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| Amp Central Station Amps, tubes, speakers & everything AMP related. |
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#1 (permalink) |
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Tele-Holic
Join Date: Sep 2007
Location: Halifax, Nova Scotia
Posts: 511
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Anybody ever build an amp with no knobs?
Just curious. My BFPR rebuild is the first amp I don't have to mess with the settings continuously to get what I want. I just have it set up and do everything from the Tele, crank the Tele up for crunch, back it off for clean, pup selection and guitar tone controls are more than I need to get everything I'm looking for....thinking it'd be easy to measure the resistance of the various pots at these settings and replace them with resistors. I wouldn't do it with this amp of course but just wondering if anybody ever has. I remember reading a John Lee Hooker interview (at least I think it was John Lee Hooker) where he claimed so much beer was spilt on his amp over the years you could never move the knobs anyway.
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http://www.myspace.com/darcyhoover |
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#2 (permalink) |
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Tele-Holic
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That's interesting Darcy! When I have my SFPR totally cranked (almost always), I find that I end up diming bass, and treble is about 8-9 anyway. This setting seems to work best for cutting through the mix when playing with the band at high volumes. If I'm playing by myself, I might back off the Bass and Treble a notch or two, but nothing really changes much.
Resistors WOULD work! Likewise in general, I control it all from the axe end..... I have an old 46 Princeton Woodie that only has 2-inputs. No controls at all. My 48 Gibson BR9 amp is only slightly better with a single volume knob. |
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#6 (permalink) |
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Tele-Afflicted
Join Date: Dec 2005
Location: SW CR IA US NA PE
Age: 28
Posts: 1,922
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I've done the amp-with-no-knobs (except volume) thing before, and while it's cool in a way, it's frustrating when you want to actually use it. You WILL end up wanting to plug in other guitars, or play at different volume levels. Since you're going to end up with just as many components shaping the tone, you won't improve the noise floor by leaving out the knbos either. Think of how much more expensive it will be when you have to swap speakers or pickups to chase the tone in your head, as opposed to twiddling knobs!
- Scott |
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#7 (permalink) |
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Friend of Leo's
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In the early '60's Epiphone made a guitar/amp combination where all the controls were on the guitar. I don't know if the preamp was built into the guitar or if it used regular controls. I think it had a special cable. I'll see if I can find an internet link.
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www.tuatha.net |
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#8 (permalink) | ||
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Friend of Leo's
Join Date: Mar 2003
Location: Flushing, Michigan
Posts: 4,632
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Quote:
Epiphone Quote:
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Timothy Jon Lamb |
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#9 (permalink) |
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Poster Extraordinaire
Join Date: Mar 2003
Location: LIttle Rock, AR
Age: 52
Posts: 5,494
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There's not really any "favorite settings" to duplicate with May. He uses the "Normal" input on an AC30 and the rest is disabled. On the "Normal" channel there's only a volume control and the "Cut" tone control on the power amp. The BM AC30 doesn't have the "Cut" either.
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#11 (permalink) |
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Friend of Leo's
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I saw Dan Armstrong demo his amps in our little town in the 70's, just a row of EQ sliders and one for volume and he could emulate a Fender, a Marshall, an Ampeg and just about any amp you could name, very neat idea that never caught on.
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If you are going to be a bear, be a grizzly !! |
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#13 (permalink) |
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Friend of Leo's
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Well, in his hands , kinda "Yes" really.
He explained how amps have certain frequency 'responses' and 'curves' and he just altered the bank of sliders to mimic that, it was never A,B'd with another amp on the night but the difference between the Marshall and Fender tones was quite marked and i wouldn't argue with Dan Armstrong. OK, i'm a good deal older, wiser and more cynical and realise all the different parts that make up an amp's 'tone' but it does seem a neat, simple idea, maybe if one volume slider cascaded into the other you could get a little 'grit' in your tone too.
