caps!!! "trinity circuit mods" (total cost, about 25 cents) 1. lift/snip(and remove - optional) the 25uf cathode bypass cap 2. jumper (and remove - optional) the high pass 22pf cap/1m resistor coming off the vol pot 3. add a 47k NFB (negative feedback) resistor from the yellow wire on the RCA jack to pin 8 of the preamp tube socket other circuit and functional mods 4. better, more robust 8" speaker with more low end and punch 5. remove the cab's cord cubby 6. remove the rear grille 7. remove the baffle's mesh grille under the cloth grille 8. add a standby switch (Carling progressive 3-way switch preferred) 9. shield the upper inside of the GA-5 cab (heavy duty alum foil works fine) 10. shield the signal lead off the vol pot to pin 7 of the preamp tube socket 11. break the ground buss between the preamp and power sections 12. rewire the vol pot ground 13. add an external speaker 8 ohm 1/4" jack, or replace the RCA jack with a 1/4" jack, and/or replace the yellow OT wire for the green OT wire and run with a new 8 ohm internal speaker 14. replace the yellow .022uf Mallory coupling caps with something better (Jupiters!) 15. change the filter cap values (stock is 22/22/22) to maybe 22/10/10 - a good thing to do if they aren't already Spragues, and replace with something better (Atoms, F&Ts, etc.) 16. change the UK Cliff jacks to better Switchcraft jacks Trinity mods #1 and #2 (top image) - NFB mod #3 (bottom image) ![]() Carling on/standby/off switch (top image) - external 8ohm speaker jack (bottom image) ![]() Ground buss break (top image) - Atom filter caps, Jupiter coupling caps, shielded signal lead (bottom image) ![]() Shielding the inside cab top with alum foil ![]() Last edited by Rob DiStefano : March 25th, 2008 at 06:07 AM. |
|
|
|
|
|
#657 (permalink) | |
|
Friend of Leo's
Join Date: Mar 2003
Location: Park Ridge, NJ
Age: 62
Posts: 4,622
|
Quote:
More to the point answer - If you like the stock tweedy tone, then enjoy the GA-5 as is, as lotsa folks do. However, if yer mind's ear envisions a different more refined sonic flavor then that's what one or more of the tone tweaking mods offered might do for you. Lots also depends on what kinda music you'll play with this amp, and what kinda guitars you'll feed it. Some of the mods are purely functional and have little or nothing to do with tone, but address issues of design and usage. |
|
|
|
|
|
|
#658 (permalink) | |
|
Tele-Meister
Join Date: Dec 2007
Location: Bronx NY
Age: 32
Posts: 225
|
Quote:
Mine should be arriving this wed. my uncle rob d. hooked me up with one of his. He did some slight modifying for me already. I beleive he sheilded something in the preamp circuit, and put in a 3 way switch. He said he wanted me to hear it the way it was first and that I could always mod it some more. I got a real good amp guy close by to do it for me. I guess if it wasn't worth having it stock, at least when I mod it, I will notice the difference! |
|
|
|
|
|
|
#661 (permalink) | |
|
TDPRI Member
Join Date: Oct 2003
Posts: 17
|
Quote:
I wanted to try another power tube, but unfortunately the EL-84 boogie tube I have on hand wont fit. I'm curious why Gibson made such a small cut out around the tube that precludes the use of some tubes? I've read that some had issues fitting the 12AX7, but I've been able to roll various tubes in here with not problem.
__________________
Gibson ES-339, Fender American Vintage 70's reissue strat, American Standard Tele, American Deluxe Tele FMT HH, Fender Blues Jr. Tweed NOS, Fender SCXD, Epi Vjr half stack, T.C. Electronics ND-1 Nova delay. |
|
|
|
|
|
|
#662 (permalink) |
|
Friend of Leo's
|
Rob, is there a part number on the Carling Super Heavy Duty DPTTP? We couldn't find it in the Mouser catalogue.
__________________
3. If they can get you asking the wrong questions, they don't have to worry about answers. - - Thomas Pynchon |
|
|
|