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#1 (permalink) |
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Friend of Leo's
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connecting 2 amps
I have seen mention in a few other threads (that I can't find right now) something about connecting 2 Fender amps together using the second input on the amp. Sorry if my wording is off, I can't remember the details of the posts. Can this be done with a Princeton Reverb?
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#2 (permalink) |
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Moderator
Poster Extraordinaire
Join Date: Mar 2003
Location: Berlin, Maryland, USA
Age: 49
Posts: 8,899
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Yep, plug the guitar into the first imput, run a cable from the second imput to the second amp.
Cheers, Tim
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#4 (permalink) |
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Tele-Holic
Join Date: Oct 2006
Location: Brackley, Northants, UK
Age: 62
Posts: 596
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I used to do that all the time, back in the 60s, when I was running 2 100w heads. Never ever had any problems.
As Tim says, plug the guitar into channel 1 of the first amp, then take a lead from channel 2 (of the first) to channel 1 of the second amp. Sometimes I used to use a split lead from the guitar that would go into both amps. Just made up the lead myself |
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#5 (permalink) | |
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Moderator
Poster Extraordinaire
Join Date: Mar 2003
Location: Berlin, Maryland, USA
Age: 49
Posts: 8,899
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Quote:
Cheers, Tim
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http://www.moodswingers.org |
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#6 (permalink) | |
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Moderator
Poster Extraordinaire
Join Date: Mar 2003
Location: Berlin, Maryland, USA
Age: 49
Posts: 8,899
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Quote:
Tim
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http://www.moodswingers.org |
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#7 (permalink) | |
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Tele-Holic
Join Date: Oct 2006
Location: Brackley, Northants, UK
Age: 62
Posts: 596
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Quote:
Mind I loved the power. Even today, I like feeling the guitar as well as hearing it |
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#8 (permalink) |
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Tele-Holic
Join Date: Oct 2006
Location: Brackley, Northants, UK
Age: 62
Posts: 596
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Another thing that some did in the old days, was to dangle a mic, usually an SM57, in front of the first amp and plug it into the second amp.
Dave Edmunds used to do this a lot. I tried it once, but couldn't control the feedback, so gave up |
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#9 (permalink) | |||
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Poster Extraordinaire
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Quote:
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But instead of placing the amps side by side, I would place the dry amp infront of the wet amp, and hang a single mic between them...catching the back of the dry amp (which tended to emphasize the low end) and catching the front of the wet amp (which tended to be a little bright). I ran this set up for about a year and when it was set up right (mic placement and distance between amps), it sounded great. Now-a-days....I tend to be a "one-trip-from-the-car" kind of guy....gig-bag on my back, pedal board in one hand, amp in the other.
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#10 (permalink) |
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Tele-Afflicted
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i may be wrong here but i believe that using a "y" cable can lead to input impedance issues and affect the "quality" of the signal the amps are receiving? is that right? there's a whole article about it in the last (uk) guitar mag.
personally i use a tuner that has two (buffered) outputs. that seems to do the trick and with the added bonus that you can mute one of the amps by engaging the tuner.
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"What is it with chimpanzees and that middle parting? It's so 1920s." www.myspace.com/daddylonglegsuk http://www.myspace.com/thetacticians |
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#11 (permalink) | |
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Tele-Holic
Join Date: Oct 2006
Location: Brackley, Northants, UK
Age: 62
Posts: 596
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#13 (permalink) |
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Tele-Meister
Join Date: Dec 2006
Location: NYC
Posts: 208
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Johnny Thunders of the Heartbreakers and NY Dolls used to run (2) Fender Twin Reverbs together in exactly that same configuration at countless gigs from Max's Kansas City, Danceteria, Hurrah's, etc. throughout the 80's. Same Les Paul TV Jr. too.
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#14 (permalink) | |
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Tele-Afflicted
Join Date: Mar 2003
Location: Arlington, VA
Posts: 1,739
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#16 (permalink) |
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Friend of Leo's
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Oh wow this is just about the funnest thing ever hah. I wired the Princeton Reverb and the Lil' Dawg together.
The sound of one amp running the tremolo and one dry makes my knees weak. I wish I had known about this in the early days of my band hah. So here definitely is no harm in this hah? It seems almost too fun to be ok |
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#17 (permalink) |
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Tele-Meister
Join Date: Sep 2006
Location: Portland, OR
Age: 54
Posts: 223
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Phase can be a problem. Take something like a DR or a TR and chain the normal channel of one to the vibrato channel of the other. You might notice a loss of low-end when running both amps because there's an extra inverting gain stage in the vibrato channel. Gerald Weber wrote about this (and methods to correct it) at length in one of his books in a chapter on multi-amp rigs.
The other problem you're likely to encounter is ground-loop hum. Leakage currents from the power transformers through the grounding pin of the AC cord can induce a small (much less than one volt) voltage on the chassis or each amp. If the voltages on the chassis of the two amps is different, connecting them via a patch cord (as when chaining the amps) will induce a voltage on the cord which will come through your amps (both of them) as hum. The "old-school" way of fixing ground-loop hum is to use a ground cheater on the cord of one of your amps. That approach carries a statistically small yet significant (in the case you win the "unlucky" lottery) of electrocution in the case of certain kinds of electrical faults. The "modern" way to deal with ground-loop problems is to use either a transformer-isolated splitter (expensive, around $200 at the low end). There's also an excellent lower-cost alternative that acts like a ground cheater with respect to the hum current, yet carries the fault current safely to ground in the unlikely event of an electrical failure. This is the Ebtech Hum-X (about $60). |
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#19 (permalink) |
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Friend of Leo's
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I used a delay unit past and mostly run a slight delay slap to one amp
when the unit was on. It gets a big sound even at lower volume levels. Where the dry note/chord faded the delay note extended it. I most often liked to keep the amps spread apart and one on the other side of the stage when possible. It was great for the "I can't hear you" band guy over there.
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#20 (permalink) | |
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Tele-Holic
Join Date: Nov 2006
Location: USA
Posts: 941
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#21 (permalink) |
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Doctor of Teleocity
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...Yew could dew like I dunn a few times back when.
...Yewz a stereo jack at the TELECASTER with tew volume controls (noe tone) and with a stereo cord and a Y splitter at the Twins and send the neck P/U tew won Twin and the lead tew the udder Twin. ...Yes tew different amps kin be outta faze as well as tew speakers in won amp kin be outta faze. The way tew tell iss tew uze a weak 9 Volt battery and check the direction of speaker travel on each speaker. ![]() (deranged internet-based alter ego, with my own lexicon and all.) Please visit my page |
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#23 (permalink) | |
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Tele-Afflicted
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I did it once before just to see if it would work. It sounded fine... a lot of extra volume... but I only did it for a little while. That's bad though, right? If so, then I feel kind of bad. A friend of mine was having problems with getting volume out of a little bass practice amp. I tried this with a couple little guitar amps and gave him the thumbs up. Hope he didn't actually try it if it blows stuff up. |
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#24 (permalink) |
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Tele-Holic
Join Date: Sep 2006
Location: Western Australia
Age: 63
Posts: 534
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I have a Fender red knob The Twin and Dual Showman, I run them this way all the time, I also take a signal fron the back of a Fender, it's a cannon plug and feed that into a Behringer Ultra- DI and feed that into a 70 watt solid state amp for the drummer to hear, it has the advantage of making a dry solid state amp sound like the twin.
I sometimes use a splitter box but depends if I'm running late or not, easier amp to amp, only one lead. |
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#25 (permalink) | |
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Moderator
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Join Date: Mar 2003
Location: Berlin, Maryland, USA
Age: 49
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