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#1 (permalink) |
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Tele-Meister
Join Date: Sep 2010
Location: France
Posts: 230
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Fender Twin Reverb vs Super Reverb (+Marshall Plexi) for a DUAL AMP rig
Hi all,
my question is pretty simple, which amp would compliment my Marshall Plexi 1987x (50w)? My vote goes for rhe Super Reverb as his lower wattage would fit the plexi better (and the blend of a 4x12 half stack with a 4x10 fender should be delicious...). But maybe I would miss something, and the bigger headroom of the twin would nicely contrast with the plexi It's for a garage rock DUO (drums + guitar/vox). See this thread for more details http://www.tdpri.com/forum/bad-dog-c...ck-band-2.html I'd be happy to have your opinion on this
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“It's better to burn out than fade away.” Me quoting Kurt Cobain quoting Neil Young |
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#3 (permalink) |
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Tele-Meister
Join Date: Oct 2011
Location: Tampa, Fl
Posts: 397
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I have always been a Marshall guy and currently own a 1987x. I recently traded a Marshall combo for this 1966 Blackface Twin Reverb.
I am loving the Twin, great clean tones, great reverb, and it sounds really good with a little overdrive with a Fulltone OCD pedal (almost Marshall overdrive tones). My twin is running approximately 40+ watts with two tubes pulled. Really getting into the Fender Twin and glad I made the trade. The Super Reverb and the Deluxe Reverb also sound great. Good luck. Gridlock
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Guitars: Fender '99 AS Tele, '11 AS Ash Tele, '08 AS Strat, Gibson '96 LP Std Amps: '65 Fender BF Vibrolux Reverb-Amp, Marshall '81 JMP, 1987x Plexi, VM 2266, Class 5-01 Cabs: Marshall JCM800 1936 & 425B |
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#5 (permalink) | |
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Tele-Afflicted
Join Date: Sep 2007
Location: San Diego, CA
Posts: 1,668
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#6 (permalink) | |
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Tele-Meister
Join Date: Sep 2010
Location: France
Posts: 230
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Nice replies thanks!
Quote:
I'm also thinking about getting rid of my 1987x for a 1959... What do you think? the 1959 will have more bottom end...
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“It's better to burn out than fade away.” Me quoting Kurt Cobain quoting Neil Young |
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#7 (permalink) |
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Tele-Afflicted
Join Date: Sep 2007
Location: San Diego, CA
Posts: 1,668
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Not sure about "more" bottom, but I think the SL would blend better with either one of the Fenders. I saw Warren Hyanes last year with a Marshall 100 watt Super Lead and a Super Reverb and his tone was amazing. But he'd probably sound good on most anything. He never really cranked either amp though and his volume was lower than I would have expected.
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#8 (permalink) | |
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Tele-Meister
Join Date: Sep 2010
Location: France
Posts: 230
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Quote:
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“It's better to burn out than fade away.” Me quoting Kurt Cobain quoting Neil Young |
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#11 (permalink) |
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Tele-Meister
Join Date: Sep 2010
Location: France
Posts: 230
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Well I guess I have to rethink about all my gear, so I don't know yet if I'll use it THAT clean... I want a clean amp BC I want to put fuzz on it :)
The whole idea behind my sound is pretty dirty...
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“It's better to burn out than fade away.” Me quoting Kurt Cobain quoting Neil Young |
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#12 (permalink) |
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Tele-Meister
Join Date: Sep 2010
Location: France
Posts: 230
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My ideal amp would be the quad reverb but it's not reissued and I don't think I want to mess with vintage gear
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“It's better to burn out than fade away.” Me quoting Kurt Cobain quoting Neil Young |
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#13 (permalink) |
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Tele-Afflicted
Join Date: Sep 2007
Location: San Diego, CA
Posts: 1,668
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It's somewhat of a personal preference but I find the Super Lead to be a more interesting and touch sensitive amp. I think it does the "between clean and distortion" thing fairly well. I find the cool thing about using two different amps is that they go from clean to distorted in different ways and at different rates, which can open up some interesting ways to shade your sound by altering your picking attack. It seems to spread your sound out in an almost 3D manner.
Of, course, you might be the only one that notices. I've discoverd that the sound of running two amps or a stereo rig often gets lost on the way to the audience. You're depending on sound guys to get the mix right, or if you don't mike the amps, your audience might only hear the amp closest to them. What you hear onstage is not likely to be what the audience hears. Obviously, this depends on how much time you have to set up, the stage configuration and how much control you have over what comes up in the monitors. The more control you can have over these things, the more likely it is that your plans will work out. I saw Warren Haynes at the House of Blues, and it looked like he had at least three mikes on his rig, and for all I know he had a direct feed or two as well. Where I was sitting, what I was hearing seemed to be mainly from the PA, so I have a feeling the stage volume wasn't extreme. |
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#15 (permalink) |
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Tele-Meister
Join Date: Sep 2010
Location: France
Posts: 230
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For the Marshall I think I'll stick with the 1987x as I want a crunch tone.
Maybe the twin will be better matched volumewise with the 1987x
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“It's better to burn out than fade away.” Me quoting Kurt Cobain quoting Neil Young |
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#16 (permalink) |
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Tele-Meister
Join Date: Sep 2010
Location: France
Posts: 230
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Well...
I tried a Fender The Twin with my plexi, and I have to say it sounded just RIGHT. I played it on the 25w output and it was plenty loud already.
So I guess the SR's 40w are enough and the TR's 85w are probably too much if I want a little crunch from my base sound.
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