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| Amp Central Station Amps, tubes, speakers & everything AMP related. |
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#1 (permalink) |
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NEW MEMBER!
Join Date: Jun 2009
Location: portland, or
Posts: 2
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Peavey Classic 50 vs. Ampeg VT-22?
Hi! I want an awesome, BEAUTIFUL/warm clean tone. I am deciding between these two amps. The Ampeg is at a local store and has been completely re-serviced/updated. Trying to sell it to me for $700. The Peavey Classic 50 is being offered at a used price of $400. I haven't played the classic 50 yet, but the ampeg had an incredible clean tone. Anyone have any love/hate stories for either of these amps? Regarding the "clean" tone would be preferred.
Ultimately, which one should I get for the given price? |
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#2 (permalink) |
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Poster Extraordinaire
Join Date: Jan 2004
Location: Garden City, KS
Age: 47
Posts: 9,377
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Not having played the Ampeg, I can't make a recommendation on it.
I love the Classic 50, and it's got plenty of power for clean. You should try to play both side by side. Is the C-50 a 212 or 410? I know I'd be all over the C-50 at that price. |
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#3 (permalink) |
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Tele-Afflicted
Join Date: Aug 2004
Location: New England
Posts: 1,233
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Show up with $400 and grab the Ampeg. Explain patiently that times are tough and that you worked hard for that money. Bring a trade of some sort to make the vendor feel better if you must. You say you dig the Ampeg tone, just buy it.
Those '70s Ampegs are tanks! Not to diss Peavey but that Ampeg will still be rockin' years from now and that Peavey will be in a landfill. So I guess I just dissed Peavey... sorry, Hartley! |
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#4 (permalink) | |
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Poster Extraordinaire
Join Date: Jan 2004
Location: Garden City, KS
Age: 47
Posts: 9,377
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Quote:
Peaveys have a rep for being bulletproof. None of mine have ever let me down. |
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#5 (permalink) | |
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Tele-Afflicted
Join Date: Aug 2004
Location: New England
Posts: 1,233
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Quote:
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#7 (permalink) |
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Tele-Afflicted
Join Date: Aug 2004
Location: New England
Posts: 1,233
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Durability/repairability aside (the Ampeg is easier to service) that sums it up right there. Love the tone? Either buy it or find one just like it because the price is on the high side. I'd watch eBay for a week or so and see if I couldn't find a better deal there.
Here's the spiel on tone: You hear an amp and you love the tone. It's not someone else plugged into it, you're plugged into it and it's pushing your buttons. For one reason or another you pass on it. Price is a good reason. Don't have the money. So you go on a quest for a reasonable substitute. An amp that's almost right. Not guite but close enough for the money. Maybe a pedal? O.k., we'll drop another $100 on a pedal. Nah, that's not it. Maybe another pedal? Change the tubes? Change the speakers? Different pickups? Different guitar?! By the time you add it all up you've gone through a grand, you're lugging around a pile of gear, you took the long way to get there and you still ain't happy. -- The old Carvin X100B has a really pretty clean tone, too. |
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#8 (permalink) |
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Poster Extraordinaire
Join Date: Jun 2003
Location: White Mountains
Posts: 5,945
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The Ampeg is an anchor - it may sound good but if You're gonna buy it I'd first pick it up and walk once with it around the interior of the store. My money says you go with The Classic. Because of the WIDTH of the VT-22 along with the weight every single time you move it without padding you'll get bruised. I'm a pretty big person and have lugged Super Reverbs and Twin Reverbs and Fender 2x12 small cabs for years BUT - the VT-22 is my line in the sand - that's where I say "no thanks".
Lots of Amps can hurt people's ears, the one you're thinking about is very capable of hurting bones and ligaments. Line up a Chiropractor, an Orthropedic Surgeon, and a masseuse. I'm not trying to be funny here, I'm serious.
__________________
Somebody Loan Me A Dime |
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#9 (permalink) |
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Friend of Leo's
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I'm in w/ stantheman. The VT-22 is a very cool amp. It is extremely sturdy and well built and has some great sounds. But it is the heaviest amp I ever felt! I used to play the head version - the V4 - thru a 4x12 and it was wonderful. The other guy in the group had a VT-22 and he sounded fine - but nobody wouyld offer to help him move his gear at the end of the night!
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#10 (permalink) | |
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Tele-Afflicted
Join Date: Mar 2004
Location: Santa Cruz, CA
Age: 59
Posts: 1,507
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Quote:
No kidding, they are HEAVY! I had one with Altec speakers. It felt like it was bolted to the floor. Back then I was a much younger and stronger man, and my pickup had a tailgate lift! They are quite "Hi-Fi" though, with a lush reverb. I'd probably go with the Ampeg, and get a gym membership too for the weight training. When I had a Deville I used to work out and it never bothered me. 'Course I'm sure a VT-22 is heavier still, but no heavier than a Rivera duo-twelve hundred I had.. |
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#12 (permalink) | |
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Tele-Meister
Join Date: Jun 2004
Location: Anderson, IN
Age: 57
Posts: 285
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Quote:
Last edited by dan1952; June 10th, 2009 at 12:23 PM. Reason: spacing |
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#13 (permalink) |
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Friend of Leo's
Join Date: Feb 2005
Location: Florida Panhandle
Age: 53
Posts: 2,594
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I remember the VT-22,100 watts I believe.