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If you are going to be a bear, be a grizzly !! |
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#14 (permalink) |
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Poster Extraordinaire
Join Date: Mar 2005
Location: Lost Angeles and Orange County
Posts: 7,128
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I wouldn't do that with something like a BFPR style amp. I'd just mark the controls with masking tape. You never know when you need to adjust for a club's room acoustics, a different guitar (single vs humbuckers, etc), or a friend borrowing the amp. Besides, tastes can change over the years.
For more primitive amps, it could be really cool. I am thinking about building another 5w amp, with no controls... just plug in and it's open wide. |
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#15 (permalink) |
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Tele-Meister
Join Date: Jun 2007
Location: Gossip County
Posts: 294
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We had a "Simplest amp (not yet) alive" thread here a couple of months ago.
I'm thinking about building a Champ-style amp with nothing but an input, a pilot light and an on/off-switch. In that thread somebodu gave the Carling Parts no for a switch that would double as an on/off and stby-switch, so that you could have stdby on your amp without having to use another switch for it. Such an amp, perhaps with a 10" or 12" and a slightly beefed up OT would be nice.
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We shall not cease from modifying our amps. And the end of all our modifying will be to arrive where we started and know the circuit for the first time. |
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#16 (permalink) | |
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Poster Extraordinaire
Join Date: Mar 2005
Location: Lost Angeles and Orange County
Posts: 7,128
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Quote:
I've got a Gibson GA5 build using a 10" and it sounds great. I also run my 5f1-ish Champ head through 2x12"s or even a 15" Jensen P15N... great sounds. Do you still have that part number for the 3-way Power/Standby switch? I'd like to put one in my 5E3 build since the ground switch is for changing from 5Y3 to SS rectifiers on mine. |
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#17 (permalink) |
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Tele-Holic
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Johnny I don't have the part number but you can get it here - http://westlabs.com/Switches.HTML
or you can just wire up a center-off dpdt to do it, like this: http://www.netads.com/~meo/Guitar/Am...s/standby.html If you get a 3pdt, you can even switch both sides of the primary (required in the EU). I know, you're in california, but I still think it's better. steven
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"When you have to kill a man it costs nothing to be polite" - WSC |
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#18 (permalink) | |
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Tele-Meister
Join Date: May 2008
Location: Alameda, CA
Age: 33
Posts: 176
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Quote:
Ben |
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#19 (permalink) |
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TDPRI Member
Join Date: Mar 2008
Location: Brooklyn
Posts: 15
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My friend has a Rickenbacher amp from the 30s that not only has no knobs, it doesn't even have a power switch. It just turns on when you plug in the power! It's an awesome amp. Maybe it could use a hidden standby switch just for warm-up.
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#20 (permalink) | |
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Tele-Meister
Join Date: Jun 2007
Location: Gossip County
Posts: 294
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Quote:
The DPTTP switch in sjhusting's link seems to be the right one for that application though. A.
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We shall not cease from modifying our amps. And the end of all our modifying will be to arrive where we started and know the circuit for the first time. |
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#21 (permalink) | |
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Friend of Leo's
Join Date: Mar 2003
Location: Bucktown, Pa
Age: 47
Posts: 2,599
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Quote:
Yup...a guy I used to play with in NY used to blow harp through one of these. Serious honk. |
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#22 (permalink) | |
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Poster Extraordinaire
Join Date: Mar 2005
Location: Lost Angeles and Orange County
Posts: 7,128
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Quote:
The whole debate over cathode stripping is still wide open. A slow heat rectifier aside, I've routinely used no-standby power in several of my builds and have had no ill effects to tubes. Some folks have been running amps like that for years. If the cathodes are really stripping, they must be using stage names and doing so in clubs I don't frequent. I still use standby switches in most builds anyway, more out of a convenient mute switch than anything else. The higher plate voltages most people like to build amps with these days will eat a tube faster than cathode stripping so to will general heat wear and tear. As far as the 3 way standby, thanks sjhusting and 4 Strings! |
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