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#1 (permalink) |
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TDPRI Member
Join Date: Sep 2007
Location: Ithaca, NY
Posts: 98
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The Fender Princeton (non-reverb) Thread
Greetings All,
This is for that selective few that have a preference for, questions about or reviews of the the often overlooked Fender Princeton (non-reverb) model. I am mostly talking about the blackface (1964-1967) and silverface (1968-1979) models. Many are the threads that warn interested potential buyers that the Princeton is NOT the same as the Princeton Reverb and that the Reverb models are unquestionably superior. And, though I think that anyone who dismisses the unparalleled beauty of the venerable Fender tube-driven spring reverb likely needs new caps for their head :-), I'm here to stand up for the great tone and usefulness of the NR models. Though many cite the added tube and accompanying gain stage as the primary reason they prefer the PR, I will just say that I have developed an immense fondness for my 1965 Princeton specifically BECAUSE it does not break up starting at 5 on the volume knob. I've played lots of both versions of this model, and with a Tele I often find the overdrive on Princeton Reverbs to be loose, splatty and lacking in sustain. Chords can sound really cool in a Kinks/early Stones kind of way, but leads are another story. Now, before anyone gets indignant, I usually set the volume anywhere between 5 and 9 (depending on the room), and the Treble and Bass around 2 or 3. Anything higher and I tend to get too much ice-pick and bass flub. I also keep my Tele's tone knob around 7 or so to smooth it all out. My Princeton NR just has a gorgeous tube clean with a dose of richness that you can't get from a PR set at 8 on the volume. I also replaced the original Oxford speaker with an Eminence Ragin' Cajun (based on the suggestion of many on this Forum), and that adds a much louder, tighter, warmer, fatter and punchier element that easily allows my particular Princeton to keep up with a hard-hitting drummer, electric bass and lap steel. I just get a louder Fender tube clean with mine than any reverb model I've played has been able to deliver. I also put JJ 6V6S power tubes in, which seem to give it more overall presence and punch as well. I just use a Tube Screamer-type overdrive to goose the amp into the next level of VERY CONTROLLABLE tube grind when I need it. And, even with the TS engaged, I can ride a huge range of clean-to-drive tones just using my Tele's volume knob and picking dynamics. So, for anyone interested in getting the best out of a Fender Princeton non-'verb, I highly suggest a trying good tubes and an efficient speaker, especially if you already use an overdrive pedal for drive tones. With these changes (and strong caps, of course), they're kinda like a manageable, lightweight baby Twin that you can run on from 6 to 9 for the best tone and have just the right volume level in a group setting. At least, that's what I'm getting out of it. Hey, if it's good enough for Mike Campbell... And, if you don't agree -- that's cool, too. c-pop |
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#2 (permalink) |
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Friend of Leo's
Join Date: Jul 2008
Location: Brooklyn, NY
Posts: 2,933
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Agree 100%! I absolutely Love my 1965 non-verb. I've debated selling it and buying a 'verb model, but every time I plug my '52RI Tele into it, or my Strat, or my Les Paul, I instantly remember why I love the thing so much. It's the most beautiful clean tone I've ever heard: chimey, but with a gorgeous sag due to the tube rectifier that allows for loads of spank and snap and twang. I've yet to use it in the studio, but I'm willing to bet it's going to record amazing as well. I was psyched to see Mike Campbell using two of them on the last Petty tour. Ever since I bought mine, I've been surprised that more players don't use one. And best of all, they are THE vintage amp bargain out there. I got mine a few years back for $350, and that was with all NOS tubes and an extra set of NOS 6V6s included. I'm sure you can pickup a blackface now for less than $800: a steal, imho.
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#3 (permalink) |
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Tele-Afflicted
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This is a good thread to have around! I'm hoping to build my first amp this year (if I can save the money for parts) and have settled on the Tweed Princeton circuit!
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Two Teles + One Strat + Three Acoustics (6, 12 & solidbody 6) + Two Mandolins (4 & 8 strings) + One Bass (5 strings) = 59 strings total |
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#4 (permalink) |
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Friend of Leo's
Join Date: Dec 2005
Location: SW CR IA US NA PE
Age: 29
Posts: 2,834
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The tweed Princeton is cool, but it's a much different beast than the BF Princetons C-Pop is discussing.
Good luck with your build, though. If you have any questions along the way, just holler! - Scott |
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#5 (permalink) |
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Moderator
Doctor of Teleocity
Join Date: Mar 2003
Location: Ocean Pines, Maryland, USA
Age: 50
Posts: 13,047
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About fifteen years ago, I had a really fine 1966 BF Princeton, and it was indeed delicious, tonally.
