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The long instrumental drone at the end of I Want You/She's So Heavy is rescued by Paul going absolutely nuts on the bass. His playing on Something is essential to the recording. And I can't pick up a bass without playing Lady Madonna or Taxman or both.
In the context of his time, Paul was really instrumental (groan) in freeing up bass playing in rock and roll music.
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"That number don't mean nothing to me if the guitar don't sound right." - Buddy Guy on the year a guitar was manufactured.
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