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| Amp Central Station Amps, tubes, speakers & everything AMP related. |
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#1 (permalink) |
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Tele-Afflicted
Join Date: Mar 2006
Location: Ohio
Age: 33
Posts: 1,341
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lacquering tweed - which color to use?
Well, it's actually Minwax Polyshades (stain and polyurethane) in satin finish, but I'm torn between two colors: honey pine and classic oak. Here's the link to the colors:
http://www.minwax.com/products/onest...ades-color.cfm I've seen quite a few 50's era Fender amps that have been lacquered that look quite amber/orange, moreso than yellowy, which is why I'm considering classic oak, which is definitely more amber toned than the honey pine. So which should I go with? This will be for a 4x10 Bassman Reissue that's already looking pretty worn, which is why I'm looking at lacquering it. Once it's done, it will look nice and old! |
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#2 (permalink) |
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Tele-Holic
Join Date: Jun 2004
Location: USA
Posts: 961
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I used Zinsser Amber Shellac and clear satin poly in 2 steps. From my recollection in doing the research before I did mine, folks that used the Minwax "all in one" approach tended to use the Honey Pine.
If you really want to see what happens before you do the amp, buy some tweed and test each (or so a small section on the bottom of the amp). I think the color tends to be darker on the amp, and the more coats you apply the darker it will get.
__________________
Elwood: Good evening ladies and gentlemen, we're sure glad to be here in Cocomo tonight. We're the Good Ole' Blues Brothers Boys Band from Chicago. I sure hope you like our show. I'm Elwood, this here's my brother Jake. |
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#3 (permalink) |
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Tele-Afflicted
Join Date: Mar 2006
Location: Ohio
Age: 33
Posts: 1,341
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I ended up going w/ the honey pine polyshades and it turned out great. I think it helps that the tweed was already fairly battle-scarred when I put the finish on it-- with the stain over top it looks very relic'ed and vintage, that's for sure. I think the other color would have been a tad too orange for my liking.
Now I just need to get it retubed! J. |
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#5 (permalink) |
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Tele-Afflicted
Join Date: Mar 2006
Location: Ohio
Age: 33
Posts: 1,341
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I took everything apart-- took the chassis and baffle board w/ speakers out, took the back panels off, took the casters off (someone had installed a set rather crudely on the bottom, but hey they work-- it was definitely a working man's amp before I got it).
Didn't take long to disassemble, and made it much easier to get to all the cracks and the crevices along the inside where the tweed met the inside of the cabinet. It's just amazing how much this thing looks aged now-- gotta thank the previous owner for all that wear! Just wish he would have measured a little better on those casters (one side is about 1/4" closer to the edge of the amp than the other side, but no balance problems-- it adds... character |
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#6 (permalink) |
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Tele-Holic
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It's getting the chassis out that concerns me most. Seems like there's the greatest opportunity for things to go wrong. The rest is just unscrewing stuff I imagine. Anything in particular you can offer by way of advice?
__________________
The blues ain't about theory, they's about therapy. |
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#7 (permalink) |
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Friend of Leo's
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My opinion / experience on this... Bullseye Amber shellac even heavily diluted is way too orange. It looks like a pumpkin... I've never seen a real tweed amp that color... except if it were exposed to some nasty environments for a long time?
The min-wax Honey pine looks more natural. One thing you can do to make it looked more aged is to lightly bleach the tweed prior to covering the amp cabinet. Cut the tweed pieces to shape and then bleach them in a basin or similar...You definitely need to experiment with the bleaching technique using swatches of the tweed cloth ahead of time. Make sure it's good and dry...and a little goes a long way |
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#8 (permalink) | |
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Tele-Afflicted
Join Date: Mar 2006
Location: Ohio
Age: 33
Posts: 1,341
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Quote:
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#9 (permalink) | |
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Tele-Meister
Join Date: Mar 2006
Location: Seattle, E-merica, Earth...
Age: 49
Posts: 180
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Quote:
__________________
--- "Speak English Doc, we ain't scientists!" --- |
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#10 (permalink) |
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Tele-Holic
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I used the min-wax Honey Pine on a case and it turned out great!
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http://www.brianvanderark.com/ |
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#15 (permalink) |
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Tele-Holic
Join Date: Mar 2003
Location: Vancouver, BC
Posts: 586
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Applying Minwax...
First get an aerosol can of Minwax satin clear poly, and spray a light sealer coat over the raw tweed--this will prevent the Polyshades colour from bleeding in differently. Once dry, I brush on a coat of Honeypine, then a second coat while tacky. Let dry thoroughly and a quick scrub with fine steel wool or a 3M pad. I usually go for a third coat of honey pine, then dry and another aerosol coat with the clear. Looks great and tough as nails!
__________________
barely in tune and teetering on the brink of oblivion... |
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#17 (permalink) | |
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Tele-Afflicted
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Quote:
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*{disclaimer} It's like EVERYTHING else on this entire forum, it boils down to what YOU choose, to suit you. If the human mind was a simple thing to understand, we would be too simple to understand it. |
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#19 (permalink) | |
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Friend of Leo's
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Quote:
Many of us get hung up on doing "what Leo did" but as BroadMaster mentioned that will take alot of patience for the natural ambering of clear nitro to occur. Another idea is to apply pre-ambered (from sunlight) nitro. ie from a bottle of nitro that sits in the sun for a long time. |
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