I will note that, dimed, it was just about as loud as a PR on about "6", and I found the level of breakup about the same (as in not much!). I had it modded for more gain (losing the tremelo) which made it about the same output as a PR, and gigged with it a few times, but had it returned to stock (I liked how it sounded, but it just seemed a shame to not have the tremelo!), and later sold it during a time of extreme financial distress. I miss that amp! If I still had it, I think I'd go with a clean boost pedal rather than modding it... Cheers, Tim
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http://www.moodswingers.org |
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#6 (permalink) |
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Tele-Meister
Join Date: Aug 2008
Location: jacksonville florida
Age: 31
Posts: 141
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i have to agree! i have a 79-80 SF Princeton that gets most of my playing time. i also have a vintage 65 vibrolux (that is my all time fav amp)and a 69 SF Bassman that because volume do not get much home use..... the vibrolux used to be the go to for everything, but as time has gone on, and i have been using the priceton more i find it to be more and more to my liking... it is a very dynamic amp... at all volumes above 5... i too use my guitar volume alot and my right hand to controll the sound. and i find the OD to be ... articulate if you will
... i used to think "less" of it because it was a later model and not a BF but after having it tuned up and listening with my ears an not my eyes..... i would have to say one of the most underated fender amps out there, and yes a steal $$ in comparison! |
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#7 (permalink) |
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Tele-Meister
Join Date: Apr 2007
Location: Montreal
Age: 39
Posts: 444
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I had a BF that had an SFPR front panel (the guy had both and liked the SFPR but the BF look). It really didnt do anythign for me. I am (of course) kicking myself now. Since I got my VC I realise that I can live without reverb ;)
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DISCLAIMER: Just because I said it doesnt mean you should do it. As always, wear your rubbers, probe with one hand, and make sure you have discharged everything. |
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#8 (permalink) |
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Tele-Meister
Join Date: Apr 2004
Location: Saratoga, NY
Age: 55
Posts: 495
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I have both an 69 SF Princeton and a 67 BFPR. They both get plenty of use for sure. The SF has the most beautiful clean tone and is to die for with and external reverb. I always crank it to 10 and once I put on the NOS tubes, it really warmed up a lot. It is my favorite on gigs where I want to keep the volume down as once it's up, the boys have to limit their sound to stay at my level.
I would never sell either |
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#9 (permalink) | |
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Friend of Leo's
Join Date: Jul 2008
Location: Brooklyn, NY
Posts: 2,933
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Quote:
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#12 (permalink) |
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Tele-Holic
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I had a near-mint BF non-reverb Princeton which I stupidly sold before I moved to Yurrp thinking I couldn't use it here. I sold it for 75 bucks (in 1990). <sigh>. I sure wish I had that amp again. I've threatened to kill the guy I sold it to (an acquaintance) hoping that would frighten him into selling it back for what he paid, but he just laughed at me for some reason. I also put a SF Bassman in the trash.
steven
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"When you have to kill a man it costs nothing to be polite" - WSC |
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#13 (permalink) | |
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Friend of Leo's
Join Date: Jul 2008
Location: Brooklyn, NY
Posts: 2,933
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Quote:
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#15 (permalink) |
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Tele-Holic
Join Date: Mar 2003
Location: Yolo County CA
Age: 61
Posts: 906
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My SF Princeton was a serendipitous find - at the dump. A cleaning, new tubes, a MOD 10-70 speaker, a run through by an amp tech and its a good little gig amp, especially with a 1x12" ext cab. Used at an outdoor county fair gig last year - miked, of course - with a Marshall BB-2.
What's really good is that, as much as the amp is now part of my gigging gear, I never would have thought about buying Princeton. |
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#16 (permalink) |
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Tele-Meister
Join Date: Apr 2004
Location: Saratoga, NY
Age: 55
Posts: 495
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Yes, a 63 reissue. I did the 6k6 tube swap also. Into that SF Princeton, it is sweet. When I use that setup, I don't use any pedals(they seem to give the reverb some trouble, at least to my ears), Volume, bass and treble are all on 10 on the amp. I leave the guitar wide open and just use hand dynamics, tone control and play in different spots on the guitar with and without a pick to get the tones and volumes I want. Using my Tele with the Don Mare's in it is the most beautiful clean I have ever heard. Not good for everything or everyone, but to me, stunning.
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#17 (permalink) |
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Friend of Leo's
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My first amp was a silverface Princeton (NR). I think it's still in my mom's garage or something. I should dust it off.
__________________
"Turn it up and it doesn't need any reverb." - Danny Gatton www.dannygatton.info Tiger Town Aces - Music That Bites Back In Redd we trust! Free Bill Kirchen! If lawyers are disbarred and clergymen defrocked, doesn't it follow that electricians can be delighted, musicians denoted, cowboys deranged, models deposed, tree surgeons debarked, and dry cleaners depressed? |
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#22 (permalink) |
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NEW MEMBER!
