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#1 (permalink) |
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Tele-Holic
Join Date: Feb 2009
Location: UK
Age: 29
Posts: 636
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Thoughts on Gibson GA-20T Amps?
I have been looking for a small blues amp for a while now and I keep being drawn back to late 50s Gibson amps. The model I was looking at purchasing is a two tone GA-20T, but I may need to purchase one without having to play it myself because the surply here in the UK is zero to none. Anyone with any experience with these amps?
I think they are 'Purdy' if nothing else.
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#2 (permalink) |
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Poster Extraordinaire
Join Date: Mar 2003
Location: Lubbock, TX
Posts: 6,010
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I have never met a Gibson amp fromthe mid-50's through ''60 that I did not find appealing to me in some way. That is a good looking one in the pic, for sure. I haven't played a GA-20T from that period, but I would expect very smooth distortion and rich cleans from the two-tone amp like the pic. The later tweed amps seem to go a bit to the 'ripping' side of things in distortion and are a bit brighter generally speaking than the two-tone amps, ime. It has been a while since I had a '60 or '61 GA-20T. The GA-20T like that in the pic was produced starting in 1956, and they were built through 1961. The latter ones probably had a tweed covering...just a guess based on experience.
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#3 (permalink) |
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Tele-Afflicted
Join Date: Mar 2007
Location: andoverandoverandover,ct
Age: 46
Posts: 1,528
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do it, man! ask questions later! i've played through a later one from the 60's sounded just fine to me!
__________________
toadman the plank spanker www.slugnickel.com www.zydecohogs.com "The ultimate result of protecting man from folly is to fill the world with fools" Herbert Spencer
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#4 (permalink) |
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Tele-Afflicted
Join Date: May 2007
Location: Toronto
Age: 45
Posts: 1,137
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They're great amps - just ask Ry Cooder.
Not sure if I've played one of the two tone ones though. The ones I've played had a raw, raunchy thing going on when cranked that I loooove. I actually prefer it to a Tweed Deluxe, say. I've been looking for one for about 20 years - but I've never run across one that didn't need some work - usually a torn speaker. If you can find one with the original speaker intact - get it. They used to go for @ $400 Canadian back when I was actively looking. Dunno what they might fetch now. Shoulda bought one and looked for a replacement speaker or got the speaker reconed. What can I say? I'm a dumba$$. Cheers, Geoff
__________________
A city built on rock 'n' roll would not be structurally sound. |
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#5 (permalink) |
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Tele-Meister
Join Date: Mar 2009
Location: Morgantown, WV.
Posts: 282
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I had one of the two tone amps for about a year--it sounded pretty good with a Strat or Tele, just about the right volume for a small club. Later on, I traded it for a Magnatone, about the same size, but with more treble and a nicer tremolo.
Unfortunately, the Maggy got burned up in a fire. |
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#7 (permalink) |
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TDPRI Member
Join Date: Jul 2008
Location: Detroit-ish
Posts: 12
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I have a Gibson GA18-T from 1959 or 1960. I love it and play it every day. 75% of the time with my tele, but also with a number of vintage Harmony, Silvertone and Kay guitars, most having fat DeArmond pickups. Follow your instincts. It's great for blues and roots music
Last edited by tele-vangelist; November 7th, 2009 at 02:17 PM. Reason: Typing on iPhone. |
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