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#1 (permalink) |
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Friend of Leo's
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NGD- Martin D-28 Buyers remorse
I got a decent buy on a 1983 Martin D-28 and jumped on it.
It has been played(loved) for quite a few years. It has a few battle scars but the integrity of the guitar is still there. The sound is amazing and fills a room. Here's where the remorse comes in. I own a Takamine EAN-10 c which is the best playing acoustic I've ever owned and probably ever will but the huge sound is not there when played acoustically. When plugged in,she's a monster. Do I keep the Martin or resell it? I've always wanted one but I just can't put the Tak down. When I A/B the 2, I always go back to the Tak because of the playability. I've tweaked the Martin and it's still a stiff player. As a matter of fact it's still too stiff. But the sound... Then one chord on the Martin and I'm torn again.
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The Hobbster "If you know "how" to play, a Peavey Bandit is all you need." |
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#3 (permalink) |
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Friend of Leo's
Join Date: Jan 2007
Location: Mid-Michigan
Age: 62
Posts: 3,670
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What is the scale length of the Tak? Shorter scale = softer feel. Do you run the same gauge strings on both guitars?
I play dreads w. Medium gauge strings. A proper set-up makes a huge difference. Maybe it needs a bit more tweaking, e.g. nut slot height, etc? Nut height off just a bit makes a big difference in feel on the lower (headstock) part of the fretboard. It sounds like you really like the Martin. IME it is quite a different guitar than the Tak. Most Tak A/Es I've encountered could be set up with near electric guitar 'feel', but were not too impressive acoustically. If it were me, I'd make sure it is set up as well as possible and then spend more time with it getting to know it, easing into it over several weeks. You may find that it becomes quite comfortable. |
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#5 (permalink) | |
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Friend of Leo's
Join Date: Mar 2003
Posts: 2,806
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Quote:
Find a really good *acoustic* guitar tech. And bring your Takamine so that he/she knows what you consider a great setup. No good acoustic is going to play like a Telecaster--higher action, and thicker strings contribute to great tone and volume--but most Martins are setup so that they don't buzz when heavy handed bluegrass players lean in. (The reason, of course, is that on an acoustic you can lower the action at the saddle easily enough, but raising it requires fabricating a new saddle.) |
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#7 (permalink) |
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Tele-Meister
Join Date: Jul 2010
Location: Woodland Ca
Posts: 110
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sounds like it's in need of just a good set up, Check this place out it has good info on how to read your guitar. Click on tech stuff on top tool bar
http://www.thekrashsite.com/annex/ |
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#8 (permalink) |
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Friend of Leo's
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Thanks for all the input.
I've been doing my own set up for 30 years and while I'm not a pro, I usually always end up with a great playing guitar. The strings I use are always the same brand and gauge. This guitar just 'feels' stiff. Maybe I'm just spoiled as most who have played my Tak (bluegrass snobs included) always comment on how effortlessly it plays. I played a couple other Martins today and they feel the same. Maybe I'm just not a Martin guy.
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The Hobbster "If you know "how" to play, a Peavey Bandit is all you need." |
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#9 (permalink) |
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Tele-Afflicted
Join Date: Aug 2003
Location: Cochise, AZ
Posts: 1,674
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Martins have a history of not being easy players, so I'm not surprised. I've had a D76 since New in 1976 and have had several other D28s over the years. They were all a little harder to play than Gibsons etc, but the tone is uniquely Martin. Big booming sound.
Winnie
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I have noticed that happy people are often evaluating themselves and unhappy people are always evaluating others. -William Glasser |
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#10 (permalink) |
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Tele-Afflicted
Join Date: Mar 2003
Location: Central Massachusetts
Posts: 1,061
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What you are experiencing is exactly what I am going through with the difference between my Guild D55 and my older Gibson J-30. While a proper luthier's set up made a world of difference in the D55, the Gibson is the player...but the SOUND that comes out of the Guild...
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#12 (permalink) | |
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Friend of Leo's
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Quote:
A high end Tak is a treasure and a well kept secret until now. Looking at your profile, I kinda think your addicted.
__________________
The Hobbster "If you know "how" to play, a Peavey Bandit is all you need." |
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#13 (permalink) |
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Friend of Leo's
Join Date: Mar 2003
Location: Houston, Texas
Age: 52
Posts: 2,943
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It sounds like your two guitar compliment each other and offer opposing tastes. DON'T make them the same guitar. (I did that once with some tele's)
I have my Gibson tone monster, finger picker, and a 30 year old Yamaha beater that is just a blast to play. Round shoulder vs. OOO. Completely different, and they are both a treat every time I play them. I respect them for being different. It is just "what flavor appeals to me today".
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"Yeap, I like the American Standard Telecaster, I can even live with one a them PCB amps, and I even use one a them mul-tie-effects things too." |
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#14 (permalink) | |
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Friend of Leo's
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Quote:
I've almost dialed the D-28 in and it's playing better. The sound is so incredible. I guess I can use the Tak on the widdly-widdly tunes.
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The Hobbster "If you know "how" to play, a Peavey Bandit is all you need." |
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#15 (permalink) |
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Poster Extraordinaire
Join Date: Aug 2006
Location: GA
Posts: 7,741
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What is the scale length of the tak, that could be why the martin feels "stiff". How's the action on the d-28?
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-"You do not merely want to be considered just the best of the best. You want to be considered the only ones who do what you do" J. Garcia |
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#16 (permalink) |
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Friend of Leo's
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Keep them both because Martins are great and good for "open-the-case-face." Well, I always am shocked when someone pulls one out of the case because they cost so much and I've never had one.
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"Discipline is the bridge between goals and accomplishment." Jim Rohn |
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#17 (permalink) |
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Friend of Leo's
Join Date: Mar 2003
Location: Houston, Texas
Age: 52
Posts: 2,943
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By the way HOBBS, both my acoustics are orignal equipment guitars through and through. On a whim, I stuck a TUSQ saddle on the Yamaha verses the original equipment plastic saddle. Sure, it was clearer, brighter, louder, but now it missed that special "thump" that was so wonderful.
So I am putting the original plastic saddle back on during my next string change. Adjust them, put good strings on, and leave them alone...just play.
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"Yeap, I like the American Standard Telecaster, I can even live with one a them PCB amps, and I even use one a them mul-tie-effects things too." |
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#20 (permalink) |
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Poster Extraordinaire
Join Date: Aug 2006
Location: GA
Posts: 7,741
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I thought they cleared up the bracing issues by the end of the 70s.
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-"You do not merely want to be considered just the best of the best. You want to be considered the only ones who do what you do" J. Garcia |
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