Here's another example of that same thing - the difference between using the three major chord arpeggios instead of the arpeggios built on each note of the scale. Here's with major triads, in the key of A:
Code:
E E D A E A
-------------------------------------------------------
----------------5--------------------------------------
--------------4-----------4----------------------------
----4--5----6------4----6-------4-7------7------6------
-5--------------------7-------5------4-7------7--------
--------------------------------------------7-------5--
And I could waltz a cross Tex as with you
And here it is with the diatonic triads:
Code:
G#dim E D C#min Bmin A
-------------------------------------------------------
----------------3--------------------------------------
--------------4-----------4----------------------------
----4--5----6------4----6-------4-7------6------4------
-5--------------------7-------5------4-7------5--------
--------------------------------------------7-------5--
And I could waltz a cross Tex as with you