They are built like tanks,but some old Ampegs use strange tubes that are hard to find.also,no overdrive at low volumes,but plenty of warm spank and great tones. a friend of mine used to play one with two Altec 12s in it-----LOUD.
__________________
"For You,Lord,are good,and ready to forgive,and abundant in mercy to all those who call upon You." Ps. 86:5 http://www.soundclick.com/bands/0/refin_music.htm MASTER VOLUME? WHAT'S A MASTER VOLUME? |
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#14 (permalink) | ||||
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Tele-Afflicted
Join Date: Aug 2004
Location: New England
Posts: 1,233
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Quote:
Quote:
U10s and CG7s are easy, though. Tube vendors have figured out they can't buy every 6U10 that comes up on eBay so they go out cheap once in a while. Quote:
Volume was more important than tone back then. Quote:
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#15 (permalink) |
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NEW MEMBER!
Join Date: Jun 2009
Location: portland, or
Posts: 2
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Thank you so much guys! All of your responses have been super helpful. Keep 'em coming though, if you do have anything else to say. Ultimately I'm going to test out the weight of it, see if it's really that back-breaking. I love music, I love staying in shape - maybe this combo amp will bring me that combo lifestyle? Terrible joke/pun, but hey, that's why I don't talk in between songs during a live set.
Cheers! |
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#16 (permalink) |
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Doctor of Teleocity
Join Date: Feb 2007
Location: New Orleans, LA + in the past
Posts: 15,223
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There seems to be an unlimited number of Classic 50s out there. Unlimited.
But as for this Ampeg - how long before you see another? What you could do is get the price down on the VT-22, see if you can handle living with it. If not, there are folks who will still want that. That Peavey is way easy worth $ 400 in intrinsic terms and yet you usually can find them for less, anytime you like. I bought a new one (NOS) from GC for $ 500, tax included.
__________________
When i listen |
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#17 (permalink) | |
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Poster Extraordinaire
Join Date: Jan 2004
Location: Garden City, KS
Age: 47
Posts: 9,377
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Quote:
If you love the sound of the Ampeg, buy it! Tone is the most important consideration in buying an amp! But don't forget to buy that dolly so you can move it around without blowing a disk. |
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#18 (permalink) | |
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Tele-Meister
Join Date: Mar 2009
Location: New Jersey, US
Age: 46
Posts: 477
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Quote:
Wheels! Moving bass gear is no fun. My first modification to every cabinet I bought was to add some serious hardware store wheels. I remember for a while the drummer was making my 18" cab serve as a dolly to get his bag of stands out the door. |
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#19 (permalink) |
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Tele-Meister
Join Date: Mar 2009
Location: Morgantown, WV.
Posts: 282
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A VT-22 was my first big amp and had Fender/CV speakers--the heaviest amp I ever owned. It also needed to be cranked all the way up to get ANY distortion--it sounded good till the cops showed up. Next stop, a black panel Deluxe. The cops still came, but at least I got to play a few songs first.
If you're liking the Ampeg sound, look for a V2 or V4 head--a separate cabinet will probably sound better anyway. |
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#20 (permalink) |
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Tele-Meister
Join Date: Mar 2003
Location: Austin, TX
Posts: 448
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That Ampeg is a great tone on record and it's cool that you dug it but you need to plug into the Peavey to really make an informed decision.
He has vintage stuff for the studio, but Steve Earle gigs with a Classic 50: "I've blown up one Classic 50 in the 15 years I've used them, and that was because I shoved it over" (July '09 Vintage Guitar). I'm not trying to steer you one way or the other, just saying take your time and really check stuff out. Chasin' the tone is part of the fun. dB |
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#21 (permalink) |
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NEW MEMBER!
Join Date: Jun 2009
Location: Elk Grove Village, IL
Age: 48
Posts: 6
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Hello:
I owned a Peavey Classic 50 during the late 1990s and early 2000s, which I have since sold. Big mistake - it was a wonderful sounding amp. Mine had 4 x 10" speakers, a number of pros told me it was the nicest sounding amp they had played. The only drawback, was the weight. It had a clean and overdrive channel, good reverb, but no tremolo. Thing was built like a tank, too. I'm thinking of getting another Peavey tube amp, partly to memories of the one I sold. |
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#22 (permalink) |
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TDPRI Member
Join Date: Sep 2008
Location: Teleworld
Posts: 98
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Just based on the weight considerations alone, I will pick the Peavey. It's no joke when you develop hernia. After years of gigging and lugging heavy amps around town, I've become conscious of amp weight. Everytime I check out an amp, I find out how much it weighs first. The Peavey Classic 50 4 x 10 is about the heaviest amp I want to handle.
Plus, the Peavey sounds very good. A good range of warm clean and good overdrive sounds for most gigging situations. Nice reverb too. |
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