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Wood, what I always did to haul my Nakamichi around and run through the board in whatever studio I was using, playing Steely Dan tapes I made and also tapes of something Jimmy Bowen produced like Back to the Bars from Merle Haggard. I used that as a reference because I knew (and still do) what this stuff is supposed to sound like. So regardless of speakers or control room acoustics or eq settings I knew what needed to be backed off or boosted. I had to do this because 1) I didn't have time to flatten every room the way I wanted it 2) the room/speakers may not EVER get flat 3) a lot of people didn't want a 16 year old producer moving speakers around even though i was paying.
I think we're on the same wavelength here. I'm just saying the Yamahas will do fine. BUT, if/when you decide to move up you won't gain a lot by getting some $600 KRKs so save up and really move up.
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