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#1 (permalink) |
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TDPRI Member
Join Date: Jan 2004
Location: Alicante, España
Posts: 46
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Tweed Deluxe clean vs JTM45 clean?
I have been convinced for a good while that I need a 5e3 and a JTM45 in my life. Lately I have become a big fan of playing through clean(ish) settings and hitting the amp with a boost/OD when needed.
If it helps, I'm pretty big on single coil pickups. I like playing classic rock & blues music, but want to get a really pretty, harmonically full clean as my base tone that will turn nice and nasty with the twist of the vol knob (or hitting it with a good pedal). So, I'm trying to decide which of these amps to go for 1st. How does the 5e3 clean compare to the JTM45?
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"the circle must be broken" |
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#2 (permalink) |
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Friend of Leo's
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No 5E3 experience here, but I use a JTM45 clone (Weber 6M45 kit with some mods) and KT66 tubes as an amp for clean tones:
The clean tone on that one is not very Fender-y, if you'd define Fender clean as that of a BF Twin or other BF amp. It is much fuller in the mids, with less sparkle on top; warmer & darker than the Fender tone, great for jazzy stuff, or for "pretty" sounding clean tones; not the best choice for twangy stuff. Oh, and the JTM45 has TONS of bass on tap - un-modded you can barely turn the bass pot up above 10 or 11 o'clock; there's a very simple mod for that, though, which tightens up the bass and gives the bass pot a more useable range. |
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#3 (permalink) |
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Tele-Meister
Join Date: Oct 2006
Location: Maryland
Posts: 417
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I use a 5E3 with a vintage style tele partscaster. The cleans in the bright channel, amp tone @ 12, are huge, fat, and crisp, just gorgeous.
The amp has a touch sensitive sweet spot a mile wide. I set the amp volume such that I have the clean sound I want with the guitar volume rolled back. Advancing the guitar volume takes it through the sweet spot into full OD. I have an RC kit on the guitar volume so things don't get muddy with the guitar volume down. Sorry, can't tell you about Marshall, no experience there. |
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#4 (permalink) | |
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Friend of Leo's
Join Date: May 2004
Location: Tennessee
Posts: 2,778
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Quote:
The Marshall does have more headroom with volume because of higher wattage. Marshall cleans are vastly underrated. You can also jump the channels and get lots of good tones. I'e been a lifelong Fender and Musicman player, but gigged a Marhsall Bluesbreaker (virtually a JTM45) for a couple of years and was completely bowled over, it was an absolute joy to play live. Rich, rich cleans. You should try both for yourself, I could be happy and productive with either one. |
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#6 (permalink) | |
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TDPRI Member
Join Date: Jan 2004
Location: Alicante, España
Posts: 46
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Quote:
I can always mic the thing up, but it needs some clean. Yours sounds like it has really no clean headroom at all... Is that normal?
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"the circle must be broken" |
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#7 (permalink) |
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Tele-Meister
Join Date: Jan 2008
Location: NJ
Posts: 118
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I have a 12ay7 in V1, 12ax7 in V2, and to 6L6, all Nos. My deluxe is putting out double the power most kits are. However, the circuit is identical to a late 50's 5e3.
You could mic the clean, but I think at such a low volume you wouldn't be getting any real tone out of it. Again this is my opinion, and I am new 5e3 user. |
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#8 (permalink) |
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TDPRI Member
Join Date: Jan 2004
Location: Alicante, España
Posts: 46
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Well, I'm a bit surprised especially as you have 6L6's... Maybe I should get a DRRI, 5e3 and a JTM45
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"the circle must be broken" |
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#11 (permalink) | |
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Tele-Meister
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Quote:
The JTM45 was based more on a Tweed Bassman than anything else, wasn't it? |
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#12 (permalink) |
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TDPRI Member
Join Date: Jan 2004
Location: Alicante, España
Posts: 46
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Gig volume clean isn't a requirement of mine at all (at least not un-mic'ed). I
You are correct the Bassman & the JTM45 are essentially the same amp. Main differences are the power tubes as I understand it. Then of course the Marshall cab of the day was very different to the Bassman one. I have read that a JTM45 through a Bassman cab sounds very like a Bassman.