Join Date: Mar 2008
Location: San Francisco
Posts: 1
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Love this thread...
I respectfully cast my vote. Finally, a great amp that gets some kind words. My 1973 Princeton was one of the first tube amps I ever got. It helped me to really appreciate low wattage tone and is totally pedal friendly. From bedroom to bandstand...I just love mine. Humble speaker suggestion...leave it a 10". Plugging it into a separate 12" works just fine. |
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#23 (permalink) |
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Tele-Afflicted
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+1 here!
I'm a huge fan of the non-reverb Fender BF/SF amps. I'd love to have one of each! I have a non-reverb Deluxe that I love and a Bassman.
If I want reverb, I have a Fender Reverb Unit for that. The Princeton is a great amp! Johnny Isaacs
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Myspace music page I've never trusted a guitar player who hasn't licked a few 9volts... Famous last words...... after this one, no new Tele's! |
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#24 (permalink) |
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TDPRI Member
Join Date: Sep 2007
Location: Ithaca, NY
Posts: 98
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Hey JJ,
Nice road case. I agree -- I use mine with drums, bass, and lapsteel and it works great in a live group setting. The Ragin Cajun definitely ups the volume and thickness of this model. Cheers, c-pop |
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#25 (permalink) |
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Tele-Meister
Join Date: Nov 2007
Location: Maine
Age: 54
Posts: 225
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In a similar vein, I have a 1964 Concert that is sort of a "poor man's Super Reverb". Incredibly, I see vintage Fender reverb unit's going for more on ebay than the blackface Concerts! I also think it's a little Twin-like, though with way more balls than a Princeton. I use it with or with an Alesis Nanoverb, great either way. It's ss-rectified, but that just adds to the Twin-like vibe.
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#26 (permalink) | |
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Doctor of Teleocity
Join Date: Aug 2004
Location: The Jersey Shore
Posts: 10,772
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Quote:
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Whish me luck. |
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#27 (permalink) |
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TDPRI Member
Join Date: May 2006
Location: New York City
Posts: 53
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Has anyone in this thread noted that the 2 channels in the non reverb blackface Fenders are in phase and can be "jumped" with a simple guitar cord? Better yet an A+B box in the middle can let you use the 2nd channel as a built in distortion box , with tone controls. Very cool!! J. Peden
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#28 (permalink) | |
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Doctor of Teleocity
Join Date: Aug 2004
Location: The Jersey Shore
Posts: 10,772
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Quote:
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Whish me luck. |
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#29 (permalink) |
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Tele-Holic
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I've had this Princeton (a 76?) for over 20 years. It's currently my living room "surf" set-up! I put in a Copperhead speaker and NOS tubes, I'm set for life here!
__________________
I got the rockin' pneumonia, I need a shot of rhythm and blues! http://www.myspace.com/javablue |
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#30 (permalink) |
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Tele-Afflicted
Join Date: Mar 2003
Location: Bossier City,La.
Posts: 1,621
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Howdy,
Count me as being disappointed with the BF '65 Princeton. I had one for several years and to my ears, it didn't excel at anything. It wasn't good for getting my Ya-Ya's Out, like with my '68 Vibro Champ; that is it just didn't do raunch well. The trem was rather weak, too. As for clean tones, the 6V6s and 10-inch AlNiCo speaker just weren't terribly good with my Teles. So what does this amp do well? On balance, she was trouble-free, portable and good for playing in assemblies at school; that is, it was a better choice than my little Vibro Champ for that sort of thing. Swapped my BF '65 Princeton for an equally clean, mint '90 red knob "The Twin" and have never looked back. Now I've got an amp that excels at something: clean. I'm satisfied. If you like the BF Princeton, enjoy. If we all had the same tastes and preferences, this world would be awfully boring. I hope I haven't offended anyone; it's just that the BF Princeton proved a disappointment to me. Eggman PS: I hope I haven't come across as a flamer; It's just that I saw this thread and it reminded me of my disappointing experience with respect to tone. |
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#31 (permalink) |
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Tele-Meister
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I have owned a 1965 non-reverb Princeton for over 35 years. It's dead stock. In all those years it's needed only a couple of tubes and a new wall plug.
I always wished it could growl, but it never really did with my old 335 and old Gretsch. It had a beautiful crisp tone, but no real "growl." However, about a year ago, I purchased a Texas model Highway One Telecaster. This is the model with the very hot pickups (that some love and some hate). The Texas tele and my old Princeton are a match made in Heaven. With volume cranked, that setup produces the most fantastic warm distortion I believe I've heard. The Princeton allows the Texas to give a range of tone that some have stated is not possible with this guitar. Fender knew what they were doing with the Texas model after all ...they must have had an old Princeton around. My Princeton is not for sale. Ever.
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. -- Terry |
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#32 (permalink) | |
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Doctor of Teleocity
Join Date: Aug 2004
Location: The Jersey Shore
Posts: 10,772
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Quote:
About ten years ago I had 2 silverface Princetons. One sounded pretty good (though not as good as the one I have now) and one sounded- dull and lifeless. Maybe it's the caps and resistors or something.
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Whish me luck. |
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#33 (permalink) | |
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NEW MEMBER!
Join Date: Dec 2008
Location: Holly Springs, NC
Posts: 2
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This is my first post here, in fact, I found the forum while searching for info on the Princeton (NR) amps. I just picked up a non-functional '68 and am planning on getting started getting it back into shape.
I was wondering if anyone had any feelings about some of the mods that are out there for the PR amps (Blueprinting, stokes, paul C) mods? Are these even applicable to the NR version? Perhaps someone could recommend a few 10" speakers that work well with this amp. Here's a copy of a post I made in another thread regarding this amp - feel free to comment! Quote:
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#34 (permalink) |
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Poster Extraordinaire
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i played last night my first gig with the silverface-princeton. the place was sooooo small, i could only turn it up to 4. i had it hooked up to a marshall 2x12" cab and had the most elegant, organic sound. 3 steps away was a table with 10 people eating and they had no complains. tomorrow night we will play in a rock-place. i will crank it up to 7 and the little princeton will blast. incredible amp. the only thing that bugs me, is the transormer, that runs on 110 volts and that i always have to carry a large 220/110-thing. i will get that changed whn its time to change tubes i guess.
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#36 (permalink) |
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TDPRI Member
Join Date: Nov 2008
Location: Twin Cities
Posts: 54
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Here's my Princeton story. In 1998 I was done with my originals band and moving into a small apartment. The amps I had were way too loud for apartment living so I stopped at the local used guitar shop to find a smaller amp and unload the big ones. This BF Princeton was sitting, lonely, in a corner of the store. I played it for a few minutes and then bought it for $250. I played the amp on and off over the last 10 years at home, mostly with the volume not above 3 and didn't really think that much about it.
Last spring, coworkers at my new job asked me to join the "company" band and fill in for the rhythm guitarist that was going to be on vacation. So I had to use the Princeton. I was surprised at how well it held up for rehearsals and the gig. I used a MXR comp, Tube Screamer, and Matchless Hot Box in front of it. Only problem was the amp was just a little too quiet for the 6-piece band. So I decided to see what I could find out about the amp and get it fixed up. I found out that the date code on the amp makes it a 1964 Princeton. The 10" speaker was some sort of Utah speaker which was not original to the amp, but was about the same 1964 vintage. I ordered new JJ tubes and a new Weber speaker (the one they recommend for Princetons) and took it to Savage amp's repair shop for a look-see. The inside was very clean with all original parts. But the trem was very weak. Savage ended up replacing the output caps and the caps for the trem and then setting the bias for the new JJ tubes. They popped the speaker in there for me, too. She's pretty loud and clean now and the trem is great! So new tubes, speaker, and caps totals up to about $400 of repairs back into this little $250 amp! I've got a new 1x12 cab I'm going to use as an extension and I'd also like to get a 2x10 cab to re-use the Utah speaker. When I was at Savage they let me try a few speaker cabs with the Princeton and a 1x12 fills out the bottom end nicely while a 2x10 made it much more aggressive sounding. I almost think I'd like to move the amp into a head chassis and run the 1x12 and a 2x10 cab at the same time. Anyone know what the ohmage requirements are for the BF Princeton internal and extermal speaker outputs? The original Utah and the replacement Weber are 8 ohm speakers. Would I be OK with 2 8 ohm cabs on this thing? |
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#38 (permalink) | |
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Poster Extraordinaire
Join Date: Mar 2005
Location: Fullerton, CA
Posts: 8,708
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Quote:
I wouldn't mod it. Try new tubes and definitely replace the filter caps and the small electrolytics at the cathodes. Once you get it back to working, then decide what you want to "fix." Cool amp, nice photos :) By the way, the description of the Kinks/early Stones was dead on... I could also get the early Who from them.
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-- I constantly have to remind myself I'm a grownup and it's just the internet. |
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#40 (permalink) |
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Tele-Meister
Join Date: Jan 2009
Location: Columbus, OH
Posts: 133
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I have a brown '62 Princeton that I really like. Obviously, it uses a different rectifier tube, lacks a bass control, and has a different circuit, but it is a great amp as well. The only think I don't like is that it seems to lack low end. The speaker I'm using probably has something to do with it (C10R RI), but are the later models the same way?
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