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"the circle must be broken" |
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#13 (permalink) |
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Tele-Meister
Join Date: Jan 2008
Location: NJ
Posts: 118
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Also, if you are looking into the 5e3, the volume knob's are very different than what you maybe used to. From 0-2 you get a gradual increase with a decent clean tone, but once you go to 3 the volume jumps with overdriven tones, and it is no longer a bedroom amp.
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#14 (permalink) | |
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TDPRI Member
Join Date: Jan 2004
Location: Alicante, España
Posts: 46
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Quote:
But really I think this is getting a little off topic. I was really interested in comparing the quality of the 5e3 clean to the JTM45.
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"the circle must be broken" |
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#15 (permalink) | |
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Friend of Leo's
Join Date: Mar 2003
Location: Lubbock, TX
Posts: 3,294
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Quote:
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#16 (permalink) | |
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Friend of Leo's
Join Date: May 2004
Location: Tennessee
Posts: 2,778
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Quote:
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#18 (permalink) |
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Friend of Leo's
Join Date: Nov 2004
Location: Mint Hill, NC
Age: 62
Posts: 4,397
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when i'm thinking of clean sound, neither one of those models springs to mind ....
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Truth is stranger than fact ... www.myspace.com/woodymitchellmusic BAND PAGES: www.myspace.com/stragglerswing (Stragglers - Western Swing) www.myspace.com/loafersgloryband (Loafers Glory - '70s country-rock) |
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#19 (permalink) | |
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Tele-Meister
Join Date: Jun 2007
Location: Gossip County
Posts: 169
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Quote:
I just love the way my 5E3 sounds clean at bedroom levels. I built it to get its fabled OD tones, but I was absolutely stunned at how nice it sounds clean. However, I really wouldn't depend on it as a clean amp at a gig. JMHO, but it is too quiet to be of any use unless you've got a really quiet band. Good thing here is that the only thing I can think of that sounds better than a 5E3 clean is a 5E3 at overdrive! The only solution is to build a 5E3, a 5F6A, a Deluxe Reverb clone and a JTM45! Your saying "I have 1. been convinced for 2. a good while that 3. I need a 5e3 and a JTM45 in my life" is a very promising sign!
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We shall not cease from modifying our amps. And the end of all our modifying will be to arrive where we started and know the circuit for the first time. |
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#21 (permalink) |
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Tele-Holic
Join Date: Jan 2004
Location: Seattle, WA
Posts: 928
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Not underrated to me - I've always loved Marshall cleans. STill, the best clean I've ever heard is my Bogner Shiva which is an EL34 80 watt amp.
I tried to post a sample of it, but this site doesn't accept mp3's apparently. |
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#22 (permalink) | |
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Friend of Leo's
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Quote:
Well, as for the JTM45 - maybe not an "American"/twangy country clean, but this amp has quite a bit of headroom before it starts to crunch; doesn't the guy from the Red Hot Chili Peppers use a JTM45 for his clean sounds? For slightly darker, jazzy/bluesy cleans, IMHO the JTM45 is one of the best amps available... BTW, I don't play mine the traditional way through a 4x12" cab, but through an open-back cab loaded with 1x10" and 1x12". |
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#23 (permalink) |
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Tele-Afflicted
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Could depend also on where the volume is set on the other channel. I had a Li'L Dawg D-Lux and got very usable cleans. But I also had a JBL clone for a speaker. That is a factor obviously.
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__________________________________ "Yeah, well, you know,...that's just, like, your opinion, man." The Dude
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#24 (permalink) | |
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Tele-Afflicted
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Quote:
I would agree that the 5e3 is not known for cleans and it really isn't what that amp is for. The best for Fender cleans at usable volume IMO is a SF Pro Reverb. Sweet...beyond compare, and lighter than a Twin.
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__________________________________ "Yeah, well, you know,...that's just, like, your opinion, man." The Dude
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#25 (permalink) |
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Poster Extraordinaire
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It's like comparing an early low power tweed with a late high power tweed Bassman (with a warmer midrange).
Cleans? Go with the JTM45. If you have an attenuator the JTM45 can cover it all. Angus Young uses a JTM45 often for solos... but at that volume you're neighbors will kill you. |